[I]t's the kind of New Age fright flick that tries to both scare and reassure its audience, but does neither particularly well.
Dragonfly (2002)
Tomatometer
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Reviews Counted:121
Fresh:8
Rotten:113
Average Rating:3.6/10
Consensus: Sappy, dull, and muddled, Dragonfly is too melancholic and cliched to generate much suspense.
Runtime: 1 hr 45 mins
Genre: Dramas
US Box Office: $30,063,805
Synopsis: Lush green aerial photography of the Venezuelan jungle stands in stark contrast to the dark and depressing urbanity of American city life where Joe Darrow (Kevin Costner) works as a doctor in the... Lush green aerial photography of the Venezuelan jungle stands in stark contrast to the dark and depressing urbanity of American city life where Joe Darrow (Kevin Costner) works as a doctor in the emergency room of Chicago Memorial Hospital. His wife, Emily Darrow (Susanna Thompson), was last seen in a rainstorm in Venezuela, where she was on a retreat with the Red Cross offering humanitarian aid. She vanished in a bus accident. There were no survivors and her body was never found. That rich, green, exotic land is left behind as Joe is challenged to persevere through sad, rainy days back home. Joe promised Emily that if anything ever happened to her, he would visit her patients in the oncology ward. Strangely, the children seem to know him, and they say they've seen Emily in their near-death experiences. When Joe begins to believe that Emily is trying to contact him from the other side, his coworkers and his neighbor (a staunch Kathy Bates with a sterling buzz cut) warn him that grief can be a heavy burden to bear. Featuring a handful of frightful moments, an unexpected action sequence, and many emotional dialogues, DRAGONFLY is a pensive movie about coping with death and questioning the possibility of the afterlife. Some of the best scenes of the film involve the hilarious and bizarre Linda Hunt, who plays Sister Madeline, an intense little nun with a bad rep who is plagued by tabloid journalists. [More]
Starring: Kevin Costner, Joe Morton, Ron Rifkin, Linda Hunt
Starring: Kevin Costner, Joe Morton, Ron Rifkin, Linda Hunt, Susanna Thompson, Kathy Bates, Jacob Vargas
Director: Tom Shadyac
Director: Tom Shadyac
Screenwriter: Mike Thompson, David Seltzer, Brandon Camp
Producer: Mark Johnson, Tom Shadyac, Roger Birnbaum, Gary Barber
Composer: John Debney
Studio: Universal Pictures
Reviews for Dragonfly
... where The Sixth Sense radiated intelligence and style, Dragonfly exudes a certain whiff of desperation.
The thriller is only thrilling enough to kill the movie's romantic mood, while the romance just makes Dragonfly seem meandering and inert.
There is nothing inherently wrong with Dragonfly except its nagging familiarity.
As thrillers go, this one, with a peskily insistent score, weepy-timbred voice-overs, and telegraphed 'twist' ending, is mighty unthrilling.
In the end, however, a nitwit script, full of pedestrian dialogue and building to a laughable climax, dooms the picture.
There are enough throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made A Walk to Remember a niche hit.
Dragonfly has no atmosphere, no tension -- nothing but Costner, flailing away. It's a buggy drag.
Dragonfly isn't all that exciting, but it is reasonably creepy and even moving at times.
The dragonfly is a sleek, graceful insect that doesn't deserve to have its reputation sullied by being associated with this pile of offal.
Dragonfly is not a horror film. It is eerie but it is not creepy or terrifying. In fact, it is a love story and a beautiful one at that.
Dragonfly takes a promising yarn and flattens it with inept storytelling and leaden direction.
Dragonfly has more plot than a figure-skating competition, and just about as much credibility.
You come away wishing, though, that the movie spent a lot less time trying to make a credible case for reports from the afterlife and a lot more time on the romantic urgency that's at the center of the story.
If there's anything worse than a slick, crummy horror movie, it's a slick, crummy, pretentious horror movie.
The whole movie is simply a lazy exercise in bad filmmaking that asks you to not only suspend your disbelief but your intelligence as well.
Tom Shadyac has learned a bit more craft since directing Adams, but he still lingers over every point until the slowest viewer grasps it.
If Oscars were dished out for tin ears, screenwriters David Seltzer, Brandon Camp, and Mike Thompson would be in the running.
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