Eternal City fugue
Fellini's Roma (1972)
Tomatometer
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Reviews Counted:12
Fresh:7
Rotten:5
Average Rating:6.5/10
Runtime: 2 hrs 9 mins
Genre: Foreign Films
US Box Office: $0
Synopsis: ROMA, the Federico Fellini-directed benchmark of the Italian New Wave, explores the city of Rome from several different perspectives, giving it a mystical life of its own that hangs in the balance... ROMA, the Federico Fellini-directed benchmark of the Italian New Wave, explores the city of Rome from several different perspectives, giving it a mystical life of its own that hangs in the balance between its rich history and its modern identity. With no real chronology, ROMA is a tapestry of bizarre scenes and familiar images (Fellini peppers the film with easily identifiable references to his earlier works) that blend together into a gorgeous visual carnival. Typical of Fellini, with the carnival comes a critique--and ROMA tears through the city's political and religious history, satirizing the Catholic church and various faces of Italian government from Renaissance times through Mussolini's reign and on into the 1960s. While the camera lavishes affectionately over Rome's art and architecture and is clearly a tribute to the Eternal City, most of the sets in the film are constructed, reinforcing Fellini's narrative imagination and keeping viewers caught in a perpetual contradiction between reality and fantasy, history and the present, fact and fiction. [More]
Starring: Peter Gonzales, Britta Barnes, Pia De Doses, Fiona Florence
Starring: Peter Gonzales, Britta Barnes, Pia De Doses, Fiona Florence, Marne Maitland, Renato Giovannoli, Federico Fellini
Director: Federico Fellini
Director: Federico Fellini
Reviews for Fellini's Roma
Roma, a confounding and confused semi-documentary, tried the patience of even the most devoted Fellini fans.
The city that Federico Fellini explores for almost two hours bears little resemblance to the real Rome.
Fellini isn't just giving us a lot of flashy scenes, he's building a narrative that has a city for its protagonist instead of a single character.
What Fellini can't give us, is what's not in him--a true sense of the political and the art.
I'm pretty mixed over this film. It never did much for me, but I've never hated it, either. You either love Fellini, or you hate him. I guess I'm that weird anomaly that doesn't care.
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