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Control

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Control (2007)

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Reviews Counted:25

Fresh:22

Rotten:3

Average Rating:7.4/10

Consensus: Control is a work of art, thanks to its evocative black and white cinematography and sensational performances from Sam Riley and Samantha Morton. Even those not familiar with Joy Division can still appreciate the beauty of the film.

Runtime: 2 hrs 2 mins

Genre: Musical & Performing Arts

US Box Office: $801,112

Synopsis: Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for.... Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for. It's also a beautifully rendered piece of cinema about the crippling effects of love and regret, and the salvation we seek in art. Born out of England's post-Sex Pistols punk explosion, Joy Division played a dark, minimalist version of the nascent sound, and became cult heroes thanks in part to their brilliant yet disturbed frontman Ian Curtis (played by an eerily perfect Sam Riley). Corbijn does a wonderful job recreating the Manchester band's music and live show, cutting straight to the essence of Joy Division's unique appeal. Credit must also be given to the three actors who portray the rest of Joy Division. Playing all the instruments themselves, they perfectly capture the band's powerfully stoic presence, one that translates both live and on record into the sonic equivalent of an existential crisis. CONTROL, however, is ultimately about Curtis's tumultuous marriage with his wife, Deborah (Samantha Morton), and the way that Joy Division became an aesthetic manifestation of his pain--one that was both physical (Curtis was an epileptic) and emotional. Corbijn evokes Curtis's hurt and isolation with both honesty and subtlety: a photographer originally, he frames each shot to look like a stark black-and-white photo from an album the audience was never meant to see, making Curtis's pain palpable and his eventual suicide that much more tragic. The overtones to the later suicide of Kurt Cobain are hard to avoid, but where Cobain's suicide has always been discussed in terms of the pressure he felt as a rock star, Curtis's, as rendered by Corbijn, is a pain anyone could potentially be forced to suffer through. [More]

Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson

Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson, Toby Kebbell, Harry Treadaway

Director: Anton Corbijn

Director: Anton Corbijn
Screenwriter: Matt Greenhalgh
Producer: Orian Williams, Peter Heslop, Deborah Curtis
Composer: New Order
Studio: Weinstein Company

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Reviews for Control

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1 - 13 (sorted by date; Australian critics are listed first)
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Full Review Source: Dark Horizons | comment Comment
01/15/08
Garth Franklin
Garth Franklin
Dark Horizons
Top Critic Icon Top Critic

Control, masterfully, is an actual story, interested in the emotionally complicated limbos of Curtis' marriage, affair and illness.

Full Review Source: In Film Australia | comment Comment
11/07/07
Al Cossar
Al Cossar
In Film Australia
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Sam Riley, a newcomer to the big screen who portrays Curtis with eerie accuracy, has the stringy, underfed looks of a schoolboy in the midst of a sudden growth spurt.

Full Review Source: Sydney Morning Herald | comment Comment
11/03/07
Sandra Hall
Sandra Hall
Sydney Morning Herald
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A tragic and overtly personal story about an ultra-sensitive artist of the 70s who finds his instincts push him beyond his comfort zone, and where guilt overtaxes his innate sense of decency.

Full Review Source: Urban Cinefile | comment Comment
10/21/07
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile
Top Critic Icon Top Critic

Though Curtis is hopelessly dysfunctional, photographer-turned-filmmaker Anton Corbijn makes us achingly aware of the singer's talent, the haunting poetry of his songs and how, living in the gloomy culture he did, his passing was virtually inevitable.

Full Review Source: Washington Post | comment Comment
11/01/07
Desson Thomson
Desson Thomson
Washington Post
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A film that perfectly captures the essence of the legendary and influential cult band Joy Division and its tragic lead singer, Ian Curtis.

Full Review Source: Ebert & Roeper | comment Comment
10/29/07
Richard Roeper
Richard Roeper
Ebert & Roeper
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Control” has an unmistakable pulse: a wiry, electric tension between the extraordinary spectacle of Curtis at maximum surge and the dented ordinariness of which his undear life, like ours, was mostly composed.

Full Review Source: New Yorker | comment Comment
10/27/07
Anthony Lane
Anthony Lane
New Yorker
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The extraordinary achievement of Control is that it works simultaneously as a musical biopic and the story of a life.

Full Review Source: Chicago Sun-Times | comment Comment
10/26/07
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Where Control might have been literal-minded and sentimental, it is instead enigmatic and moving, much in the manner of Joy Division’s best songs.

comment Comment
10/10/07
A.O. Scott
A.O. Scott
New York Times
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A film about creative and emotional burn-out that says more about the fragility of the soul than any montage of ticket sales and ‘sold out’ signs could ever muster.

Full Review Source: Empire Magazine | comment Comment
10/05/07
Damon Wise
Damon Wise
Empire Magazine
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Corbijn has done his research during 30 years as a photographer, striking a realistic balance between farce and tragedy.

Full Review Source: Times [UK] | comment Comment
06/02/07
Stephen Dalton
Stephen Dalton
Times [UK]
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Corbijn's movie is shot in a stunning high-contrast monochrome, perversely turning Macclesfield's grimness into grandeur. It effortlessly revives a British cinematic style that you might call beautiful realism.

Full Review Source: Guardian [UK] | comment Comment
05/24/07
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
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Somber, sad and compelling.

Full Review Source: Variety | comment Comment
05/17/07
Russell Edwards
Russell Edwards
Variety
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1 - 13 (sorted by date; Australian critics are listed first)
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Latest News for Control

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There's a double dose of George Clooney news that's emerged at Cannes yesterday. Firstly, Variety reports that the greying star has signed on to topline A Very Private Gentleman... More...

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December 14, 2007: Atonement, Control Lead London Film Critics Noms
The London Critics Circle has announced the nominees for its year-end awards, with Anton Corbijn's Control and Joe Wright's Atonement leading the pack at eight nominations apiece. More...

October 11, 2007: Critical Consensus: No Debatin' Clayton, Night Almost Owns, Elizabeth Not Golden
This week at the movies we got lawyer types (Michael Clayton, starring George Clooney and Tilda Swinton), dueling brothers (We Own the Night, starring Joaquin Phoenix and Mark... More...

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