This homage to one of the world's most creative, impassioned artists paints a fascinating portrait of Derek Jarman's life through the filmmaker's most extensive on-camera interview and a letter of retrospection written and read by long-time collaborator a
Derek (2008)
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Reviews Counted:6
Fresh:5
Rotten:1
Average Rating:6.9/10
Runtime: 76 mins
Genre: Education/General Interest
US Box Office: $0
Synopsis:
Derek is a glorious, yet fitting, remembrance of one of independent film’s greatest treasures, Derek Jarman. It is lovingly crafted by filmmaker and friend Isaac Julian, who assembles a moving...
Derek is a glorious, yet fitting, remembrance of one of independent film’s greatest treasures, Derek Jarman. It is lovingly crafted by filmmaker and friend Isaac Julian, who assembles a moving collage of rare home movies, film clips, and interviews, and a cinematic love letter from actress Tilda Swinton. Her input serves as the poetic overlay telling the whole truth about the life Jarman led, and the cultural abyss left by his absence.
From Sebastiane (1976) to Blue (1992), Jarman was the single most crucial figure in British independent cinema through the seventies, eighties, and nineties. He lived as a gay man surfing the joys of gay liberation and the sorrows of AIDS. He lived as a painter and participant observer, noting with pen or camera all that passed before him.
In Derek, Julian finds the perfect aesthetic tone, letting you see into the magic of a great creative mind, and leaving you longing for a world with him still in it. Historians can tell us what happened, but it takes another artist to show us what it felt like to be there. When Swinton recites “Dear Derek” at the opening of the film, it can be interpreted as both salutation and adjective because Jarman was dear to so many as both inspiration and friend. The creation of Derek will thankfully go counter to Jarman’s offhanded last wish and not let him “evaporate.” --© Sundance Film Festival
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Director: Isaac Julien
Director: Isaac Julien
Reviews for Derek
This fragmentary portrait of the British filmmaker, painter, set designer and writer Derek Jarman, is a cinematic scrapbook of the life and times of an iconoclast, aesthete and provocateur.
In Derek, Isaac Julien evokes the graphically complex style of Derek Jarman’s radical filmmaking to commemorate the tensions and tangled ambitions of a modern, politically aware gay artist.
An earnest ode to an outlaw artist, Derek lovingly but unadventurously documents the life and art of the late British filmmaker Derek Jarman.
Derek Jarman, queer provocateur and one of British cinema’s most fearless directors of the past 40 years, rightfully receives the hagiographic treatment in Isaac Julien’s slender portrait.
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