The thread connecting the ambitious girl to the acclaimed woman is enough to make us wish for a sequel titled Chanel No. 2.
Coco Before Chanel (2009)
Tomatometer
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Reviews Counted:112
Fresh:73
Rotten:39
Average Rating:6.1/10
Consensus: Though it doesn't quite capture the complexity of its subject's life, Coco Avant Chanel remains a fascinating, appropriately lovely tribute.
Australian Theatrical Release:
Jun 25, 2009 Wide
US Box Office: $5,288,153
Synopsis:
Coco Before Chanel is the story of Gabrielle "Coco" Chanel, who began her life as headstrong orphan, and through an extraordinary journey became the legendary couturier who embodied the modern...
Coco Before Chanel is the story of Gabrielle "Coco" Chanel, who began her life as headstrong orphan, and through an extraordinary journey became the legendary couturier who embodied the modern woman and became a timeless symbol of success, freedom and style. The film portrays the formative years of Chanel's life, the years of Chanel spent discovering and inventing herself.
Coco Before Chanel is directed by Anne Fontaine (La Fille de Monaco/The Girl From Monaco) from a screenplay by Anne Fontaine and Camille Fontaine, with collaboration of Christopher Hampton (Dangerous Liaisons), loosely based on L'irrégulière (Chanel and Her World: Friends, Fashion, and Fame) by Edmonde Charles-Roux. The film is produced by Philippe Carcassonne (La Fille De Monaco/The Girl Class) and Carole Scotta (Entre les murs/The Class).
The director of photography is Christophe Beaucarne (Paris, Paint or Make Love); the production designer is Olivier Radot (The Lover, Queen Margot, Gabrielle). The film is edited by Luc Barnier, with original costumes by Catherine Letterier (Cesar Award winner for Bon Voyage and the Messenger: The Story of Joan of Arc). Alexandre Desplat (Academy Award nominee for The Curious Case of Benjamin Button and The Queen) composed the score.
The production was given the support of the Maison CHANEL, who opened their archives and collections. --© Sony Pictures Classics
Starring: Audrey Tautou, Benoit Poelvoorde, Alessandro Nivola, Marie Gillain
Starring: Audrey Tautou, Benoit Poelvoorde, Alessandro Nivola, Marie Gillain, Emmanuelle Devos, Regis Royer, Etienne Bartholomeus, Yan Duffas, Fabien Behar, Roch Leibovici
Director: Anne Fontaine
Director: Anne Fontaine
Screenwriter: Anne Fontaine, Camille Fontaine
Producer: Carole Scotta, Caroline Benjo, Philippe Carcassonne, Simon Arnal
Composer: Alexandre Desplat
Studio: Sony Pictures Classics
Reviews for Coco Before Chanel
Fontaine manages to create a film that captures both the essence of its subject and the times and circumstances that helped to shape her.
[T]here's a anesthetized feel to this sedate biopic that suggests a wrongheadedness in its focus: maybe the more interesting part of her life was after she became the icon of fashion...
As essayed by Audrey Tautou through Anne Fontaine's lens, this Chanel is dry as toast and the antithesis of her sensual sartorial creations.
A bit more of Coco becoming Chanel was what I expected, and what would have elevated this film beyond the typical period-piece love story fare.
In Coco Before Chanel, Audrey Tautou coolly charms as the designer in her formative years. On a scale of 8, the film is a Chanel #5.
Like the recently opened Amelia, the story could well be an accurate depiction of Chanel's life but it, too, is not all that engaging.
Coco Before Chanel only starts to get interesting when she asserts her creative and financial freedom -- and that's right when the movie's about to end.
We are used to seeing Tautou play the sweetheart. Here, she's anything but. Constantly smoking, dour, unsmiling, critical, she plays a character difficult to warm to but fascinating to watch.
It's nice when so many technical and emotional elements come together in a film. Coco Before Chanel is a hard luck, true life fairy tale story told with poignant humility, embellished with solid acting and determined direction.
Tautou is, as ever, radiant and deep and affecting, but a film about such an extraordinary personage as Chanel shouldn’t feel so ordinary and wan.
Although technically a biopic based on a nonfiction book by Edmonde Charles-Roux, Coco Before Chanel plays more like an engrossing, classy period piece.
This refreshing alternative to the usual potted biopic provides an absorbing look at a singular, steely determination as it was forged and annealed, long before it made itself known to the world.
Tautou's sophisticated portrayal won't allow viewers to dismiss Coco as kept. Coco's talents are too pronounced, her approach to intimacy, to life, too aware for that.
I wish Fontaine would follow up with a sequel: Coco After Chanel. Tautou's performance cries out for a second act.
The movie is most fascinating when it shows how Chanel communicated her enlightened sense of womanhood through her innovative designs, which in turn helped women feel differently about themselves.
It’s a perfectly nice period piece and biographical backgrounder, but the film feels as though it’s a meal of tasty side dishes that lacks a main course.
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