As filmmaking and storytelling, ‘The Godfather’ remains a bravura piece of work, its set pieces, dialogue and performances entrenched cinematic icons.
The Godfather (1972)
Tomatometer
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Reviews Counted:64
Fresh:64
Rotten:0
Average Rating:9/10
Consensus: One of Hollywood’s greatest critical and commercial successes, The Godfather gets everything right; not only did the movie transcend expectations, it established new benchmarks for American cinema.
Synopsis: Based on the bestselling novel by Mario Puzo (who co-wrote the screenplay with director Francis Ford Coppola), THE GODFATHER tells an epic tale of Mafia life in America during the 1940s and '50s.... Based on the bestselling novel by Mario Puzo (who co-wrote the screenplay with director Francis Ford Coppola), THE GODFATHER tells an epic tale of Mafia life in America during the 1940s and '50s. Vito Corleone (Marlon Brando) is the family patriarch balancing a love of his family with an ambitious criminal instinct. At the wedding of the Don's daughter, Connie (Talia Shire), youngest son Michael (Al Pacino) is reunited with his family. A subsequent assassination attempt leaves the Don too ill to run the family business, forcing Michael and Sonny (James Caan), with the help of consigliere Tom Hagen (Robert Duvall), to lead the Corleones into a vendetta-filled war with other mob families. Violent revenge ensues as the family tries to change from its old criminal ways into legitimacy. Coppola's certified masterpiece, which won three Oscars (including Best Picture) and spawned an Oscar-winning sequel (THE GODFATHER PART II), set a new screen standard for merging blood-soaked violence with intimate family drama. In the process, Coppola single-handedly established the Mafia as an industry in film and television (GOODFELLAS, THE SOPRANOS). Featuring truly unforgettable performances, including the Best Actor-winning Brando, the riveting Pacino, and an unexpectedly dramatic Diane Keaton, THE GODFATHER is the pinnacle of Hollywood cinema in the 1970s. [More]
Starring: Marlon Brando, Al Pacino, James Caan, Robert Duvall
Starring: Marlon Brando, Al Pacino, James Caan, Robert Duvall, Diane Keaton, Talia Shire, Sterling Hayden, John Cazale, Richard Castellano, John Marley, Richard Conte, Al Lettieri, Abe Vigoda, Gianni Russo, Rudy Bond, Morgana King, Richard Bright, Alex Rocco, Tony Giorgio, Vito Scotti, Julie Gregg, Angelo Infanti, Franco Citti, Saro Urzi, Sofia Coppola, Joe Spinell
Director: Francis Ford Coppola
Director: Francis Ford Coppola
Screenwriter: Mario Puzo, Francis Ford Coppola
Producer: Albert S. Ruddy
Composer: Nino Rota
Studio: Paramount Pictures
Reviews for The Godfather
Like a favored method of Mafia influence, "The Godfather" is an offer no audience can refuse.
With the themes of family and loyalty, this film is a must see for any movie fan.
Coppola offers a rich and layered look at family and does so with an incredible cast and a meticulous amount of detail.
Francis Ford Coppola's 1972 classic, The Godfather, is to gangster films what Cecil B. DeMille's The Ten Commandments was to super spectaculars.
...it's the stellar cast's career-best work that ultimately assures the viewer's interest even through the film's less-than-enthralling stretches.
...a metaphor for creating and protecting your own business in this country - only with the added glamour of guns.
A multi-generational epic that never leaves the audience less than enthralled, this is the godfather of all gangster films.
There are volumes that could be written -- and have been -- about the movie's uniformly powerful performances; its precedent-setting editing by William Reynolds and Peter Zinner; Nino Rota's haunting score; and Dean Tavoularis's evocative set design.
Not only one of the greatest mob films of all time, The Godfather is also one of the greatest overall pictures ever.
An everyday story of Mafia folk, incorporating a severed horse's head in the bed and a number of heartwarming family occasions, as well as pointers on how not to behave in your local trattoria.
Not only the best of crime film, but all that is possible with cinematic achievement.
It could be argued that Francis Ford Coppola's film of Mario Puzo's bestseller, at once an art movie and a commercial blockbuster, marked the dawn of the age of the mega-movie.
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