Control, masterfully, is an actual story, interested in the emotionally complicated limbos of Curtis' marriage, affair and illness.
Control (2007)
Tomatometer
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Reviews Counted:104
Fresh:90
Rotten:14
Average Rating:7.4/10
Consensus: Control is a work of art, thanks to its evocative black and white cinematography and sensational performances from Sam Riley and Samantha Morton. Even those not familiar with Joy Division can still appreciate the beauty of the film.
Runtime: 2 hrs 2 mins
Genre: Musical & Performing Arts
US Box Office: $801,112
Synopsis: Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for.... Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for. It's also a beautifully rendered piece of cinema about the crippling effects of love and regret, and the salvation we seek in art. Born out of England's post-Sex Pistols punk explosion, Joy Division played a dark, minimalist version of the nascent sound, and became cult heroes thanks in part to their brilliant yet disturbed frontman Ian Curtis (played by an eerily perfect Sam Riley). Corbijn does a wonderful job recreating the Manchester band's music and live show, cutting straight to the essence of Joy Division's unique appeal. Credit must also be given to the three actors who portray the rest of Joy Division. Playing all the instruments themselves, they perfectly capture the band's powerfully stoic presence, one that translates both live and on record into the sonic equivalent of an existential crisis. CONTROL, however, is ultimately about Curtis's tumultuous marriage with his wife, Deborah (Samantha Morton), and the way that Joy Division became an aesthetic manifestation of his pain--one that was both physical (Curtis was an epileptic) and emotional. Corbijn evokes Curtis's hurt and isolation with both honesty and subtlety: a photographer originally, he frames each shot to look like a stark black-and-white photo from an album the audience was never meant to see, making Curtis's pain palpable and his eventual suicide that much more tragic. The overtones to the later suicide of Kurt Cobain are hard to avoid, but where Cobain's suicide has always been discussed in terms of the pressure he felt as a rock star, Curtis's, as rendered by Corbijn, is a pain anyone could potentially be forced to suffer through. [More]
Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson
Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson, Toby Kebbell, Harry Treadaway
Director: Anton Corbijn
Director: Anton Corbijn
Screenwriter: Matt Greenhalgh
Producer: Orian Williams, Peter Heslop, Deborah Curtis
Composer: New Order
Studio: Weinstein Company
Reviews for Control
Sam Riley, a newcomer to the big screen who portrays Curtis with eerie accuracy, has the stringy, underfed looks of a schoolboy in the midst of a sudden growth spurt.
A tragic and overtly personal story about an ultra-sensitive artist of the 70s who finds his instincts push him beyond his comfort zone, and where guilt overtaxes his innate sense of decency.
Tender and heartfelt, Control is a technically accomplished and emotionally poignant portrayal of a modern icon made human again.
Where Control might have been literal-minded and sentimental, it is instead enigmatic and moving, much in the manner of Joy Division’s best songs.
Sam Riley is fascinating as Curtis, a hypersensitive young man hobbled by his incurable disease, and Samantha Morton is poignant as his put-upon wife.
Control” has an unmistakable pulse: a wiry, electric tension between the extraordinary spectacle of Curtis at maximum surge and the dented ordinariness of which his undear life, like ours, was mostly composed.
Control is a brilliant feature debut by Corbijn, and a compelling portrait of the life and art of the late Ian Curtis.
[An] absorbing and ultimately harrowing look at Ian Curtis' short, unhappy life.
Corbijin understands the essentials of the story. He succeeds, with Riley's help, in exhuming a flesh-and-blood person from the myth that Ian Curtis has become.
Has some trouble taking off before finally finding its way to a haunting conclusion.
A wobbly construction of facts, but as musical bio-pics go, it has real cinematic personality and avoids most of the painful clichés that tend to shadow these productions...you can sense Deborah's script-approval fingerprints all over the material.
Riley delivers a tremendous performance, not so much a mimic as a wholesale recreation of another human being.
Even if you're not a Joy Division fan, it's a compelling movie by a new director worth keeping an eye on.
(Curtis) was such an unfortunate man - just a boy really - whose existence was snuffed out by a lifestyle he could not possibly avoid.
At least Control does right by the doting wife, typically given the shaft in these movies as simply victim and toss-away, here played as heartbreakingly courageous by two-time Oscar nominee Samantha Morton (third times the charm?).
Renowned photographer, graphic designer and music video director Anton Corbijn makes an auspicious film-directing debut with a stunning biopic about Joy Division singer Ian Curtis that is irreproachable.
Latest News for Control
May 19, 2009:
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June 02, 2008:
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Look out! Starship Troopers and Transformers are about to assault your senses in HD, and soon you can choose Harold and Kumar's adventures. This week's new releases are... More...
December 14, 2007:
Atonement, Control Lead London Film Critics Noms
The London Critics Circle has announced the nominees for its year-end awards, with Anton Corbijn's Control and Joe Wright's Atonement leading the pack at eight nominations apiece. More...
October 11, 2007:
Critical Consensus: No Debatin' Clayton, Night Almost Owns, Elizabeth Not Golden
This week at the movies we got lawyer types (Michael Clayton, starring George Clooney and Tilda Swinton), dueling brothers (We Own the Night, starring Joaquin Phoenix and Mark... More...
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