This remains a landmark movie that should be seen by every self-respecting movie buff.
La Dolce Vita (1960)
Tomatometer
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Reviews Counted:51
Fresh:50
Rotten:1
Average Rating:9.1/10
Runtime: 3 hrs
Genre: Foreign Films
US Box Office: $0
Synopsis: In Federico Fellini's seminal film LA DOLCE VITA, a three-hour masterpiece that shows one man's descent into "the sweet life" of debauchery, Marcello Mastroianni stars as eccentric journalist... In Federico Fellini's seminal film LA DOLCE VITA, a three-hour masterpiece that shows one man's descent into "the sweet life" of debauchery, Marcello Mastroianni stars as eccentric journalist Marcello Rubini. On assignment to chronicle the lives of the rich and famous Italian aristocracy in a gossip column for a Roman newspaper, Marcello floats from one fabulous party to the next, meeting all varieties of beautiful, extravagant people. While he would never protest this seemingly ideal job, it makes him feel lonely and empty, and he stays up drinking and dancing night after night only to wake up each morning unbalanced and unfocused. The film follows Marcello's ups and downs in an episodic pattern in which each evening is a new story, a new adventure, a new dare, a new woman with whom to fall helplessly in love--but only for that night. Each morning the slate is wiped clean, and Fellini resets Marcello's score to zero. Sprinkled with religious images and gestures at salvation, LA DOLCE VITA is supreme in the beauty of its all-encompassing symbolism that is expressed through lavish sets, an alluring script, overemphasized physical movements, roller-coaster jazz music, and helpless emotions. [More]
Starring: Marcello Mastroianni, Anouk Aimée, Anita Ekberg, Yvonne Furneaux
Starring: Marcello Mastroianni, Anouk Aimée, Anita Ekberg, Yvonne Furneaux, Magali Noel, Nico, Alain Cuny, Riccardo Garrone, Laura Betti, Jacques Sernas, Nadia Gray
Director: Federico Fellini
Director: Federico Fellini
Screenwriter: Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi
Producer: Giuseppe Amato, Angelo Rizzoli
Composer: Nino Rota
Reviews for La Dolce Vita
A timeless, bittersweet carnival of severed roots, disintegrating values, lost innocence and dumbing down. Unmissable!
In sum, it is an awesome picture, licentious in content but moral and vastly sophisticated in its attitude and what it says.
The movie is made with boundless energy. Fellini stood here at the dividing point between the neorealism of his earlier films ... and the carnival visuals of his extravagant later ones.
Roman opera, a nocturnal vision demarcated by dawns, purring a siren's call of temptation and dissolution.
My heart wants to tell you that it's a great film, but my head fights it. I can settle it by saying that it's important, and that its joys outnumber its missteps.
The circus that became the '60s was ushered in cinematically by La Dolce Vita, Federico Fellini's masterwork about the so-called 'sweet life' on Rome's teeming Via Veneto.
Richly detailed, provocative and more than a little disconcerting, it represents a major filmmaker on the verge of his complete power.
In spite of its thematic ugliness, this is a stunning-looking trawl through the Italian capital, with Ekberg's impromptu paddle in the Trevi fountain still the films enduring image.
How many movies make you feel like a sophisticate just for having seen them?
The film was hugely successful and widely praised in its time, though it's really nothing more than the old C.B. De Mille formula of titillation and moralizing.
Marcello's journey is a string of remarkable vignettes that delivers fashion and sociology in equal measure.
As thought provoking as it is playful, as tragic as it is hilarious, La Dolce Vita is prime Fellini.
It received universal acclaim upon its release in 1960, and in retrospect it's the work that best represents its director.
Rich in intelligent observation...it shares some wisdom without being preachy, always with Fellini's gift for entertaining and amusing us.
Made at the peak of Fellini's career, La Dolce Vita provided the first look into Rome's decadent cafe society, boasting superlative performances from Marcello Mastroianni, Anouk Aimee, Anita Ekberg, and others.
Latest News for La Dolce Vita
September 17, 2009:
Five Favorite Films with A.O. Scott
A.O. Scott of the New York Times -- and now, At the Movies -- is one of America's best-known and most trusted film critics. Scott's tenure with the Times began in 2000; prior to... More...
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