Demands to be explored, analyzed and debated, and consists of interlocking miniature mysteries and broad, rewarding strokes that emerge with increased familiarity.
Donnie Darko: The Director's Cut (2004)
Tomatometer
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Reviews Counted:43
Fresh:39
Rotten:4
Average Rating:8.1/10
Runtime: 2 hrs 13 mins
Genre: Horror/Suspense
US Box Office: $538,574
Synopsis: In a funny, moving and distinctly mind-bending journey through suburban America, one extraordinary but disenchanted teenage is about to take Time’s Arrow for a ride. October 2nd, 1988: just... In a funny, moving and distinctly mind-bending journey through suburban America, one extraordinary but disenchanted teenage is about to take Time’s Arrow for a ride. October 2nd, 1988: just another ordinary day in Donnie Darko’s teen-aged existence. He’s taken his medication, watched Dukakis & Bush debate, and had dinner with the family. Then an outrageous accident occurs, which just misses claiming Donnie’s life. As Donnie begins to explore what it means to still be alive, and in short order to be in love, he uncovers secrets of the universe that five him a tempting power to alter time and destiny. From 26 year-old first time writer-director Richard Kelly comes the provocative DONNIE DARKO, a genre busting fable that blasts the American suburban drama into a wildly imaginative realm of time travel, alternative universes and the manipulation of one’s fate. But at the core of DONNIE DARKO is the simple story of a boy trying to make a stand in a lonely, chaotic world – and discovering that every little thing he does counts on a cosmic scale. Originally screened at the 2001 Sundance Film Festival, DONNIE DARKO became one of the festival’s most talked-about and debated films, praised for blending sci-fi fantasy with an original vision of a modern suburbia teetering on the edge of dread and disaster. The question became: what is DONNIE DARKO? Is it a look back at the underbelly of the Ferris Bueller and Back to the Future era? Or is it a wild journey into multiple realities and multiple outcomes? Is it the story of an increasingly cynical, hypocritical society on a crash-course with apocalypse? Or is it a fairy-tale about a teen hero who changes the world around him? Is this the cosmic death knell of the Regan Era, or a portrait of a troubled community redeemed by the hand of God? The surprising answer is that DONNIE DARKO is all of these – a deep inquiry into the recent past and the possibilities for the future all wrapped up in the story of a teenager unlike any you’ve met before. Writer/director Richard Kelly purposefully wanted DONNIE DARKO to be vast enough to mean different things to different people. But he offers this guidance for the mind-blowing ride ahead: “Maybe it’s the story of Holden Caulfield, resurrected in 1988 by the spirit of Philip K. Dick, who was always spinning yarns about schizophrenia and drug abuse breaking the barriers of space and time. Or it’s a black comedy foreshadowing the impact of the 1988 presidential election, which is really the best way to explain it. But first and foremost, I wanted the film to be a piece of social satire that needs to be experienced and digested several times.” DONNIE DARKO – THE DIRECTOR’S CUT features 20 minutes of never-before-seen footage; new & enhanced visual effects and new music. -- © Newmarket Films [More]
Starring: Jake Gyllenhaal, Maggie Gyllenhaal, Jena Malone, Drew Barrymore
Starring: Jake Gyllenhaal, Maggie Gyllenhaal, Jena Malone, Drew Barrymore, Mary McDonnell, Holmes Osborne, Katharine Ross, Patrick Swayze, Noah Wyle, James Duval
Director: Richard Kelly
Director: Richard Kelly
Screenwriter: Richard Kelly
Producer: Nancy Juvonen, Adam Fields, Sean McKittrick
Composer: Michael Andrews
Studio: Newmarket Films
Reviews for Donnie Darko: The Director's Cut
What remains unchanged is the realization of just what a superb actor Jake Gyllenhaal is.
It's ultimately Kelly's inventive storytelling and the myriad of complex themes he explores that capture one's imagination and, in this reviewer's case, re-ignite one's passion for the medium.
The longer version ... packs more of a kick and has a grander, gloomier vision: It represents four weeks in the mind of a smart, anguished, lonely guy who doesn't think he's fit to live.
In his quest to make Darko more accessible, Kelly might upset a few loyalists of the original, but there are still enough questions left to confound and enthrall audiences in Donnie Darko's reconfigured version.
A deliriously subtle exploration of storytelling possibilities, and a deliciously wry teen-pic to boot.
An old/new non-sequel re-release to awaken audiences who initially zombied out on its originality.
What the movie loses in pure emotional reaction it gains in fatalistic desperation.
Like Being John Malkovich and 2001: A Space Odyssey and too few others, this is one of those mind-melting cinematic achievements.
It's a dreamlike, intuitive movie that has much to say about life and death and points in between.
The 2001 cut is my preference, but the 2004 changes have their select attributes. Both editions, indeed, are modern masterworks.
...other additions -- most egregiously at the climax -- are just intrusive and reduce our interpretive choices by replacing them with one choice, purely science-fictional in a George Lucas 'midichlorians' sense, that's a diminishment, not an illumination.
...in the years since the film was made, the country and the world have become even more divided.... Maybe the movie is more meaningful today than ever.
... an interesting journey and the performances are really, really strong.
The original was a movie for all those castaways who believe in unexplained phenomenon; the new version reads like a handbook on how to pick up women.
A masterpiece of mood...Donnie Darko is made less obscure—for better or worse—in Kelly's expanded director's cut.
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