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Disgrace (2009)
Tomatometer
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Reviews Counted:39
Fresh:31
Rotten:8
Average Rating:6.9/10
Consensus: Featuring outstanding performances from John Malkovich and newcomer Jessica Haines, Disgrace is a disturbing, powerful drama.
Synopsis:
In this stunning adaptation of the acclaimed novel by Nobel Laureate J.M. Coetzee, John Malkovich stars as David Lurie, a 52-year-old professor of Romantic Literature who takes a beautiful young...
In this stunning adaptation of the acclaimed novel by Nobel Laureate J.M. Coetzee, John Malkovich stars as David Lurie, a 52-year-old professor of Romantic Literature who takes a beautiful young student under his wing and into his bed. To David, the affair is just a harmless fling, but because this is post-Apartheid South Africa, and because the student in question is of mixed race, a scandal erupts that forces David to abandon his lifelong profession and a lifetime’s worth of assumptions about himself and the world he lives in. Disgraced, he leaves the city for the remote farm where his free-spirit daughter, Lucy, lives a seemingly uncomplicated rustic life. However, neither David nor Lucy can escape the realities of contemporary society. When they fall prey to a particularly brutal attack by three black men, the very fabric of their lives unravels and they find that the definitions of victim and victimizer, of oppressed and oppressor, have forever changed.
Winner of Britain’s distinguished Booker Prize in 1999 (making Coetzee its first-ever two-time recipient), “Disgrace” was voted “the greatest novel of the last 25 years” in a 2006 poll of literary luminaries conducted by The Observer. Directed by Steve Jacobs and written and produced by Anna-Maria Monticelli, the film has already garnered extraordinary praise in its native Australia, where it has been hailed as “a model of narrative distillation married to vivid images…that unerringly preserves the tension of the book” and a work that “should be seen by anyone who cares about film or literature” (The Australian.) Boasting brilliant performances by Malkovich and newcomer Jessica Haines, and a striking visual style that perfectly matches the beauty and precision of the novel’s prose, DISGRACE brings Coetzee’s universe to thrilling cinematic life. --*copy; Laemmle
Starring: John Malkovich, Jessica Haines, Eriq Ebouaney, Fiona Press
Starring: John Malkovich, Jessica Haines, Eriq Ebouaney, Fiona Press, Antoinette Engel, David Dennis, Charles Tertiens
Director: Steve Jacobs
Director: Steve Jacobs
Screenwriter: Anna Maria Monticelli
Producer: Steve Jacobs, Anna Maria Monticelli, Emile Sherman
Studio: Paladin
Reviews for Disgrace
For all the care and perceptiveness that's gone into this impressive adaptation, Malkovich's essential iciness means the tragedy eludes us.
What makes Disgrace difficult and rewarding, among other things, is its ruthlessly clear-eyed sense of its own terms, its refusal to find easy comfort or solutions.
Australian filmmaker Steve Jacobs also covers himself in glory here, addressing Coetzee’s provocative prose with an insightful restraint that was nowhere to be seen in his directorial debut, La Spagnola.
Near-flawless casting through the film ensures it will be recalled as one of the year's outstanding dramas from Australia, or anywhere.
Disgrace is disquieting, confronting viewing, and it's also quite brilliant.
Malkovich's unabashed performance drives a fierce fable which seems intent on forcing viewers away.
The film is a rich, textured and emotionally engaging experience that challenges our ethical and moral views about South Africa
Desire and its consequences are at the heart of this complex drama that has the power to shred us emotionally.
More convincing as an allegory, but faithful to Coetzee's acerbic, alternative view of S. Africa's future than the usual uplifting themes of reconciliation and forgiveness.
A lethal look at the after-shock of apartheid. Tough to watch but bearing a powerful message.
The movie eventually begins to wilt under the sober, plodding direction of Steve Jacobs, but the thoughtful screenplay gives Malkovich a complex, increasingly reflective character arc that he plays with great feeling.
The film struggles in its attempt to balance the thought-provoking overtones with the human drama at its core.
The person snoring next to me is a perfect example of how colossally insignificant this fatiguing and strenuous flick is with its implausibility, unrecognizable characters and tattered plot line.
Unfortunately, though Malkovich remains a compelling and cerebral screen presence, he comes off as too innately detached and prickly to elicit much empathy (not that his character is asking for it, mind you).
Disgrace is an ugly movie, at times torturous to watch. It probably needs to be.
If the historical context for black anger is lacking, Jacobs nonetheless builds tension with excruciating effectiveness and dreamlike detachment.
I awaited the closing scenes of Disgrace with a special urgency, because the story had gripped me deeply but left me with no idea how it would end. None -- and I really cared.
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