The tone is light and the repeated escape attempts are played with a comic undertone, yet behind the humor is the feeling of dignity lost...
The Elusive Corporal (1962)
Tomatometer
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Reviews Counted:7
Fresh:7
Rotten:0
Average Rating:7.4/10
Runtime: 1 hr 49 mins
Genre: Foreign Films
US Box Office: $0
Synopsis: Humorously echoing some of the directors's earlier work, the film stars Jean-Pierre Cassell as The Corporal, a French officer stuck in a German prison camp during WWII. His initial attempt at... Humorously echoing some of the directors's earlier work, the film stars Jean-Pierre Cassell as The Corporal, a French officer stuck in a German prison camp during WWII. His initial attempt at escape with comrades Pater (Claude Brasseur) and Ballochet (Claude Rich) ends in failure, when the latter loses his glasses. On the second attempt, they lock their guard in a urinal and jump on a truck that leaves them in a garbage dump, at the feet of some German soldiers. Not one to give up, The Corporal gets as far as a train on his next escape, where he meets an old friend (Sacha Briquet), trying to escape in drag, but he is captured once again, due to a mistake by another companion, Pencheagauche (Jacques Jouanneau). The Germans, unamused, send him to a Punishment Camp, where they try to break his will, and come close to succeeding. However, when a toothache sends him to the dentist, a brief dalliance with Erika (Cornelia Froboess), the dentist's daughter, seems to restore his spirits quite impressively. He continues to hatch escape plans which his captors continue to foil, even awarding him another trip to the Punishment Camp. Can freedom be denied to one who refuses to quit? An entertaining comedy, its generally farcical tone is sometimes broken by more realistic touches. [More]
Starring: Jean-Pierre Cassel, Claude Rich, Jean Carnet, Claude Brasseur
Starring: Jean-Pierre Cassel, Claude Rich, Jean Carnet, Claude Brasseur
Director: Jean Renoir
Director: Jean Renoir
Reviews for The Elusive Corporal
Renoir draws a connection both to his past as a filmmaker and to Paris' past, emphasizing the senseless repetition of war and the timeless universality of man's fight for liberty.
This late addition to Renoir's impressively wide-ranging oeuvre is nevertheless suffused with the same warm and generous humanism as the great Règle du Jeu or Grande Illusion.
Tthe trace of philosophical implication makes it worth more than lightly passing through.
This is a slight and sentimental tale from Renoir, for the most part played for laughs, but it is informed with a trademark humanism that is evident in his greatest work.
An ironic comedy of fake French heroics and real French heroism, the film is delicate and witty and features a delightful performance from Jean-Pierre Cassel.
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