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Control

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Control (2007)

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Reviews Counted:104

Fresh:90

Rotten:14

Average Rating:7.4/10

Consensus: Control is a work of art, thanks to its evocative black and white cinematography and sensational performances from Sam Riley and Samantha Morton. Even those not familiar with Joy Division can still appreciate the beauty of the film.

Runtime: 2 hrs 2 mins

Genre: Musical & Performing Arts

US Box Office: $801,112

Synopsis: Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for.... Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for. It's also a beautifully rendered piece of cinema about the crippling effects of love and regret, and the salvation we seek in art. Born out of England's post-Sex Pistols punk explosion, Joy Division played a dark, minimalist version of the nascent sound, and became cult heroes thanks in part to their brilliant yet disturbed frontman Ian Curtis (played by an eerily perfect Sam Riley). Corbijn does a wonderful job recreating the Manchester band's music and live show, cutting straight to the essence of Joy Division's unique appeal. Credit must also be given to the three actors who portray the rest of Joy Division. Playing all the instruments themselves, they perfectly capture the band's powerfully stoic presence, one that translates both live and on record into the sonic equivalent of an existential crisis. CONTROL, however, is ultimately about Curtis's tumultuous marriage with his wife, Deborah (Samantha Morton), and the way that Joy Division became an aesthetic manifestation of his pain--one that was both physical (Curtis was an epileptic) and emotional. Corbijn evokes Curtis's hurt and isolation with both honesty and subtlety: a photographer originally, he frames each shot to look like a stark black-and-white photo from an album the audience was never meant to see, making Curtis's pain palpable and his eventual suicide that much more tragic. The overtones to the later suicide of Kurt Cobain are hard to avoid, but where Cobain's suicide has always been discussed in terms of the pressure he felt as a rock star, Curtis's, as rendered by Corbijn, is a pain anyone could potentially be forced to suffer through. [More]

Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson

Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson, Toby Kebbell, Harry Treadaway

Director: Anton Corbijn

Director: Anton Corbijn
Screenwriter: Matt Greenhalgh
Producer: Orian Williams, Peter Heslop, Deborah Curtis
Composer: New Order
Studio: Weinstein Company

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Reviews for Control

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41 - 60 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 >> >|
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A film that perfectly captures the essence of the legendary and influential cult band Joy Division and its tragic lead singer, Ian Curtis.

Full Review Source: Ebert & Roeper | comment Comment
10/29/07
Richard Roeper
Richard Roeper
Ebert & Roeper
Top Critic Icon Top Critic

There is nothing here that fans of the genre won’t have seen many times before but some of the elements are so brilliantly done.

Full Review Source: eFilmCritic.com | comment Comment
10/29/07
Peter Sobczynski
Peter Sobczynski
eFilmCritic.com

Control” has an unmistakable pulse: a wiry, electric tension between the extraordinary spectacle of Curtis at maximum surge and the dented ordinariness of which his undear life, like ours, was mostly composed.

Full Review Source: New Yorker | comment Comment
10/27/07
Anthony Lane
Anthony Lane
New Yorker
Top Critic Icon Top Critic

A work of art disguised as a rock-star biography, it's an evocative portrait of an iconic outsider and the place that he tried to transcend.

Full Review Source: St. Louis Post-Dispatch | comment Comment
10/27/07
Joe Williams
Joe Williams
St. Louis Post-Dispatch

Curiously flat and unrevealing.

Full Review Source: Observer [UK] | comment Comment
10/27/07
Philip French
Philip French
Observer [UK]

Joy Division has the movie that, for better or worse, lives up to the myth.

Full Review Source: Toronto Star | comment Comment
10/26/07
Geoff Pevere
Geoff Pevere
Toronto Star

Control suffers a bit from a touch of dry art-house-movie self-consciousness. But that's easily offset by the deeper soulfulness through which the film patiently reveals Curtis' full, almost oracular gifts and the cost of his ordinary burdens.

Full Review Source: Seattle Times | comment Comment
10/26/07
Tom Keogh
Tom Keogh
Seattle Times

Director Anton Corbijn seems determined not to let the music get in the way of the human story, and his fervor goes too far.

