The Good Sheperd feels like it escaped from a parallel world that never experienced the one-two punch of Jaws and Star Wars and instead based its blockbuster formula on The Godfathers.
The Good Shepherd (2006)
Tomatometer
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Reviews Counted:161
Fresh:90
Rotten:71
Average Rating:6.1/10
Consensus: This fictitious CIA origin film is an overlong, tedious effort that leaves viewers with more questions than answers.
Runtime: 2 hrs 48 mins
Genre: Dramas
US Box Office: $59,839,040
Synopsis: With THE GOOD SHEPHERD, Robert De Niro (A BRONX TALE) makes an ambitious return to the director's chair. A labor of love for Oscar-winning screenwriter Eric Roth (FORREST GUMP), the film tells an... With THE GOOD SHEPHERD, Robert De Niro (A BRONX TALE) makes an ambitious return to the director's chair. A labor of love for Oscar-winning screenwriter Eric Roth (FORREST GUMP), the film tells an epic, fictionalized account of how the Central Intelligence Agency was born. Matt Damon plays Edward Wilson, a reserved young man who graduated from Yale in the late 1930s. His membership in the exclusive, hidden Skull and Bones society led him away from poetry and into a relationship with the federal government, who recruited him to help them on several covert operations. Roth's script alternates between Wilson's gradual emergence as a genuine government operative in the early 1940s and the infamous Bay of Pigs conflict in the early 1960s. Along the way, he has a sweet romance with a pretty deaf girl (a sparkling Tammy Blanchard) and ends up marrying the woman he impregnates (Angelina Jolie) out of a strong sense of duty. Throughout the film, the emergence of a mysterious tape haunts Wilson, who is determined to uncover the truth behind a leak in his secret organization. Production designer Jeannine Claudia Oppewall (L.A. CONFIDENTIAL, CATCH ME IF YOU CAN) and costume designer Ann Roth (THE ENGLISH PATIENT, THE TALENTED MR. RIPLEY) faithfully recreate these earlier periods in American history, while the imagery of Oscar-winning cinematographer Robert Richardson (J.F.K., THE AVIATOR) casts a warm, stately glow upon De Niro's assembled cast of luminaries (including Alec Baldwin, Michael Gambon, William Hurt, Billy Crudup, and Joe Pesci). The result is a production that recalls Francis Ford Coppola's THE CONVERSATION and Steven Spielberg's MUNICH. [More]
Starring: Matt Damon, Angelina Jolie, Joe Pesci, John Turturro
Starring: Matt Damon, Angelina Jolie, Joe Pesci, John Turturro, Keir Dullea, Alec Baldwin, Michael Gambon, Billy Crudup, William Hurt, Liya Kebede, Gabriel Macht, Jason Patric, Eddie Redmayne, Sándor Técsy
Director: Robert De Niro
Director: Robert De Niro
Producer: Jane Rosenthal
Studio: Universal Pictures
Reviews for The Good Shepherd
The Good Shepherd is drama at its best, a complex meditation on the freedoms we take for granted and proof that just a little information about how we maintain them is way too much.
Director Robert DeNiro also brings in the human side of the story without making it feel like an intruder, or a snoozer.
There are no impeccably tailored dinner jackets to wear while sipping stirred martinis, no brainy bombshells to seduce, no cool gadgets, no sportscars. This is dirty -- in all senses of the word -- tradecraft.
Robert De Niro's sophomore directorial effort is so subdued that in the end it feels like nothing of significance has happened.
De Niro is endlessly fascinated with the birth and evolution of the Central Intelligence Agency, but his film is such a mind-numbing bore that it is impossible to recommend.
Directed by Robert De Niro, The Good Shepherd is an origin story about the C.I.A., and for the filmmakers that story boils down to fathers who fail their sons.
A meandering, near-three-hour epic that tries hard but basically fails to be The Godfather of CIA movies.
The Good Shepherd is serious adult moviemaking, a truly surprising effort from De Niro, a man deeply interested in the art, craft and psychology of espionage.
Except for helping you maintain a consistently slow pulse rate, The Good Shepherd isn't good for much.
It has a fascinating central character and the right actor playing him, with an excellent supporting cast (Michael Gambon? Alec Baldwin? Timothy Hutton? All great.). But it hasn't figured out where to take the story.
DeNiro's direction is masterful here - he uses "The Godfather" as his structural and thematic template yet tonally his film is as cool as its predecessor is hot.
Many things happen in The Good Shepherd, but very few of them are especially interesting or, more to the point, memorable.
Though illuminating as a history primer on the CIA, The Good Shepherd has the spark of an 8 a.m. college lecture.
Imagine a White Anglo-Saxon Protestant version of the first two Godfather movies drained of operatic passion but left with all their epochal sweep, double-dealing violence and richly detailed verisimilitude.
It's a rare occasion when you emerge from a sprawling three-hour movie thinking about how much they left out.
This rangy spy saga, odd but not unrewarding, oscillates between murmured, hushed skullduggery and the eerie quiet of its central character.
It turtles forward for 160 minutes with unrelenting, humorless solemnity, as if everyone involved were unaware that it has arrived three decades too late to matter.
Latest News for The Good Shepherd
July 07, 2008:
De Niro Looking for More Good Shepherds ![]()
It played to lukewarm reviews and middling box office, but Robert De Niro still wants to follow up The Good Shepherd with a pair of sequels. More...
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It may not have been quite the box-office phenomenon that its predecessors were -- and critics may have disliked it enough to keep it down at 20 percent on the Tomatometer --... More...
December 20, 2007:
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Moviegoers are in for a feast as studios will unleash a wide menu of new options on Friday trying to reach holiday patrons on the weekend before Santa comes to town. With so... More...
January 15, 2007:
Box Office Guru Wrapup: "Stomp" Steps All Over New Releases
Stomping into the number one spot over the Dr. Martin Luther King Jr. holiday weekend was the college dance drama "Stomp the Yard," which grossed an estimated $22M in... More...
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