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Dragonfly (2002)
Tomatometer
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Reviews Counted:121
Fresh:8
Rotten:113
Average Rating:3.6/10
Consensus: Sappy, dull, and muddled, Dragonfly is too melancholic and cliched to generate much suspense.
Runtime: 1 hr 45 mins
Genre: Dramas
US Box Office: $30,063,805
Synopsis: Lush green aerial photography of the Venezuelan jungle stands in stark contrast to the dark and depressing urbanity of American city life where Joe Darrow (Kevin Costner) works as a doctor in the... Lush green aerial photography of the Venezuelan jungle stands in stark contrast to the dark and depressing urbanity of American city life where Joe Darrow (Kevin Costner) works as a doctor in the emergency room of Chicago Memorial Hospital. His wife, Emily Darrow (Susanna Thompson), was last seen in a rainstorm in Venezuela, where she was on a retreat with the Red Cross offering humanitarian aid. She vanished in a bus accident. There were no survivors and her body was never found. That rich, green, exotic land is left behind as Joe is challenged to persevere through sad, rainy days back home. Joe promised Emily that if anything ever happened to her, he would visit her patients in the oncology ward. Strangely, the children seem to know him, and they say they've seen Emily in their near-death experiences. When Joe begins to believe that Emily is trying to contact him from the other side, his coworkers and his neighbor (a staunch Kathy Bates with a sterling buzz cut) warn him that grief can be a heavy burden to bear. Featuring a handful of frightful moments, an unexpected action sequence, and many emotional dialogues, DRAGONFLY is a pensive movie about coping with death and questioning the possibility of the afterlife. Some of the best scenes of the film involve the hilarious and bizarre Linda Hunt, who plays Sister Madeline, an intense little nun with a bad rep who is plagued by tabloid journalists. [More]
Starring: Kevin Costner, Joe Morton, Ron Rifkin, Linda Hunt
Starring: Kevin Costner, Joe Morton, Ron Rifkin, Linda Hunt, Susanna Thompson, Kathy Bates, Jacob Vargas
Director: Tom Shadyac
Director: Tom Shadyac
Screenwriter: Mike Thompson, David Seltzer, Brandon Camp
Producer: Mark Johnson, Tom Shadyac, Roger Birnbaum, Gary Barber
Composer: John Debney
Studio: Universal Pictures
Reviews for Dragonfly
While the themes are supernatural, and there are some genuinely chilling moments. But Dragonfly works best as a romance and Costner carries the film well.
The movie's "flaws" were mitigated by the fact that Dragonfly hit me on an emotional level.
It plods along methodically, somehow under the assumption that its “dead wife communicating from beyond the grave” framework is even remotely new or interesting.
Messages from the afterlife unnerve Costner, but the spooky first half is far better than the payoff.
Costner's just a soggy slice of milquetoast here -- not bad, mind you, but not what you'd call a square meal, either.
Though Tom Shadyac's film kicks off spookily enough, around the halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance.
If Oscars were dished out for tin ears, screenwriters David Seltzer, Brandon Camp, and Mike Thompson would be in the running.
Director Tom Shadyac makes the transition from gross-out comedy to "serious" filmmaking with the maximum of schmaltz, proving once again that sentimentality is just the flipside of scatology, and sometimes funnier.
For feature-length storytelling ... it's woefully inadequate with obvious tactics employed at every turn to stretch and elongate the narrative beyond its natural dimensions.
Tom Shadyac has learned a bit more craft since directing Adams, but he still lingers over every point until the slowest viewer grasps it.
The undisputed king of the cornball concept, Kevin Costner has an uncanny aptitude for gravitating toward the dopiest projects in sight, but this time he's outdone himself.
Stirs potentially enticing ingredients into an uneasy blend of Ghost and Close Encounters of the Third Kind.
The screenplay credited to Brandon Camp, Mike Thompson and David Seltzer starts out with energy and substance, but reverts to time-filling repetition before it reaches the last-minute climax.
El Director paga su novatez en el área de los dramas y nos entrega un producto que puede ser clasificado como mediano.
Director Tom Shadyac takes the leftover sentimental goo from his Patch Adams and pours it all over Dragonfly.
Costner's warm-milk persona is just as ill-fitting as Shadyac's perfunctory directing chops, and some of the more overtly silly dialogue would sink Laurence Olivier.
The movie is incapable of generating surprise...[it's] a snore-inducing tidal wave of New Age corn.
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