Click to read the article
Control (2007)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:104
Fresh:90
Rotten:14
Average Rating:7.4/10
Consensus: Control is a work of art, thanks to its evocative black and white cinematography and sensational performances from Sam Riley and Samantha Morton. Even those not familiar with Joy Division can still appreciate the beauty of the film.
Runtime: 2 hrs 2 mins
Genre: Musical & Performing Arts
US Box Office: $801,112
Synopsis: Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for.... Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for. It's also a beautifully rendered piece of cinema about the crippling effects of love and regret, and the salvation we seek in art. Born out of England's post-Sex Pistols punk explosion, Joy Division played a dark, minimalist version of the nascent sound, and became cult heroes thanks in part to their brilliant yet disturbed frontman Ian Curtis (played by an eerily perfect Sam Riley). Corbijn does a wonderful job recreating the Manchester band's music and live show, cutting straight to the essence of Joy Division's unique appeal. Credit must also be given to the three actors who portray the rest of Joy Division. Playing all the instruments themselves, they perfectly capture the band's powerfully stoic presence, one that translates both live and on record into the sonic equivalent of an existential crisis. CONTROL, however, is ultimately about Curtis's tumultuous marriage with his wife, Deborah (Samantha Morton), and the way that Joy Division became an aesthetic manifestation of his pain--one that was both physical (Curtis was an epileptic) and emotional. Corbijn evokes Curtis's hurt and isolation with both honesty and subtlety: a photographer originally, he frames each shot to look like a stark black-and-white photo from an album the audience was never meant to see, making Curtis's pain palpable and his eventual suicide that much more tragic. The overtones to the later suicide of Kurt Cobain are hard to avoid, but where Cobain's suicide has always been discussed in terms of the pressure he felt as a rock star, Curtis's, as rendered by Corbijn, is a pain anyone could potentially be forced to suffer through. [More]
Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson
Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson, Toby Kebbell, Harry Treadaway
Director: Anton Corbijn
Director: Anton Corbijn
Screenwriter: Matt Greenhalgh
Producer: Orian Williams, Peter Heslop, Deborah Curtis
Composer: New Order
Studio: Weinstein Company
Reviews for Control
Control, masterfully, is an actual story, interested in the emotionally complicated limbos of Curtis' marriage, affair and illness.
Sam Riley, a newcomer to the big screen who portrays Curtis with eerie accuracy, has the stringy, underfed looks of a schoolboy in the midst of a sudden growth spurt.
A tragic and overtly personal story about an ultra-sensitive artist of the 70s who finds his instincts push him beyond his comfort zone, and where guilt overtaxes his innate sense of decency.
Ian's trapped between insurrection and guilt, and so is Corbijn's film which mires itself in the artist's bourgeoisie dramas without figuring out how they influenced his music.
Tells me more than I care to know about the ill-fated singer with a personality like talcum powder and songs fit to make the depressed even more depressed.
Film %u0107e stoga biti shvatljiv samo onim gledateljima koji detalje povijesti "Joy Divisiona" i Curtisovog %u017Eivota imaju u malom prstu, a to su, dakako, najokorjeliji fanovi.
Far from the fierce social consciousness of Mike Leigh, Control's images, if not its equally arresting performances, suggest a kitchen sink scrubbed clean.
Credit the filmmakers for not mythologizing Curtis. However, he just might be a bigger enigma after watching Control.
More expressive than Gus Van Sant's "Last Days" about a tragic music figure, but incrementally so.
Joy Division fans have already embraced Control, a film biography of short-lived lead singer Ian Curtis. Those of us who didn't follow the 1970s English band or the post-punk scene around it may feel less invested.
Control is like a wake where the guests forgot to bring the booze and, for the most part, have nothing very nice or even particularly interesting to say about the deceased.
Director Anton Corbijn seems determined not to let the music get in the way of the human story, and his fervor goes too far.
Curtis' story is scant and unremarkable, filled with every rock 'n roll cliché save for drug addiction, but Corbijn treats it as though it's some sort of epic.
It features lots of music from that time, and it has decent performances, but it fails to make the case for its fallen star.
Latest News for Control
May 19, 2009:
Cannes 2009: George Clooney to Play Assassin
There's a double dose of George Clooney news that's emerged at Cannes yesterday. Firstly, Variety reports that the greying star has signed on to topline A Very Private Gentleman... More...
June 02, 2008:
RT on DVD: Transformers, Starship Troopers To Invade; Avoid Jessica Alba's Eye
Look out! Starship Troopers and Transformers are about to assault your senses in HD, and soon you can choose Harold and Kumar's adventures. This week's new releases are... More...
December 14, 2007:
Atonement, Control Lead London Film Critics Noms
The London Critics Circle has announced the nominees for its year-end awards, with Anton Corbijn's Control and Joe Wright's Atonement leading the pack at eight nominations apiece. More...
October 11, 2007:
Critical Consensus: No Debatin' Clayton, Night Almost Owns, Elizabeth Not Golden
This week at the movies we got lawyer types (Michael Clayton, starring George Clooney and Tilda Swinton), dueling brothers (We Own the Night, starring Joaquin Phoenix and Mark... More...
More Movies
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 68% 68% | Sherlock Holmes | 26/12 |
| 40% 40% | The Lovely Bones | 26/12 |
| 100% 100% | The French Kissers | 26/12 |
| 85% 85% | Bright Star | 26/12 |
| 87% 87% | Nowhere Boy | 26/12 |
| 18% 18% | Alvin and the Chipmunk… | 26/12 |
| 09% 09% | Did You Hear About the… | 26/12 |
| 05% 05% | Old Dogs | 26/12 |
What’s Hot On RT
Other News
Sponsored Links
Fresh Links
Featured

Last week, Moviefone offered us their worst films of the 2000s. Now see their 40 best!

Movieline gets bravely swept away with the recycled refuse of the 2000s.

Get all the latest movie updates, reviews, interviews and features here.
Competitions

We're giving away a bunch of stuff from the upcoming Squeakquel.



Top Critic


