Leiner's portrait of a post 9/11 New York shows a fragile population, jumpy and sad.
The Great New Wonderful (2006)
Tomatometer
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Reviews Counted:39
Fresh:29
Rotten:10
Average Rating:6.6/10
Consensus: Set in post-9/11 New York, this largely evocative dramedy interweaves the stories of five disconnected individuals who share an unspoken emotional malaise that shadows their attempts at returning to normal life.
Synopsis: Viewers may be shocked to learn that a film set one year after September 11th was directed by Danny Leiner, the man responsible for such stoner comedies as HAROLD AND KUMAR GO TO WHITE CASTLE and... Viewers may be shocked to learn that a film set one year after September 11th was directed by Danny Leiner, the man responsible for such stoner comedies as HAROLD AND KUMAR GO TO WHITE CASTLE and DUDE, WHERE'S MY CAR?. While those films were hardly subtle, A GREAT NEW WONDERFUL tries very hard to be, never directly referring to 9/11 but rather to the general unease that was left in its wake. In what has become a familiar formula, the film relies on interweaving separate narratives to tell five stories simultaneously. As the lives of several New Yorkers from a variety of ethnic and socioeconomic backgrounds unwind in September 2002, we are invited to look for clues of post-traumatic stress. What unfolds, however, could very well have occurred in September 2000, as the film never clearly states how direct a connection the characters have to the World Trade Center attacks. As a ruthlessly ambitious young cake-maker (Maggie Gyllenhaal) aims to outdo her competition (Edie Falco), two immigrant security guards drive around the city and offer commentary on life. Meanwhile, a yuppie mother (Judy Greer) struggles to control her violent and disturbed 10-year-old, a lonely older woman (Olympia Dukakis) in Coney Island attempts to escape her tired routine, and an oddball psychiatrist (Tony Shalhoub) is hired to help an office worker (Jim Gaffigan) who lost several colleagues in the attacks. Sam Catlin's script creates a vagueness and mystery which is both refreshing and frustrating. While never dwelling in sentimentality, the film is thought-provoking in its pondering of the ways in which people deal and fail to deal with things stressful, painful, and shocking. [More]
Starring: Maggie Gyllenhaal, Edie Falco, Tony Shalhoub, Olympia Dukakis
Starring: Maggie Gyllenhaal, Edie Falco, Tony Shalhoub, Olympia Dukakis, Jim Gaffigan, Will Arnett, Stephen Colbert, Judy Greer, Thomas McCarthy, Naseeruddin Shah, Sharad Saxena, Seth Gilliam, Dick Latessa
Director: Danny Leiner
Director: Danny Leiner
Producer: Danny Leiner, Leslie Urdang
Studio: First Independent Pictures
Reviews for The Great New Wonderful
There's an emotional truth to TGNW that can be denied or ignored, and it comes through if you give the movie a chance.
Not all the little stories and vignettes work (some seem almost pointless), but most of the performances, especially a haughty luncheon under a veil of politeness with Gyllenhaal and Falco, are spot on, involving and revealing.
[Maggie] Gyllenhaal ... slips into character with greater ease than any other young American actress now in the movies.
This mysteriously rich, mostly wonderful comedy-drama takes place in September 2002, when the lives of its unconnected New Yorkers have returned to something that looks like normal. 'Normal' being a thin layer of tissue paper over the abyss.
This is a film that never really says what's it's about, and may in fact not be about much of anything other than the zeitgeist of the era. Which, if you think about it, is plenty.
While the film rarely imparts a true sense of messy everyday feelings and the strife of real life, the fine actors take your mind off the shortcomings.
Better character-connection would inject this well photographed episodic journey around the island with a higher level of dramatic justification.
Never mind that the neuroses of these characters cannot be traced to 9/11. The stories are intriguing.
It may be the 9/11 movie to which the most people can relate. For most of us, that date wasn't about personal heroics or losing loved ones or survival. It was about processing the impossible and realizing that life, with all its ups and downs, must go on.
While it's not always successful at doing so, this film does have its perceptive, thoughtful moments. And it features one of the best ensemble casts in recent memory.
...director Danny Leiner uses a dainty palette of tristesse (untouched when he made Dude, Where's My Car?) to suggest that the shadow of 9/11 makes every discontent more pathetic.
There are amusing moments sprinkled throughout the film, a few genuine laughs, and some nicely played dramatic scenes.
It's a shame that The Great New Wonderful occasionally strains as it reaches all around New York, searching for touched lives and subtext; it's an overachiever already.
Finally, here is a film that addresses this major American catastrophe without shoving important messages down the audience’s throat.
No film that I've yet seen better captures the dismal mood that gripped the city in the wake of the [9/11] attacks...
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| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 71% 71% | Where the Wild Things Are | 03/12 |
| 83% 83% | Paranormal Activity | 03/12 |
| 89% 89% | Zombieland | 03/12 |
| 77% 77% | The Informant! | 03/12 |
| | The Strength of Water | 03/12 |
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