A hugely enjoyable outing of subtle humour, witty words and a keen insight into human nature and the art of learning.
The History Boys (2006)
Tomatometer
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Reviews Counted:101
Fresh:63
Rotten:38
Average Rating:6.3/10
Consensus: While not quite having the impact of its original stage version, The History Boys nevertheless is a witty and involving school drama.
Runtime: 2 hrs 2 mins
Genre: Dramas
US Box Office: $2,568,197
Synopsis: THE HISTORY BOYS tells the story of an unruly class of bright, funny history students in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master... THE HISTORY BOYS tells the story of an unruly class of bright, funny history students in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master (Richard Griffiths), a young and shrewd teacher hired to up their test scores (Stephen Campbell Moore), a grossly out-numbered history teacher (Frances de la Tour), and a headmaster obsessed with results (Clive Merrison), the boys attempt to sift through it all to pass the daunting university admissions process. Their journey becomes as much about how education works, as it is about where education leads. The big screen adaptation of the five time Tony award-winning play of the same name, THE HISTORY BOYS utilizes the same talent that originally brought the production to the stage. It is directed by Nicholas Hytner from a script adapted for the screen by the playwright Alan Bennett. The stage version premiered to the world in London’s prestigious National Theatre in 2004, winning audience and critical acclaim alike including Laurence Olivier Awards for Best New Play, Best Director (Nicholas Hytner) and Best Actor (Richard Griffiths), as well as Evening Standard and Critics Circle Awards for Best Play. The production will premiere on Broadway in the spring of 2006. The key cast of the film remains the same as the original stage version led by Richard Griffiths, Clive Merrison, Frances de la Tour, Stephen Campbell Moore, Sacha Dhawan, Samuel Anderson, Dominic Cooper, Andrew Knott, Samuel Barnett, Russell Tovey, Jamie Parker and James Corden. THE HISTORY BOYS is produced by Kevin Loader (ENDURING LOVE, CAPTAIN CORELLI’S MANDOLIN), Damian Jones (MILLIONS, WELCOME TO SARAJEVO) and Nicholas Hytner. A distinguished British screenwriter, playwright and actor, Alan Bennett recently won his fourth Olivier Award for Best New Play for “The History Boys.” Previously he won two Oliviers for “Talking Heads” in 1992 and one for “Single Spies” in 1989. In addition to being nominated for an Oscar, a BAFTA Award and a Writers Guild of America Award for the feature film THE MADNESS OF KING GEORGE, Bennett won a Writers Guild of Great Britain Award. He has been nominated for eight BAFTA TV Awards and won one for “A Question of Attribution,” and received three BAFTA Film nominations. Bennett began his career as an actor and writer for the "Beyond the Fringe" comedy troupe, which also included Dudley Moore, Peter Cook, and Jonathan Miller. Nicholas Hytner won a BAFTA Award for Best British Film for THE MADNESS OF KING GEORGE. He earned both a Tony and an Olivier Award for his direction of “Carousel” and an Olivier Award for “The History Boys.” He was awarded the 1989 London Evening Standard Theatre Award and London Critics Circle Theatre Award for Best Director for “Miss Saigon” and “Ghetto.” Hytner’s feature film directorial credits also include THE OBJECT OF MY AFFECTION and THE CRUCIBLE. Hytner is Artistic Director of London’s National Theatre. -- © Fox Searchlight Pictures [More]
Starring: Frances De La Tour, Stephen Campbell Moore, James Corden, Richard Griffiths
Starring: Frances De La Tour, Stephen Campbell Moore, James Corden, Richard Griffiths, Clive Merrison, Adrian Scarborough, Russell Tovey, Penelope Wilton
Director: Nicholas Hytner
Director: Nicholas Hytner
Screenwriter: Alan Bennett
Producer: Damian Jones, Kevin Loader
Composer: George Fenton
Studio: Fox Searchlight Pictures
Reviews for The History Boys
Bennett's themes are vague, muddled and poorly thought out, the more realistic medium of cinema makes his language contrived (especially when coming out of the mouths of babes) and Hytner's direction is stagy.
Easily compared to Dead Poet's Society, the British classroom comedy is unable to shake its stagy origins, with claustrophobic settings and contrived dialogue.
[History Boys] is most potently about the love of teaching, and how the best teachers can help give meaning to existence; and if not meaning in the grand sense, at least an appreciation of what it means to be human.
There are no spontaneous moments on screen: The characters aren't reacting to each other; they're waiting for the cut to deliver a line they've had memorized since [the play] played the London National.
A cleverly entertaining if somewhat acerbic, hyper-paced romp into British academic territory.
The dialogue in Bennett's script is more riveting than the situational developments.
Surprisingly thin gruel considering all the fuss over the theatrical presentation.
The closest mirror image of Republican Mark Foley is Mr. Hector, an unconventional educator with a fondness for groping his students’ while giving them motorcycle rides.
[The film] offers a sly mix of broad comedy, tender wordplay and heartfelt subversion.
The greatest adventure and saddest irony--taught alike by teachers to students and students to teachers--is that the big picture of history is writ small and ruthlessly unforgiving in each life--indeed, in every moment.
A lively and entertaining disquisition on the purpose and uses of knowledge in a world that cares less about scholarship than quantifiable results.
The heavy lifting is left mainly to the performers, who virtually all make the grade. It's the director that could use a little detention.
A bracingly involving school drama that's lively, smart and extremely pointed.
A delightful thought-provoker that will have you questioning what constitutes a good education and a good teacher.
It's been quite a while since movies have offered such a nice night out at the theater.
I was sad when school let out. The characters are so rich I wanted to spend more time with them.
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