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The Grey Zone (2002)
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Reviews Counted: 78
Fresh: 53
Rotten:25
Average Rating: 6.9/10
Consensus: A grim and devastating tale of the Holocaust.
Rated: R [See Full Rating] for strong holocaust violence, nudity and language
Runtime: 1 hr 48 mins
Genre: Dramas
Theatrical Release: Oct 18, 2002 Limited
Box Office: $186,080
Synopsis: Writer-director-actor Tim Blake Nelson presents THE GREY ZONE, a relentlessly bleak drama that uses one of history's most incomprehensible calamities to address the ultimate question of human survival. Based in large part on Miklos... Writer-director-actor Tim Blake Nelson presents THE GREY ZONE, a relentlessly bleak drama that uses one of history's most incomprehensible calamities to address the ultimate question of human survival. Based in large part on Miklos Nyiszli's book, AUSCHWITZ: A DOCTOR'S EYEWITNESS ACCOUNT, THE GREY ZONE is set in the nightmarish world of Auschwitz in the 1940s. The film tells the brutal tale of the twelfth Sonderkommando unit, Jewish prisoners who were granted a few extra months of life in return for their services in helping with the genocide of their people. While organizing a revolt against the Nazis, a group of Sonderkommandos (played with ferocious intensity by David Arquette, Daniel Benzali, David Chandler, and Steve Buscemi) discover a young girl who has somehow managed to survive the gas chamber. Risking their lives, they team up with a fellow Jew, Doctor Nyiszli (Allan Corduner), to revive the fragile youngster and redeem themselves in the process. Nelson's excruciating drama is all the more unsettling for its unflinching honesty. By placing his characters in a world suffused with death, he creates an unbearable scenario where every decision determines the fate of dozens, if not hundreds, of innocent lives. THE GREY ZONE also features deeply impassioned performances by Harvey Keitel, Mira Sorvino, and Natasha Lyonne. [More]
Starring: David Arquette, Daniel Benzali, Steve Buscemi, Allan Corduner
Starring: David Arquette, Daniel Benzali, Steve Buscemi, Allan Corduner, Harvey Keitel, Mira Sorvino, Natasha Lyonne, David Chandler
Director: Tim Blake Nelson
Director: Tim Blake Nelson
Screenwriter: Tim Blake Nelson
Producer: Christine Vachon, Pamela Koffler, Tim Blake Nelson
Composer: Jeff Danna
Studio: Lions Gate Films
DVD Info
Reviews for The Grey Zone
Filme trágico, complexo, difícil – e que pode ser assistido em sessão dupla com O Pianista.
Roman Polanski's The Pianist may have been showered with Oscar glory ... but the best Holocaust film of 2002 was actually The Grey Zone.
Unlike Schindler’s List, ... this uses history to remind us of the tenuousness of our own morality, to remind us that ... most of us will never have to know what we might be capable of in certain circumstances.
The effort is sincere and the results are honest, but the film is so bleak that it's hardly watchable.
An intelligent and deeply felt work about impossible, irrevocable choices and the price of making them.
It's hard to imagine anybody ever being "in the mood" to view a movie as harrowing and painful as The Grey Zone, but it's equally hard to imagine anybody being able to tear their eyes away from the screen once it's started.
every time Steve Buscemi and Natasha Lyonne open their mouths, you think they're auditioning for a dinner theater version of Fiddler on the Roof.
Brings light to a little-known facet of the Holocaust in a way that does justice to its moral ambiguities.
Russell Lee Fine's handheld camera presses you repeatedly too close to the characters' perpetual fatigue and resilience, their pains to survive when they cannot.
If this story must be told and retold -- and indeed it must -- then The Grey Zone is to be lauded for finding a new and ingenious angle.
Effectively feeds our senses with the chilling sights and sounds from within the camp to create a completely numbing experience.
If stars could be awarded on the basis of good intentions, The Grey Zone should be king of the galaxy. Unfortunately, it lands on earth with something of a thud.
Even in its darkest moments, a heartening defiance underlies gut-wrenching calamity.
As bold and unyielding as The Grey Zone stands with its historical subtext, there are a few factors detracting from the powerful message.
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September 13, 2002:
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