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Movies / Upcoming / Ghost Dog: The Way of the Samurai
Ghost Dog: The Way of the Samurai

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Ghost Dog: The Way of the Samurai (1999)

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Reviews Counted:90

Fresh:73

Rotten:17

Average Rating:7/10

Consensus: An innovative blend of samurai and gangster lifestyles.

Runtime: 1 hr 56 mins

Genre: Dramas

US Box Office: $0

Synopsis: Ghost Dog (Forest Whitaker) lives simply, apart from the world in a homemade shack on the roof of an abandoned building. His only true companion is the trusted carrier pigeon that serves as his... Ghost Dog (Forest Whitaker) lives simply, apart from the world in a homemade shack on the roof of an abandoned building. His only true companion is the trusted carrier pigeon that serves as his primary means of communication with the outside world. He studies the early eighteenthcentury Japanese warrior text Hagakure: The Book of the Samurai. Each morning, he bows to the altar he has constructed and practices the ancient disciplines of the samurai. Ghost Dog is a contract killer, a master of his trade who can whirl a gun at warp speed and moves through this world like a phantom, stealthy and evanescent. In the spirit of the samurai, he has pledged his loyalty to a small-time mobster named Louie (John Tormey), who saved his life many years before.

Written and directed by Jim Jarmusch, Ghost Dog: The Way of the Samurai is a hypnotic re-creation of the gangster picture that pits ancient wisdom against modern dysfunction, locating the parallels and differences between samurai and Mafia codes of honor and loyalty. As the modern crime family slides towards extinction, its moral system disintegrates and no one is safe in the struggle for power. In this fractious army, there is no place for the loyalty of the samurai, but his mastery and strength are undiluted.

Ghost Dog is a study of two worlds in collision, a recurring theme in the work of the award-winning filmmaker Jim Jarmusch. One of the world's most distinctive auteurs, Jarmusch's offbeat sensibility and striking, stylized visuals have won him critical acclaim and an international following. His seminal 1984 comedy Stronger Than Paradise won the Caméra d'Or (best first film) at that year's Cannes Film Festival and was named Best Picture by the National Society of Film Critics. Subsequent films, including Down By Law, Mystery Train, Night on Earth and Dead Man, have solidified Jarmusch's reputation as a consistently fine and adventurous filmmaker, who continues to grow and challenge himself.

Wonderfully written, populated by surprising characters, Ghost Dog is by turns soulful, ruminative, funny and explosive. As Ghost Dog, Forest Whitaker gracefully embodies the spirituality, wisdom and strength of the samurai, creating a modern version of the fabled warrior. Quietly and powerfully, he makes us understand Ghost Dog's deep and undying devotion to Hagakure. Whitaker's moving central performance is complimented by the work of a remarkable cast that includes veteran character actors John Tormey, Cliff Gorman, Henry Silva and Victor Argo.

Ghost Dog splices together eighteenth-century Japanese teachings; martial arts; mob iconography; the venerable military primer The Art of War; hip-hop; mythology; and pop entertainment. Lessons from Hagakure comment on the film's action; so do classic television cartoons from "Betty Boop" to "Felix the Cat" and "The Simpsons"' Itchy and Scratchy, animated parables of sex, envy, power and violence. High and low, mystic and antic, classic and of-the-moment: all kinds of cultural tributaries feed into the film's bubbling stream of knowledge.

Adding to the film's potent brew is the expressive soundtrack by THE RZA (pronounced "Rizzah"), the prolific producer and founder of the platinum-selling, hip-hop phenomenon the Wu-Tang Clan. THE RZA is an avid and inventive practitioner of cultural fusion; The Wu-Tang's music and its complex mythology blends Afro-Asiatic principles of mental discipline, kung-fu pyrotechnics, urban realism and horror- movie eerieness. THE RZA's signature sparse, atmospheric sound ushered in a new style in hip-hop, as group recordings and solo albums by individual Wu-Tang members sold in the millions. Fluent in electronica, rock and R&B, THE RZA has produced music for Bjork and Orbital, along with The Wu-Tang Clan's group and solo records.

