A first rate thriller, First Snow is about a man haunted by his past who revisits it in a bid to change his destiny. It's a terrific role for Guy Pearce, who ably carries the film on his shoulders
First Snow (2007)
Tomatometer
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Reviews Counted:71
Fresh:41
Rotten:30
Average Rating:5.9/10
Consensus: In First Snow, an interesting premise gives way to a slow and tedious noir that adds little to the genre.
Synopsis: Jimmy (Guy Pearce) is a smooth-talking salesman who finds himself making a detour after his car breaks down on a desert highway. To pass the time, he pays a visit to a local palm reader, Vacaro... Jimmy (Guy Pearce) is a smooth-talking salesman who finds himself making a detour after his car breaks down on a desert highway. To pass the time, he pays a visit to a local palm reader, Vacaro (J.K. Simmons). Vacaro makes a few positive predictions for him, but then appears deeply disturbed by a vision. Jimmy demands to know what he saw, but Vacaro refuses to tell him, and won't even accept payment for the reading. A few days later, Jimmy becomes uneasy when various predictions begin to come true. He returns to Vacaro and begs to know what is in store for him. Vacaro admits that, yes, Jimmy's days are numbered, and he is to meet his fate--whatever it may be-- upon the first snowfall. The news causes Jimmy to descend into paranoia and fear, and he begins to behave irrationally--endangering both his job and his relationship with his girlfriend (Piper Perabo).What tragedy is about to befall him? Should he worry about his heart murmur? The threats from a disgruntled ex-employee? Or his ex-best friend, a convicted felon, who has recently come back to town? He turns his life inside out, racing to alter his destiny before the first snow. Guy Pearce gives his usual electric performance, perfectly capturing Jimmy's slick egotism, and later, his wild-eyed fear. His puzzle-like quest for the truth combined with the film's noir-style is at times reminiscent of MEMENTO, though the pace is a bit slower, and the plot a bit clunkier. But the film does still manage to pose some intriguing questions about the idea of fate, and the notion of each life being on a pre-destined path. Like MEMENTO, FIRST SNOW will leave viewers scratching their heads in wonder, if not feeling more than a little spooked. [More]
Starring: Guy Pearce, Piper Perabo, William Fichtner, J.K. Simmons
Starring: Guy Pearce, Piper Perabo, William Fichtner, J.K. Simmons, Shea Whigham, Rick Gonzalez, Jackie Burroughs, Adam Scott
Director: Mark Fergus, Bob Yari
Director: Mark Fergus
Screenwriter: Hawk Ostby, Mark Fergus
Director: Bob Yari
Producer: Sean Furst, Bryan Furst, Tom Lassally, Robyn Meisinger
Composer: Cliff Martinez
Studio: Yari Film Group
Reviews for First Snow
A fresh, intelligent and thoroughly involving psychological thriller.
I was beguiled by both the eerie moods and the striking compositions, which incorporate large stretches of empty space.
First Snow is an auspicious directorial debut for Mark Fergus. It will be interesting to see what he does next.
Brings little new to the genre apart from another outstanding performance by Pearce.
The film has some of the bleak inevitability of Jim Jarmusch's Dead Man, but without the compelling characters and oddball twists.
First Snow is a sharp thriller with abstract pretentiousness. The writers were clever enough to approach a simple philosophical question in a devious and brusque way.
A haunting neo-noir about a man told by a palmist that his karma is about to run over his dogma.
...the interest dissipates pretty quickly and the movie becomes a dreary plod...
The subdued ending might disappoint those hoping for a more lively denouement, but really, it seems just right for a tale as chilly as this one.
[The filmmakers] raise intriguing questions about fate and destiny, and they get a soulful performance from Pearce.
Fate plays havoc with a salesman's existence in [this] bleak psychological thriller about life and death in the New Mexico desert.
It's a film of great promise, but loses dramatic circulation the longer it spends time chasing its own tail.
Co-screenwriter/director Mark Fergus isn't able to build any palpable tension. And the fact that we're not really rooting for his protagonist to survive works against the material.
Takes a silly premise -- a fortune teller predicts imminent doom! -- and spins it into a thoughtful, intelligent story about fate vs. free will.
This is first-rate work from a talented actor who is fated to become a star.
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