Family Law has a sweet sense of how families try to interact and connect... There's nothing big about this film but it's filled with small joys and insights.
Family Law (2006)
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Reviews Counted:40
Fresh:30
Rotten:10
Average Rating:6.8/10
Consensus: What Family Law lacks in overt drama and conflict, it more than makes us with warm performances and smart, sharp dialogue.
Runtime: 1 hr 42 mins
Genre: Foreign Films
US Box Office: $0
Synopsis: Ariel Perelman is an attorney, like his father. And, because it is customary in Argentina to do so, the people refer to them both as Dr Perelman--regardless of whether they mean the father or the... Ariel Perelman is an attorney, like his father. And, because it is customary in Argentina to do so, the people refer to them both as Dr Perelman--regardless of whether they mean the father or the son. Yet it is not so much sharing the same name that bothers Perelman Junior as not knowing if he is beginning to look just like his father--or at least, the exact opposite. -- © IFC First Take [More]
Starring: Adriana Aizemberg, Damian Dreizik, Daniel Hendler, Jean Pierre Reguerraz
Starring: Adriana Aizemberg, Damian Dreizik, Daniel Hendler, Jean Pierre Reguerraz
Director: Daniel Burman
Director: Daniel Burman
Screenwriter: Daniel Burman
Studio: IFC First Take
Reviews for Family Law
It's a nice film, offering a few smiles and very likable performances. It could stand to have its themes fleshed out a little more, though.
Full of subtle dark humor that won't make you bend with laughter but certainly may cause you to giggle.
...a charming and low-key effort from Argentina which was their contender for the foreign language Oscar, though it didn't get nominated.
Burman based this comedy-drama on his experiences as a new father, and the results are warmly observational but slightly navel-gazing.
Drastically overplotted and overwritten and could have used some editing to make it a tighter, more modest character piece.
A subtly perceptive charmer that was Argentina's entry for a best foreign film Oscar and might have been nominated in a less competitive year.
The lessons of this slight human comedy are not groundbreaking, but they do strike a warmly universal chord.
Every movie is made up of certain nuts and bolts, and in Family Law they seem, quite frankly, a little loose.
This observant little movie does delicately touch on those unspoken assumptions that animate so many filial relationships. And the wry, soft-spoken tone is a welcome one amid the dysfunctional burlesques Hollywood routinely extrudes.
With its slack plotting, the film itself feels as aimless as its main character.
Family Law offers a sweet, understated perspective on the psychological dance of wariness, hope and acceptance that occurs between many a father and son.
Family Law [is] one of the best examinations of [fathers and sons] ever committed to celluloid.
This delicate, bittersweet comedy prepares you for an eruption of high drama that never arrives.
A deft, witty and emotionally rewarding study of a thirtysomething man in his roles as father and son.
Particularly good at the tiny details that become recognition points in daily patterns.
[Director Daniel] Burman's beguiling tribute to his Jewish father -- or, for all I know, the one he wishes he had -- is warm and deep enough to give humanism a good name.
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