Ghost Dog: The Way of the Samurai takes viewers on a parallel journey with the modern samurai, for a mesmerizing, meditative and edgy experience. With THE RZA playing Ennio Morricone to Jim Jarmusch's Sergio Leone, Ghost Dog is an inspired meld of movie and music. It is the timehonored story of one man, abiding by a strict code of behavior, who must do battle with ruthless enemies out to destroy him. Street culture blends with Eastern philosophy as Ghost Dog's spiritual journey plays out against the heavy beats and unpredictable violence of the urban frontier.

Ghost Dog's chosen master, Louie, is a foot soldier in a local crime family headed up by Ray Vargo (Henry Silva). The Vargo outfit is a comically low-rent bunch, who operate out of a Chinese restaurant and are on the verge of being evicted from their "social club" for nonpayment of rent. Per the instructions of underboss Sonny Valerio (Cliff Gorman), Louie has hired Ghost Dog to kill Handsome Frank (Richard Portnow), a "made man" who has been consorting with Louise Vargo (Tricia Vessey), Ray Vargo's beautiful, strangely detached young daughter. Ghost Dog executes his assignment with characteristic efficiency, only to then discover Louise watching cartoons in Frank's living room. The emotionally opaque Louise lends the silent hit man her paperback copy of Rashomon.

Furious to hear of Louise's presence, Vargo wants Ghost Dog, a man whom no one but Louie has ever met, dead. Louie tries to explain that his peerless assassin is no ordinary killer, but his description of Ghost Dog's exacting methodology is met with baffled derision. He describes how he met Ghost Dog, who was being savagely beaten by a gang of thugs, one of whom turned his gun on Louie. No one cares, nor is anyone moved that Ghost Dog presented himself to Louie four years later, offering a lifetime of service. Either Ghost Dog goes, or Louie does.

Ghost Dog, however, is a most formidable adversary, disciplined and trained in the art of war. He knows that he and his master are in danger, and prepares for battle with the Vargo family. As prescribed by Hagakure, Ghost Dog carefully considers his strategy and assesses his opponents before he takes action.

Ghost Dog's opponents and allies are all colorful characters; like the tricksters and animals of ancient fables, they add comedy and, occasionally, insight. Ghost Dog's enemies are ruthless and amoral, but they're not without their peculiar charms, from the ardent rap fan Sonny, to the fedora-sporting oldtimer (Gene Ruffini) who has an unforgettable way of contributing to a conversation. And in his bizarrely frozen fashion, Ray Vargo seems to have a certain understanding of Ghost Dog. On the less bloodthirsty side, there is Ghost Dog's best friend, the jovial French-speaking African ice cream vendor Raymond (Isaach de Bankolé). Raymond doesn't understand a word of English, and Ghost Dog doesn't understand any French. An intuitive understanding exists, allowing the two men to continue a dialogue, verbalizing the same thoughts simultaneously although in different languages. Joining this small circle is Pearline (Camille Winbush), the independent pre-adolescent protégé of Ghost Dog whom he meets in the park.

Ghost Dog calmly proceeds with his battle plan, employing the strictures of precision and ingenuity taught by Hagakure. In the end, it will come down to a confrontation with Louie that illustrates the ambiguity of history. Few stories are the same in the eyes of two men; Ghost Dog's memory of his first encounter with Louie is dramatically, crucially different from the other man's recollection, and it cannot be known which version is accurate. That lesson of subjectivity, of course, is embodied in the Japanese classic Rashomon, lent to Ghost Dog by the mob princess Louise, and by him to young Pearline, who now also inherits the code of the samurai. [More]

Starring: Forest Whitaker, John Tormey, Cliff Gorman, Frank Minucci

Starring: Forest Whitaker, John Tormey, Cliff Gorman, Frank Minucci, Richard Portnow, Tricia Vessey, Henry Silva, Gene Ruffini, Frank Adonis, Victor Argo, Damon Whitaker, Vince Viverito, Chuck Jeffreys, Yan Ming Shi, Vinnie Vella, Joe Rigano, Isaach de Bankolé, Camille Winbush, Gary Farmer, Clebert Ford, Angel Caban, Jonathan Cook, Tracy Howe, Harry Shearer, Vanessa Hollingshead, Sharon Angela, RZA

Director: Jim Jarmusch

Director: Jim Jarmusch
Screenwriter: Jim Jarmusch
Producer: Jim Jarmusch, Richard Guay

[See More Credits]

Reviews for Ghost Dog: The Way of the Samurai

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61 - 80 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 >> >|
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The film is full of moments of stifled hilarity...

