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The Good German (2006)
Tomatometer
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Reviews Counted:145
Fresh:47
Rotten:98
Average Rating:5/10
Consensus: Though Steven Soderbergh succeeds in emulating the glossy look of 1940s noirs, The Good German ultimately ends up as a self-conscious exercise in style that forgets to develop compelling characters.
Synopsis: One of mainstream cinema's most tirelessly inventive directors, Steven Soderbergh delivers another big-budget stylistic experiment with THE GOOD GERMAN. This time around, Soderbergh's target is... One of mainstream cinema's most tirelessly inventive directors, Steven Soderbergh delivers another big-budget stylistic experiment with THE GOOD GERMAN. This time around, Soderbergh's target is 1940s film noir. Set in postwar Berlin, the atmospheric thriller is based on the acclaimed novel by Joseph Kanon. Frequent Soderbergh collaborator George Clooney plays Jake Geismer, an American military journalist who has returned to Berlin for the Potsdam Peace Conference. Jake's driver, Tully (Tobey Maguire), appears innocent upon first glance, but is in fact a major player in the corrupt Berlin underworld. He's also dating Jake's former flame, Lena Brandt (Cate Blanchett), whose beauty continues to torment Jake. When Tully's cadaver washes ashore one day, Jake is shocked to discover that nobody wants to go public with the news. As much as he'd like to forget about Lena, he can't. Pretty soon, he's risking his life to help her flee the country. In shooting THE GOOD GERMAN, Soderbergh employed many of the actual filmmaking techniques that were used in the 1940s: black-and-white cinematography, elaborately constructed sets, wide master shots, and a sweeping score (compliments of Thomas Newman). The result is a film that looks and feels like it was made in a much earlier era, yet which contains the graphic language and content of an R-rated early 21st-century production. [More]
Starring: George Clooney, Cate Blanchett, Beau Bridges, Tobey Maguire
Starring: George Clooney, Cate Blanchett, Beau Bridges, Tobey Maguire, Tony Curran, Don Pugsley, Robin Weigert, David Willis
Director: Steven Soderbergh
Director: Steven Soderbergh
Screenwriter: Paul Attanasio
Producer: Gregory Jacobs, Ben Cosgrove
Composer: Thomas Newman
Studio: Warner Bros.
Reviews for The Good German
Steven Soderbergh massages his fond memories of the golden (if sometimes black and white) days of movies with a noirish sensibility.
A beautifully flawed experiment, "The Good German" is an entertaining if unbalanced war drama that places modern cinema mores on a classic style of American film when the Hayes code would never have allowed such overt sexual reality.
The Good German is the bad movie. Except for the ambience -- the look of the film -- it stumbles awkwardly on every level.
No matter that it's based on a book, the movie is more about how the reality of the time was seen through the lens of a Michael Curtiz while he was filming "Casablanca".
The final verdict on this movie is that for all its attempts to replicate the great movies of the 1940s, it fails miserably.
While admirable as an example of directorial innovation and homage, The Good German fails to connect on a basic emotional level.
A homage to the romantic noir mysteries of the 1940s, a tribute that tries hard but, alas, misses the mark.
Buddies Steven Soderbergh and George Clooney started out so well. But The Good German is so painful that their recent decision to go their separate ways really merits a gospel choir.
It's Soderbergh's commitment and creativity that lift The Good German above many of its peers, no matter the era.
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