Full Review Source: San Francisco Chronicle | comment Comment
10/26/07
Peter Hartlaub
Peter Hartlaub
San Francisco Chronicle

The movie examines a life -- and a death -- without getting deep about it. The result is oddly exhilarating.

Full Review Source: Philadelphia Inquirer | comment Comment
10/26/07
Steven Rea
Steven Rea
Philadelphia Inquirer

Control is never less than completely engaging. The film is visually mesmerizing.

Full Review Source: Jam! Movies | comment Comment
10/26/07
Liz Braun
Liz Braun
Jam! Movies

A good movie that falls short of greatness by aping too well the behaviour of its subject -- occasionally brilliant, sometimes mundane.

Full Review Source: Globe and Mail | comment Comment
10/26/07
Rick Groen
Rick Groen
Globe and Mail

Riley gives a star-making performance as the complicated Curtis, and gets more points for convincing director Corbijn, who has shot the film in moody, monochromatic wide-screen black-and-white.

Full Review Source: Detroit Free Press | comment Comment
10/26/07
Terry Lawson
Terry Lawson
Detroit Free Press

The extraordinary achievement of Control is that it works simultaneously as a musical biopic and the story of a life.

Full Review Source: Chicago Sun-Times | comment Comment
10/26/07
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

A steady and moving memorial to a man who rarely felt comfortable in his own skin.

Full Review Source: Boston Globe | comment Comment
10/26/07
Ty Burr
Ty Burr
Boston Globe

Though it follows the usual biopic formula, Corbijn's stark, black-and-white widescreen visual scheme restores some of the story's real power.

Full Review Source: Combustible Celluloid | comment Comment
10/25/07
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Corbijin understands the essentials of the story. He succeeds, with Riley's help, in exhuming a flesh-and-blood person from the myth that Ian Curtis has become.

Full Review Source: Seattle Post-Intelligencer | comment Comment
10/25/07
Bill White
Bill White
Seattle Post-Intelligencer

Methodical and cool, this film is more artful sonnet than fanzine rave.

Full Review Source: Chicago Tribune | comment Comment
10/25/07
Michael Phillips
Michael Phillips
Chicago Tribune

Cinematographer Martin Ruhe's stunning black and white photography recalls the early Beatles days, Stuart Sutcliffe's doomed artist reborn in the post punk era.

Full Review Source: Reeling Reviews | comment Comment
10/21/07
Laura Clifford
Laura Clifford
Reeling Reviews

Credit the filmmakers for not mythologizing Curtis. However, he just might be a bigger enigma after watching Control.

Full Review Source: Los Angeles Daily News | comment Comment
10/19/07
Glenn Whipp
Glenn Whipp
Los Angeles Daily News

Control honors its subject’s eternal self-doubt by honing in on that truth and leaving the legend to others.

Full Review Source: L.A. Weekly | comment Comment
10/18/07
Tim Grierson
Tim Grierson
L.A. Weekly
 
 
41 - 60 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 >> >|
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Latest News for Control

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There's a double dose of George Clooney news that's emerged at Cannes yesterday. Firstly, Variety reports that the greying star has signed on to topline A Very Private Gentleman... More...

June 02, 2008: RT on DVD: Transformers, Starship Troopers To Invade; Avoid Jessica Alba's Eye
Look out! Starship Troopers and Transformers are about to assault your senses in HD, and soon you can choose Harold and Kumar's adventures. This week's new releases are... More...

December 14, 2007: Atonement, Control Lead London Film Critics Noms
The London Critics Circle has announced the nominees for its year-end awards, with Anton Corbijn's Control and Joe Wright's Atonement leading the pack at eight nominations apiece. More...

October 11, 2007: Critical Consensus: No Debatin' Clayton, Night Almost Owns, Elizabeth Not Golden
This week at the movies we got lawyer types (Michael Clayton, starring George Clooney and Tilda Swinton), dueling brothers (We Own the Night, starring Joaquin Phoenix and Mark... More...

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