As tired as First Sunday is, and as shamelessly as it grovels for laughs, there's a hint of sweetness, and [director] Talbert clearly has a feel for Baltimore, where most of it was affectionately shot.
First Sunday (2008)
Tomatometer
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Reviews Counted:73
Fresh:10
Rotten:63
Average Rating:3.7/10
Consensus: First Sunday may have its heart in the right place, but its funny bone is dislocated.
Runtime: 1 hr 38 mins
Genre: Comedies
US Box Office: $37,931,869
Synopsis: David E. Talbert makes his directorial debut with this comedy about Durell (Ice Cube) and LeeJohn (Tracy Morgan), childhood friends with a knack for getting into trouble. Despite his continual bad... David E. Talbert makes his directorial debut with this comedy about Durell (Ice Cube) and LeeJohn (Tracy Morgan), childhood friends with a knack for getting into trouble. Despite his continual bad decisions, Durell gets one thing right: he's a good father to his adolescent son. When he learns that the boy's mother, his ex-girlfriend, Omunique (Regina Hall), needs $17,000 to buy her beauty shop or she'll leave Baltimore and move to Atlanta, he's determined to get her the money to keep his son in his life. Meanwhile, LeeJohn needs big money fast to pay off some bad guys. Durell and LeeJohn decide that the collection plate of their local church holds the answer to their money woes. But their attempt to rob the church is foiled in progress: the money is already missing, and the would-be burglars didn't realize there would be people at the church. Finding themselves with a group of parishioners and choir members at their mercy, Durell and LeeJohn have to make some decisions about exactly what kind of men they want to be. FIRST SUNDAY also makes a statement about the role of the church in urban areas and its importance within the community. Keith David is Deacon Randy, who has grandiose plans for moving the church to a "less urban" neighborhood. Chi McBride stars as Pastor Mitchell, and Malinda Williams is his strong-willed daughter, Tianna, who wants First Hope Community Church to stay right where it is and expand its services. Loretta Devine is Sister Doris, the parish secretary and foster mother with a heart of gold. Ice Cube and Morgan have good rapport as the bickering buddies, with Morgan's silliness providing loads of comic relief, but Katt Williams is the scene-stealer as Rickey, the flamboyant choir director with something to say about everything and everyone. [More]
Starring: Ice Cube, Katt Williams, Tracy Morgan, Loretta Devine
Starring: Ice Cube, Katt Williams, Tracy Morgan, Loretta Devine, Michael Beach, Keith David, Regina Hall, Malinda Williams, Chi McBride
Director: David E. Talbert
Director: David E. Talbert
Screenwriter: David E. Talbert
Producer: David E. Talbert, David McIlvain, Tim Story, Ice Cube, Matt Alvarez
Composer: Stanley Clarke
Studio: Sony Pictures Entertainment
Reviews for First Sunday
...didn't pry so much as a giggle from my lips until 42 minutes in...
The film somehow ends with religious conversions that leave out any mention of the Almighty.
This heist comedy has a hackneyed introduction, and its feel-good ending lacks credibility, but the big, funny chunk in the middle marks writer-director-producer David E. Talbert as a talent to watch.
While not all of the jokes work (in fact, some of them misfire badly), there are enough low-key chuckles to retain a light tone.
First Sunday pits the street against the church, but somehow affable mediocrity wins the day.
In addition to the faulty premise, which effortlessly lends itself to writer / director David E. Talbert's preachy agenda, the movie just plain isn't funny.
David E. Talbert's frenetically unfunny comedy about two losers who attempt to rob a church. Doesn't have a prayer.
On the basis of First Sunday, it would seem writer-director David E. Talbert has been keeping close tabs on the creative recipe for success concocted by Tyler Perry.
Morgan butchers me every time with that overemphatic- delivery thing that makes incidental lines multiplex-leveling funny.
A near-claustrophobic comedy that manages to be both predictable and preachy.
It plods along at a sluggard's pace through a weak premise with crude execution and even cruder characters to arrive at an unearned sentimental ending.
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