A gritty and gripping revenge fantasy %u2026 Kevin Bacon's talent and persona to make us sit up and take notice
Death Sentence (2007)
Tomatometer
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Reviews Counted:107
Fresh:21
Rotten:86
Average Rating:4.1/10
Consensus: A nonsensical plot and an absurd amount of violence make this revenge pic gratuitous and overwrought.
US Box Office: $9,479,756
Synopsis: A white-collar revenge fantasy in the vein of DEATH WISH (and based on a novel by the same author, Brian Garfield), DEATH SENTENCE ponders the nature and limits of retribution, asking if murder can... A white-collar revenge fantasy in the vein of DEATH WISH (and based on a novel by the same author, Brian Garfield), DEATH SENTENCE ponders the nature and limits of retribution, asking if murder can ever be justified. Director James Wan (SAW) delivers a high-end exploitation film, complete with a washed-out, grainy appearance and some startling violence, but with complex, thrilling action sequences. Kevin Bacon is Nick Hume, a successful businessman with two children and a lovely wife (Kelly Preston). While driving home from his older, college-bound son's hockey game, Nick must pull into a gas station in a tough part of town. When the boy goes into the store to buy a drink, his throat is slit during a bloody robbery attempt. Nick identifies the killer, but with him as the only witness, the case is unable to go to trial. Discovering that the murder was merely a gang initiation, Nick is pushed over the edge, taking on the deadly gang headed by the fierce Billy Darley (Garrett Hedlund). Payback becomes all-encompassing for Nick: it not only takes over his life, but it also causes a startling physical transformation. Wan forgoes emotional impact in favor of souped-up, visceral, and occasionally thrilling setpieces. Bacon makes Nick's transformation from a suburban, suit-and-tie family man into a gaunt, shaved-headed angel of death startling and believable. Full of interesting contradictions, DEATH SENTENCE lets viewers have it both ways--fulfilling their bloodlust while ensuring that Nick's targets are despicable people who deserve their fates. Ultimately, though it serves to remind us that, as a solution, violence only begets more violence. [More]
Starring: Kevin Bacon, Garrett Hedlund, Kelly Preston, Aisha Tyler
Starring: Kevin Bacon, Garrett Hedlund, Kelly Preston, Aisha Tyler, John Goodman, Jordan Garrett, Stuart Lafferty, Edi Gathegi, Matthew O'Leary, Leigh Whannell, Hector Atreyu Ruiz
Director: James Wan
Director: James Wan
Screenwriter: Ian Jeffers
Producer: Ashok Amritraj, Howard Baldwin, Karen Baldwin
Composer: Charlie Clouser
Studio: 20th Century Fox
Reviews for Death Sentence
The cynics will slap their foreheads, the squeamish will cover their eyes.
A father goes on an angry mission of revenge after his family are attacked as part of a gang initiation crime.
For a guy who analyzes risks for a living, Nick [Kevin Bacon] takes a lot of stupid ones, and yet he's still not the dumbest thing in Death Sentence.
Sadly, the final reel exposes Wan's true colours (he directed the horror movie Saw), the vigilante machismo betraying this as an updated version of Death Wish.
As Hume's life spirals out of control, so too does the film. Director James Wan... fails at the finer emotional details and at making the action play out believably.
Some of the scenes in 'Death Sentence' reminded me of old B-movie Westerns where the bad guys shoot and shoot and shoot yet always miss their targets.
Death Sentence is a laughably bad exercise in the pornography of sadism and the American appetite which voraciously consumes it.
It turns out Wan is a legitimately atrocious filmmaker, and Sentence is his Exile on Main St. of awful.
Kevin Bacon gives another stellar performance and there are some powerfully good action scenes but the structure of this Sentence doesn't feel like it was ever well-defined.
Brutal, senseless, depraved %u2013 but most of all, dumber than dumb - Death Sentence most certainly is complete and total flapdoodle.
As rancid as its title is lurid, an example of pulp fiction run amok.
It may be the most depressing action movie ever made. Its calamities are well staged, and its acting, beyond some histrionics, is fine. But you don't enjoy this film; you endure it.
Even as the film slides into unintentional comedy, it's almost redeemed by John Goodman's demented supporting performance as a mysterious character who, in a better film, would have held the key to everything.
Is the movie trying to show how bloodlust and revenge can destroy a person? If so, it simultaneously revels in violence. Trying to have it both ways diminishes the entire undertaking, rendering it despicably hypocritical.
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