The result is funny in its way, and in line with the movie references throughout, but ultimately the viewer is not left with the necessary pathos.
Dot the I (2005)
Tomatometer
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Reviews Counted:59
Fresh:15
Rotten:44
Average Rating:4.6/10
Consensus: dot the i starts out as a standard love triangle, but last minute revelations turn the movie into a gimmick.
Runtime: 1 hr 32 mins
Genre: Romance, Music (General), World Music
US Box Office: $0
Synopsis: dot the i, a romantic thriller with a dark comedic twist, stars Gael García Bernal, who shot to fame in AMORES PERROS (Best Actor, Cannes Semaine de la Critique), Natalia Verbeke and James D'Arcy.... dot the i, a romantic thriller with a dark comedic twist, stars Gael García Bernal, who shot to fame in AMORES PERROS (Best Actor, Cannes Semaine de la Critique), Natalia Verbeke and James D'Arcy. García Bernal, also known for his role in Y TU MAMÁ TAMBIÉN, can currently be seen in THE MOTORCYCLE DIAIRES, Golden Globe nominee for Best Foreign Film. Natalia Verbeke has recently starred in the Oscar®-nominated SON OF THE BRIDE (EL HIJO DE LA NOVIA) and the BAFTA® awardwinning JUMP TOMORROW. Rounding out the cast is James D'Arcy, known for his role in Peter Weir's MASTER AND COMMANDER. dot the i is the debut feature from director Matthew Parkhill, an award-winning novelist and screenwriter. A sexy love triangle forms on the eve of her wedding when Carmen (Verbeke) recklessly kisses an attractive stranger named Kit (García Bernal). Having recently fled a violent and volatile relationship in Spain, Carmen has found comfort and safety with her adoring fiancé Barnaby (D'Arcy); but her passions are aroused by one kiss from Kit and she is immediately torn between her emotions and her loyalty to the man she is to marry. Carmen's journey teaches her that things, and people, are never quite what they seem. This thrilling tale toys with illusion and reality, passion and artifice, and takes audiences on a suspenseful race through the streets of London. dot the i, an Arcane Pictures / Summit Entertainment Production filmed entirely on location in London, is produced by Meg Thomson and George Duffield. Summit Entertainment financed the picture and handles worldwide sales and distribution, with the exception of Spain. Alquimia Cinema is the Spanish co-producing partner. -- © Summit Entertainment [More]
Starring: Gael Garcia Bernal, Natalia Verbeke, James D'Arcy, Charlie Cox
Starring: Gael Garcia Bernal, Natalia Verbeke, James D'Arcy, Charlie Cox, Tom Hardy
Director: Matthew Parkhill
Director: Matthew Parkhill
Screenwriter: Matthew Parkhill
Producer: David Garrett, Erik Feig, Patrick Wachsberger
Composer: Javier Navarrete
Studio: Summit Entertainment
Reviews for Dot the I
Dark, funny, quite a thriller... It's a forgettable title (that doesn't work in English), but you won't forget the wicked fun of the movie.
Even when you don't believe what Bernal and the effervescent Verbeke are doing, it's fun to watch them do it.
...benefits greatly from the inclusion of a thoroughly unpredictable third-act twist...
Here's something you don't find everyday! An original film superbly acted!
The revelation of the film is not Bernal but D'Arcy, who loafs from a callow throwaway part into something a heck of a lot more interesting.
'Un filme inteligente y perfectamente bien estructurado en el que nada es lo que parece'
A weird, pretty film with a dumb script, a skilled cast and a good twist, plus one hot sex scene and one brilliant scene-chew by D'Arcy.
Gael Garcia Bernal I think is really becoming a major force as a leading man. He’s very good.
The movie not only scatters undotted Is and uncrossed Ts in its wake, but unsquared circles, unfactored primes, unrisen souffles and unconsummated consummations.
Not only strains to connect the dots, but also pretends to be some thoughtful treatise on cinema versus reality. Sadly, it's just a tired bag of tricks.
Parkhill ... proves himself a capable handler of actors (especially with the ludicrously hot Natalia Verbeke), but his narrative could really stand to lose some tinsel.
... starts off intriguingly but is eventually scuttled on the shoals of plot contrivance.
A gimmicky first-time feature that bears all the unfortunate earmarks of an ambitious but empty directorial vision.
Parkhill, far too eager to wow them in the end, has crafted a twist-is-everything scenario, evincing a sub-Mamet level of concern for plot holes or audience satisfaction.
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