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Movies / Upcoming / The Earrings of Madame De...
The Earrings of Madame De...

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The Earrings of Madame De... (1953)

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Reviews Counted:23

Fresh:23

Rotten:0

Average Rating:8.8/10

Consensus: Ophüls' graceful camerawork and visual portrayal of luxury and loss make Earrings a powerful French drama.

Runtime: 1 hr 45 mins

Genre: Foreign Films

US Box Office: $0

Synopsis: MADAME DE... is set in the glittering world of Paris high society in the dizzy days before World War One. Madame de...(it is one of the films running jokes that we never learn her name) is played... MADAME DE... is set in the glittering world of Paris high society in the dizzy days before World War One. Madame de...(it is one of the films running jokes that we never learn her name) is played by Danielle Darrieux, a beautiful, charming woman married to Andre (Charles Boyer) a worldly Army General. She is pursued by numerous men in hope of an illicit affair. She doesn't say yes, but never quite says no, preferring, as her suitor Baron Fabrizio (Vittorio De Sica) says, "torture by hope." When she takes off the earrings her husband gave her and sells them in order to pay off a debt, the jeweler sells them back to the General, who gives them to his mistress, who gambles them away. They are unknowingly purchased by Baron Fabrizio, who gives them to Madame de... as a sign of his love. But to wear them she must lie to her husband about how she got them back and to her lover about where they came from. Here, as in LETTER FROM AN UKNOWN WOMAN, Ophüls shows his skill in depicting the world of European society. His sense of staging and camera movement perfectly capture not just the mood and feel of the time, but also the emotions of the characters. [More]

Starring: Charles Boyer, Vittorio De Sica, Danielle Darrieux, Jean Debucourt

Starring: Charles Boyer, Vittorio De Sica, Danielle Darrieux, Jean Debucourt

Director: Max Ophuls

Director: Max Ophuls
Screenwriter: Marcel Achard, Annette Wademant, Marcel Ophuls

[See More Credits]

Reviews for The Earrings of Madame De...

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1 - 20 (sorted by date; Australian critics are listed first)
Text View | 1 2 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

The tracking shots effortlessly glide down corridors, into rooms, through gardens. They particularly shine during two dancing scenes, where the smooth movements of the partners are echoed by the graceful camera capturing every move in perfect sync.

Full Review Source: Film and Felt | comment Comment
08/21/09
Gabe Leibowitz
Gabe Leibowitz
Film and Felt
N/R

Click to read the article

Full Review Source: Variety | comment Comment
03/26/09
Variety
Top Critic Icon Top Critic

Ravisihing classic made at the height of Ophuls' career (La Ronde, Lola Montes), this much admired film is flawless in subtle narrative and lavish style as an indictment of socio-sexual mores of European aristocracy splendidly acted by Darrieux and Boyer

Full Review Source: EmanuelLevy.Com | comment Comment
09/27/08
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

Ravisihing classic made at the height of Ophuls' career (La Ronde, Lola Montes), this much admired film is flawless in subtle narrative and lavish style as an indictment of socio-sexual mores of European aristocracy splendidly acted by Darrieux and Boyer

Full Review Source: EmanuelLevy.Com | comment Comment
09/27/08
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

.. not just directed, not just choreographed, but sculpted in time and space, with actors and decor as the raw materials and the camera carving out the story.

Full Review Source: Parallax View | comment Comment
09/20/08
Sean Axmaker
Sean Axmaker
Parallax View

Haunting romantic tragedy.

Full Review Source: Classic Film and Television | comment Comment
08/08/08
Michael E. Grost
Michael E. Grost
Classic Film and Television

Rich in story and character.

Full Review Source: Deseret News, Salt Lake City | comment Comment
06/15/07
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City

The brilliance of "Earrings" is in the precision with which Ophuls carefully strips away all the luxury until what we see is not the extravagance, but the wounded, tragic marriage that the extravagance is meant to hide.

Full Review Source: Capital Times (Madison, WI) | comment Comment
06/01/07
Rob Thomas
Rob Thomas
Capital Times (Madison, WI)

It's powerful stuff, but Ophuls' graceful, gliding camera movements provide a sense of beautiful inevitability.

Full Review Source: Combustible Celluloid | comment Comment
03/22/07
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Evanescence is an integral part of cinema, and no other director captured it as lyrically and yet as savagely as Ophüls.

Full Review Source: Slant Magazine | comment Comment
03/16/07
Fernando F. Croce
Fernando F. Croce
Slant Magazine

On one hand, Madame De . . . is all surface and style; on the other, it conveys real loss.

Full Review Source: Village Voice | comment Comment
03/13/07
J. Hoberman
J. Hoberman
Village Voice

Three good reasons you should see The Earrings of Madame de … are the presence and performances of Danielle Darrieux, Charles Boyer and Vittorio De Sica. This celestial triangle has never been surpassed in grace, charm and, yes, wit and humor.

Full Review Source: New York Observer | comment Comment
03/07/07
Andrew Sarris
Andrew Sarris
New York Observer

Ophüls' penultimate film.

Full Review Source: Time Out | comment Comment
06/24/06
Derek Adams
Derek Adams
Time Out

No review available.

comment Comment
10/10/05
Cole Smithey
Cole Smithey
ColeSmithey.com

No review available.

comment Comment
01/03/05
Michael Dequina
Michael Dequina
TheMovieReport.com

No review available.

comment Comment
10/30/04
Jake Euker
Jake Euker
F5 (Wichita, KS)

Lavish, memorable romance

comment Comment
08/24/04
Daniel Eagan
Daniel Eagan
Film Journal International

Justifying the superlatives heaped upon it by film-makers and critics alike, this is one of Ophüls' finest achievements, a period drama marked by formal beauty and intense feeling.

Full Review Source: Channel 4 Film | comment Comment
05/24/03
Tom Dawson
Tom Dawson
Channel 4 Film

Like its turn-of-the-century décor and costuming, it is elegant and filled with decorative but basically unnecessary little items, which give it gentility and a nostalgic mood, but nothing much more substantial.

Full Review Source: New York Times | comment Comment
05/20/03
A.H. Weiler
A.H. Weiler
New York Times
Top Critic Icon Top Critic

No film director intoxicates the soul like Max Ophuls.

Full Review Source: Austin Chronicle | comment Comment
03/10/03
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle
 
 
1 - 20 (sorted by date; Australian critics are listed first)
Text View | 1 2 >> >|
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