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Hester Street (1975)
Tomatometer
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Reviews Counted:6
Fresh:4
Rotten:2
Average Rating:6.3/10
Synopsis: The desire to shed or suppress all traces of one's original culture has been a primal experience of nearly all immigrants; Joan Micklin Silver's adaptation of Abraham Cahan's story makes clear that... The desire to shed or suppress all traces of one's original culture has been a primal experience of nearly all immigrants; Joan Micklin Silver's adaptation of Abraham Cahan's story makes clear that it's a process edged with pathos. Carol Kane stars as Gitl, an Eastern European Jew who arrives with her child on Ellis Island in 1896 to join her husband, Jake (Stephen Keats). She is surprised to discover that Jake has abandoned the mores of his culture by cutting off his beard and earlocks, and he's adopted the mannerisms of his new country, including a new girlfriend (Dorrie Kavanaugh) who runs a dance hall. Gitl, unwilling to part with traditions so easily, creates a rift in the marriage that is difficult to overcome. Kane, who was nominated for an Oscar, and Micklin Silver, in her directorial debut, collaborate to high-caliber effect in this touching, amazingly painstaking evocation of immigrant life on New York's Lower East Side in the 1890s. [More]
Starring: Carol Kane, Mel Howard, Dorrie Kavanaugh, Steven Keats
Starring: Carol Kane, Mel Howard, Dorrie Kavanaugh, Steven Keats, Doris Roberts, Stephen Strimpell, Lauren Frost, Paul Freedman, Zvee Scooler
Director: Joan Micklin Silver
Director: Joan Micklin Silver
Producer: Raphael Silver
Reviews for Hester Street
a worthy attempt and important as an example of women's efforts to finally carve their own place in the world of filmmaking, but it's just not a great movie.
Though lacking plot or in-depth characterization, Silver's ultra-modest debut is likable, in large measure due to her channeling of 1970s feminist approach to a little documented turn of the century immigreants' yarn
Worthwhile as a document of life in New York's Jewish tenements, but its miniscule budget pinches and, for this reason and others, its period detail is sometimes unconvincing.
[S]tagey and static, confined to small sets that seem to pen in the energetic cast...
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