There is a contrived aspect to a lot of the action. But Roos' insights into parenting, friendship and, of course, love, more than make up for the sometimes forced path that leads to them.
Happy Endings (2005)
Tomatometer
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Reviews Counted:101
Fresh:57
Rotten:44
Average Rating:6/10
Consensus: Despite strong individual performances, the overlong, disjointed plot of Happy Endings self-indulgently rambles.
Runtime: 2 hrs 10 mins
Genre: Dramas
US Box Office: $1,172,987
Synopsis: Mamie is being blackmailed. This filmmaker named Nick claims to know Mamie’s son – the one she gave up for adoption – but Nick won’t introduce her to him unless he can film the reunion. Enter... Mamie is being blackmailed. This filmmaker named Nick claims to know Mamie’s son – the one she gave up for adoption – but Nick won’t introduce her to him unless he can film the reunion. Enter Javier, Mamie’s massage therapist boyfriend, who convinces Nick to film him instead. Now they’re all making a movie about massage. And ‘happy endings’… Charley has a longtime boyfriend named Gil. Their best friends, Pam and Diane, once tried using Gil as a sperm donor. They said his sperm didn’t take, but Charley thinks those selfish, control-freak lesbians are lying. Pam and Diane’s two-year-old son looks exactly like Gil. And it’s time to set the record straight… Jude is pissed. Not at anyone in particular. Just in general. When her cousin kicks her out of the house, Jude shacks up with Otis, who’s still trying to convince his father, Frank, that he’s straight. Frank’s a widower. And he’s rich. So Jude decides to sleep with him, too. Really. The last thing she expected was to fall in love… Just when you thought you knew everything about love and dysfunction, along comes HAPPY ENDINGS, Lions Gate Films’ hilarious and heartfelt new comedy by writer/director Don Roos (The Opposite of Sex, Bounce). Featuring a talented ensemble cast that includes Tom Arnold, Jesse Bradford, Bobby Cannavale, Sarah Clarke, Steve Coogan, Laura Dern, Lisa Kudrow, Jason Ritter, David Sutcliffe and Maggie Gyllenhaal,, HAPPY ENDINGS deftly weaves together multiple stories to create a sharp, witty look at love, family and the sheer unpredictability of life itself. A feast of buried secrets, missed opportunities and welcome second chances, this wildly original comedy proves that the happiest ending of all is the one you least expect. [More]
Starring: Maggie Gyllenhaal, Tom Arnold, Jason Ritter, Laura Dern
Starring: Maggie Gyllenhaal, Tom Arnold, Jason Ritter, Laura Dern, Lisa Kudrow, David Sutcliffe, Steve Coogan, Bobby Cannavale, Jesse Bradford
Director: Don Roos
Director: Don Roos
Screenwriter: Don Roos
Producer: Holly Wiersma, Michael Paseornek
Studio: Lions Gate Films
Reviews for Happy Endings
As bawdy, self-conscious, jaded and still sweetly optimistic as its double-entendre of a title suggests.
The writer and director Don Roos's slyly subversive ensemble piece is a drama disguised as a wisp of a comedy.
There's something compelling about Happy Endings and something unexpectedly sweet.
Roos' stories eventually overlap in a tangle of pat fairy-tale endings, after which he treats his characters to the sort of wrap party given to the casts of a beloved TV series that has just finished its last episode.
It's hard to dislike Don Roos' Magnolia-inspired triptych of interconnected comic tales about lies, sex and video.
Happy Endings begins with what seems quite an unhappy ending, when Mamie (Lisa Kudrow) is hit by a car.
Happy Endings needed much more than the intricacies of styling gel to explore the heart of its characters.
The Opposite of Sex's writer-director returns with another sharp, smart look at sex, love and life in L.A.
a quieter, less uproarious sort of film than Sex, less intent on smashing conventions of morality and narrative, though likely it will age much better with time
Genuinely clever and very funny, and all the joking around serves to distract from what is actually an uneven, often absurd series of storylines.
The film rambles, but rambling with the mischievous Roos is still a tricky and winning proposition.
The best asset is first-rate acting; the worst liability is Roos's overuse of cinematic gimmicks.
It's a challenge to keep up with the multiple character studies and story lines, which are braided, tangled and teased. But the performances are exceptional.
Happy Endings maintains a certain level of intrigue, and occasionally bursts into life.
Roos has a gift weaving good laughs out of human failings and frailties.
It will make at least some of us feel happy to be alive, to be a person who is flawed and intolerable and perfectly fabulous just the same.
Latest News for Happy Endings
November 17, 2005:
Oh It's Already Been Broughten (Part 3)
A fresh press release from Universal informs us that there will soon be a "Bring It On 3" to enjoy, but also reminds us that, hey yeah, there WAS a direct-to-video... More...
March 09, 2005:
The director arranged to have a physical obstacle—a countertop, a couch—between Tom Arnold and his gay son in every scene until they reconcile. ![]()
More...
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