This movie may seem to some like little more than boys' war games. But director Annaud, who wrote this with Alain Godard, knows how to milk the suspense.
Enemy at the Gates (2001)
Tomatometer
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Reviews Counted:123
Fresh:71
Rotten:52
Average Rating:5.8/10
Consensus: Atmospheric and thrilling, Enemy at the Gates gets the look and feel of war right. However, the love story seems out of place.
Runtime: 2 hrs 11 mins
Genre: Dramas
US Box Office: $50,507,533
Synopsis: September 1942. The German Army has advanced to the gates of Stalingrad. The Russian Army holds on desperately. It is so poorly equipped that every pair of soldiers is given a single rifle--the... September 1942. The German Army has advanced to the gates of Stalingrad. The Russian Army holds on desperately. It is so poorly equipped that every pair of soldiers is given a single rifle--the second man only gets the weapon when the first is cut down. Trapped in no man's land between the opposing armies, Russian recruit Vassili Zaitsev (Jude Law) finally acquires a rifle from Political Officer Danilov (Joseph Fiennes). Danilov is astonished when Zaitsev picks off several German officers. On their return to the Russian lines, Danilov writes about Zaitsev's exploits in the army newspaper. Zaitsev is assigned to a sniper unit. He kills more German officers and, thanks to Danilov, becomes a hero. In retaliation, the Germans bring in sharpshooter Major König (Ed Harris) from Berlin--to hunt Zaitsev. The two snipers engage in a desperate duel, as the appalling Battle of Stalingrad rages. In ENEMY AT THE GATES, director Jean-Jacques Annaud uses a palate of dull greens, blues, and greys to tell the powerful, true story of Russian sniper Vassili Zaitsev. The film is distinguished by fine performances from Law, Fiennes, Rachel Weisz as a female soldier, and Bob Hoskins as Nikita Khrushchev--with Harris particularly notable as the chilly, aristocratic König. [More]
Starring: Jude Law, Joseph Fiennes, Rachel Weisz, Bob Hoskins
Starring: Jude Law, Joseph Fiennes, Rachel Weisz, Bob Hoskins, Ed Harris, Ron Perlman
Director: Jean-Jacques Annaud
Director: Jean-Jacques Annaud
Screenwriter: Jean-Jacques Annaud, Alain Godard
Producer: John D. Schofield, Jean-Jacques Annaud
Composer: James Horner
Studio: Paramount Pictures
Reviews for Enemy at the Gates
Rarely do we get to see ambitious World War II movies from a perspective other than American or British. Thanks to Enemy at the Gates it will probably be a hot day in Stalingrad before we see another one.
The film is worth the price of admission for its visual aspects alone.
Even with its flaws, I guess you could say that this is the best American movie ever made about a heroic Soviet sniper and his propagandist pal.
Enemy at the Gates has its deficiencies, but the first-rate cast is not among them.
Marred by an unconvincing love triangle and an insincere dénouement, it's a story that nonetheless resonates as much as Saving Private Ryan does.
If too much of Enemy of the Gates is melodramatic hokum, it is redeemed by the sniper standoffs, which are models of suspense.
As so often happens, the good stuff gets diluted with requisite pap and banal dialogue a love triangle, lackluster sex, betrayal and redemption.
Its suspense, though borrowed, remains genuine, and there isn't a bad performance in the film.
Cornball and sanctimonious, an anticommunist diatribe dolled up like war porn filled with loving shots of bodies being obliterated, reduced to sinew and bone.
As fascinated as I was by the historical backdrop against which the struggle occurs, I found it difficult to care one way or another about which characters lived or died.
Despite a strong cast and occasional flashes of creativity, the cat-and-mouse action thriller by Annaud ... is boring.
Latest News for Enemy at the Gates
June 13, 2007:
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