Some of the sketches don't really work or don't blend with their cousins, but the snapshot approach means they are short.
You, the Living (2009)
Tomatometer
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Reviews Counted:34
Fresh:34
Rotten:0
Average Rating:7.7/10
Consensus: Composed of humorous sketches of human behavior, Roy Andersson's You, the Living is an eccentric but highly entertaining and unforgettable work.
Runtime: 90 mins
Genre: Foreign Films
US Box Office: $0
Synopsis:
Film Forum is proud to present the U.S. theatrical premiere of Roy Andersson’s You, The Living, an absurdist take on the everyday foibles of human nature. Andersson couples his iconic visual style...
Film Forum is proud to present the U.S. theatrical premiere of Roy Andersson’s You, The Living, an absurdist take on the everyday foibles of human nature. Andersson couples his iconic visual style (stationary shots, a monochromatic palette of grays and greens) with a meticulous eye for composition (compared by some critics to the work of German painters Otto Dix and Max Beckmann) to yield a brilliant succession of dreamlike tableaux: a bride and her electric guitar-playing groom sail along in a house moving like a train; a distraught man complains of his financial woes while his wife tries to make love to him; a drunken woman shouts “No one understands me” to a bar full of silent patrons; a man waiting in line to buy a train ticket changes queues repeatedly, to no advantage. Running the gamut from quotidian struggles to big philosophical questions of love, sympathy and purpose in an uncaring world, Andersson brings a blast of distinctive Nordic humor to our universal woes.
Although he has directed just four features in four decades, Roy Andersson is one of Sweden’s most acclaimed filmmakers. His previous feature, Songs from the Second Floor, won the Special Jury Prize at the Cannes Film Festival in 2000 and had its U.S. theatrical premiere at Film Forum in 2001. In the mid-1970s, Andersson began a second career as a maker of humorous, exquisitely photographed, world-renowned television commercials for such clients as Citroën, Volvo and Lotto (which Ingmar Bergman once called “the best commercials in the world”). In 1981, Andersson founded Studio 24, a production studio in Stockholm, in order to produce his own movies in total freedom. The Museum of Modern Art will hold a full retrospective of Andersson’s work September 10 – 18, including the premiere of a documentary on the making of You, The Living. --© Film Forum
Director: Roy Andersson
Director: Roy Andersson
Producer: Johan Carlsson
Studio: Tartan Films
Reviews for You, the Living
Roy Andersson’s film is slow, rigorously morose and often painful in its blunt reckoning of disappointment and failure. It is also extremely funny.
Made of 50 short, stiff scenes of human behavior, shot as dispassionately as wildlife, Andersson is either stretching the definition of cinema or returning it to its roots
a surreal still life that provokes the audience to find the absurdity rather than the tragedy
this litany of human disconnection, misery, frustration and despair... would be an almost unbearably bleak mosaic of our living deaths, were it not for Andersson's profound appreciation of Chaplin's observation that comedy is tragedy seen in long-shot.
More laughs -- belly-deep, thought-provoking ones -- are to be had in the first 10 minutes of Roy Andersson’s You, the Living than in all of Judd Apatow’s Funny People.
Surreal and absurd, yet oddly captivating and filled with a dry, sardonic sense of humor, stunning visuals along with provocative critiques of modern society.
Andersson is, at heart, an expert absurdist; to him, there is meaning in the meaningless and salvation in the ridiculous
Jacques Tati’s puckish humor meets Ingmar Bergman’s angst in this erratic, eccentric gem.
Recalling the work of Jacques Tati, this is a grim but amusing and ultimately successful effort.
“Keaton-esque” hardly begins to describe this brutally deadpan comedy by Swedish director Roy Andersson (Songs From the Second Floor), who seems to have translated the entire range of human misery into a loosely connected series of slapstick gags.
Isn't quite the masterpiece it sets itself up as, but has lots going for it.
A cold soup mix of Buster Keaton, David Lynch, Jerry Lewis and Terry Gilliam, hawking deadpan jokes as well as chilly, disheartening mean streaks in his blocky, deep-space single takes.
To complain that Andersson's skits are difficult or boring to sit through because they seem too close to the pain of daily life is to pay them some kind of a compliment.
Essentially indescribable, You, the Living offers little help to anyone trying to get a handle on it in terms of a traditional narrative. But it can be quite funny if you're susceptible to Andersson's curious way of capturing the human comedy.
One of European cinema's most distinctive stylists, and darkest humourists, returns with another tragi-comic panorama of the human condition.
A morosely comic symphony on the meaning (or is that meaninglessness?) of life, Roy Andersson's You, the Living can be seen as a gentler companion piece to his 2000 Cannes prize-winner, Songs From the Second Floor.
No one views the world like Roy Andersson does. That fact alone is enough to recommend the Swedish director’s latest collection of interconnected, often single-take vignettes.
Latest News for You, the Living
July 30, 2009:
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