Full Review Source: Empire Magazine | comment Comment
01/01/00
Kim Newman
Kim Newman
Empire Magazine
Top Critic Icon Top Critic

Too whimsically staged to take as serious suspense, too grimly real to be amusing.

Full Review Source: Houston Chronicle | comment Comment
01/01/00
Louis B. Parks
Louis B. Parks
Houston Chronicle

in a profoundly unethical world where even the Mafia code of honor and devotion to the family has been degraded by cowboys whose first loyalty is to their own sorry asses

Full Review Source: Film Journal International | comment Comment
01/01/00
Maitland McDonagh
Maitland McDonagh
Film Journal International

Jim Jarmusch, the king of indie cool, strikes another blow against the empire...

Full Review Source: Austin Chronicle | comment Comment
01/01/00
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

Ghost Dog is muddled and aimless.

Full Review Source: Mr. Showbiz | comment Comment
01/01/00
Michael Atkinson
Michael Atkinson
Mr. Showbiz

A poetic meditation on mortality and honor that delivers the action and suspense of any good gangster film -- all set to a moody rap score (by RZA).

Full Review Source: rec.arts.movies.reviews | comment Comment
01/01/00
Michael Dequina
Michael Dequina
rec.arts.movies.reviews

Ghost Dog is... a delight for those who know his work, maybe a mystery for those who don't.

comment Comment
01/01/00
Michael Wilmington
Michael Wilmington
Chicago Tribune

Too solemn.

comment Comment
01/01/00
Mike Clark
Mike Clark
USA Today
Top Critic Icon Top Critic

Credit must go to the writer-director for taking a unique approach rather than following the path of many a filmmaker by bastardizing traditional Japanese ideologies into a complete bloodbath of chop-socky or a surrealistic abstraction.

Full Review Source: Apollo Guide | comment Comment
01/01/00
Mike DeWolfe
Mike DeWolfe
Apollo Guide

Jarmusch gets an absorbing and fascinating performance from Whitaker.

Full Review Source: Seattle Post-Intelligencer | comment Comment
01/01/00
Paula Nechak
Paula Nechak
Seattle Post-Intelligencer

A gem of a movie!

comment Comment
01/01/00
Peter Brunette
Peter Brunette
Film.com

By turns irritating and inviting; Jarmusch's allusive metaphysics has a sensual glide, but much of what he's doing here is also too, too hip.

Full Review Source: New York Magazine | comment Comment
01/01/00
Peter Rainer
Peter Rainer
New York Magazine

An inventive, hypnotic and intelligent urban fable.

Full Review Source: SPLICEDWire | comment Comment
01/01/00
Rob Blackwelder
Rob Blackwelder
SPLICEDWire

By the end, Whitaker's character has generated true poignance.

Full Review Source: At the Movies | comment Comment
01/01/00
Roger Ebert
Roger Ebert
At the Movies

Stark, dark, dramatic and DEEP.

Full Review Source: eFilmCritic.com | comment Comment
01/01/00
Scott Weinberg
Scott Weinberg
eFilmCritic.com

Rich, intellectual.

Full Review Source: IFilm | comment Comment
01/01/00
Shari Roman
Shari Roman
IFilm

A profoundly original and compelling film.

Full Review Source: Oregonian | comment Comment
01/01/00
Shawn Levy
Shawn Levy
Oregonian

Yes, it does have some 'deep' messages to deliver, but Ghost Dog is also very entertaining.

Full Review Source: rec.arts.movies.reviews | comment Comment
01/01/00
Shay Casey
Shay Casey
rec.arts.movies.reviews

downbeat, stylish and strange film

Full Review Source: Empire Magazine | comment Comment
01/01/00
Simon Braund
Simon Braund
Empire Magazine
Top Critic Icon Top Critic

Jim Jarmusch is perhaps the only director who could pull off a film that mixes excerpts from the text of Hagakure: The Book of the Samurai with Mafioso entanglements, and hip-hop street knowledgry.

comment Comment
01/01/00
Spencer H. Abbott
Spencer H. Abbott
TNT's Rough Cut
 
 
61 - 80 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 >> >|
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