One's enjoyment of Doomsday might stem from how much one admires a blatant homage to the 1980s.
Doomsday (2008)
Runtime: 1 hr 45 mins
Theatrical Release: Mar 14, 2008 Wide
Box Office: $10,955,425
Synopsis: Writer/director Neil Marshall earned the respect of horror devotees with his first two features, DOG SOLDIERS and THE DESCENT, refreshing and scary twists on the werewolf and expedition-gone-wrong genres. Where those works exemplified a respect for pure horror, devoid of the... Writer/director Neil Marshall earned the respect of horror devotees with his first two features, DOG SOLDIERS and THE DESCENT, refreshing and scary twists on the werewolf and expedition-gone-wrong genres. Where those works exemplified a respect for pure horror, devoid of the tension-spoiling comedy that infects most fright films, DOOMSDAY is Marshall's love letter to the post-apocalyptic action-exploitation films of the 1980s. Bubbling over with action, gore, and dark humor, his third film has all the bases covered for a fun, knowingly corny viewing experience. After a deadly plague results in the quarantine of the entire country of Scotland (in a scene reminiscent of I AM LEGEND), a wall is built around the country preventing anyone from going in or out. Thirty years later, the British government believes everyone within the wall to be dead, but when they find signs of life and learn of the possibility of a cure, a team of specially trained agents led by Eden Sinclair (Rhona Mitra) become the first outsiders to venture inside the country since the epidemic. They discover that there are plenty of survivors who have splintered into fierce, warlike tribes, living in a lawless society where cannibalism and murder are the order of the day. Astute viewers will have a blast playing "spot the influence," with loving, obvious nods to ESCAPE FROM NEW YORK, ALIENS, 28 DAYS LATER, and the MAD MAX films. At the film's halfway point, Marshall switches gears, transforming the film from a punk-informed futuristic action film into a medieval-style chase film, utilizing Scotland's castles and sumptuous green landscapes to the fullest. Mitra is an exciting physical presence as Eden, a female version of NEW YORK's Snake Plissken, and the great supporting cast includes Bob Hoskins and Malcolm McDowell. [More]
Genre: Action/Adventure
Starring: Rhona Mitra, Sean Pertwee, Bob Hoskins, MyAnna Buring, Adrian Lester
DVD Info
Release:
Jul 29, 2008
DVD Features:
- Region 1
- Snap Case with Slip Sleeve
- Side A: DOOMSDAY - Unrated
- Full Frame - 1.33
Audio:
- Dolby Digital 5.1 Surround - English
- Subtitles - English (SDH), French, Spanish - Optional
Additional Release Material:
- Audio Commentary - Neil Marshall - Director; Sean Pertwee, Darren Morfitt, Rick Warden, Les Simpson - Cast
- Featurette - 1. ANATOMY OF CATASTROPHE: CIVILIZATION ON THE BRINK
- 2. The Visual Effects and Wizardry in DOOMSDAY
- 3. DEVICES OF DEATH: GUNS, GADGETS AND VEHICLES OF DESTRUCTION
- Side B: Theatrical
- Full Frame - 1.33
Audio:
- Dolby Digital 5.1 Surround - English, Spanish
- Subtitles - English (SDH), French, Spanish - Optional
Reviews
Doomsday might seem novel - if you've never seen "The Road Warrior," "Aliens," "Escape from New York" or any other post-apocalyptic flick before.
A bit like a medley of greatest hits performed by a hot, young talent who brings a new vocal inflection to the tired, old standards.
Doomsday possède définitivement toutes les caractéristiques d'un film culte en devenir, même si celles-ci nous laissent toujours en tête une curieuse impression de déjà vu.
A tribute to the early 1980s anarchy actioners The Road Warrior and Escape From New York, Neil Marshall's Doomsday also blends elements from 28 Days Later for a fun and ultra-violent action-sci-fi-kinda-horror film.
The movie doesn't disguise the fact that this is a loving homage to early 80's science fiction cult classics.
It's a mishmash of homages to writer/director Neil Marshall's favorite B movies. That doesn't make it bad at all, though; it ends up being quite entertaining.
Brimming with exploitation antics, grindhouse sensibilities and, heh heh, exploding bunnies, Doomsday conjures a future thrown back to the dead-end styles and amoral excesses of the eighties - and no future could be bleaker than that.
When the film's unspooling and we're watching Rhona Mitra drive a sports car through an exploding bus, we find ourselves in movie geek heaven.
After they blow a bunny to smithereens (aiming straight through a plot hole), I knew all bets were off.
The only thing that saves Doomsday from complete disgrace is that it knows it's trash.
...just the umpteenth killer-virus movie of the last few years...
Likely to be the year's most entertaining film withheld from critics, Neil Marshall's latest finds him pigging out at a B-movie buffet of bangers and mash. His alchemy of anarchy in the U.K. is exhilarating and playfully perverse.
A tongue in cheek action bonanza that I cheered on with fists in the air...
About twenty minutes into it I decided to pretend it was a long-lost mid-'80s film Marshall had dusted off and put his name on.
A series of loosely linked action scenes, Doomsday plays out more like a video game than a movie.
Delivers the exploitation goods and then some, but it's so utterly derivative it represents a depressing step backward for Marshall...
If Doomsday was designed to be trash cinema, the filmmakers achieved their goal and then some.
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