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The History Boys (2006)
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Reviews Counted:101
Fresh:63
Rotten:38
Average Rating:6.3/10
Consensus: While not quite having the impact of its original stage version, The History Boys nevertheless is a witty and involving school drama.
Runtime: 2 hrs 2 mins
Genre: Dramas
US Box Office: $2,568,197
Synopsis: THE HISTORY BOYS tells the story of an unruly class of bright, funny history students in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master... THE HISTORY BOYS tells the story of an unruly class of bright, funny history students in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master (Richard Griffiths), a young and shrewd teacher hired to up their test scores (Stephen Campbell Moore), a grossly out-numbered history teacher (Frances de la Tour), and a headmaster obsessed with results (Clive Merrison), the boys attempt to sift through it all to pass the daunting university admissions process. Their journey becomes as much about how education works, as it is about where education leads. The big screen adaptation of the five time Tony award-winning play of the same name, THE HISTORY BOYS utilizes the same talent that originally brought the production to the stage. It is directed by Nicholas Hytner from a script adapted for the screen by the playwright Alan Bennett. The stage version premiered to the world in London’s prestigious National Theatre in 2004, winning audience and critical acclaim alike including Laurence Olivier Awards for Best New Play, Best Director (Nicholas Hytner) and Best Actor (Richard Griffiths), as well as Evening Standard and Critics Circle Awards for Best Play. The production will premiere on Broadway in the spring of 2006. The key cast of the film remains the same as the original stage version led by Richard Griffiths, Clive Merrison, Frances de la Tour, Stephen Campbell Moore, Sacha Dhawan, Samuel Anderson, Dominic Cooper, Andrew Knott, Samuel Barnett, Russell Tovey, Jamie Parker and James Corden. THE HISTORY BOYS is produced by Kevin Loader (ENDURING LOVE, CAPTAIN CORELLI’S MANDOLIN), Damian Jones (MILLIONS, WELCOME TO SARAJEVO) and Nicholas Hytner. A distinguished British screenwriter, playwright and actor, Alan Bennett recently won his fourth Olivier Award for Best New Play for “The History Boys.” Previously he won two Oliviers for “Talking Heads” in 1992 and one for “Single Spies” in 1989. In addition to being nominated for an Oscar, a BAFTA Award and a Writers Guild of America Award for the feature film THE MADNESS OF KING GEORGE, Bennett won a Writers Guild of Great Britain Award. He has been nominated for eight BAFTA TV Awards and won one for “A Question of Attribution,” and received three BAFTA Film nominations. Bennett began his career as an actor and writer for the "Beyond the Fringe" comedy troupe, which also included Dudley Moore, Peter Cook, and Jonathan Miller. Nicholas Hytner won a BAFTA Award for Best British Film for THE MADNESS OF KING GEORGE. He earned both a Tony and an Olivier Award for his direction of “Carousel” and an Olivier Award for “The History Boys.” He was awarded the 1989 London Evening Standard Theatre Award and London Critics Circle Theatre Award for Best Director for “Miss Saigon” and “Ghetto.” Hytner’s feature film directorial credits also include THE OBJECT OF MY AFFECTION and THE CRUCIBLE. Hytner is Artistic Director of London’s National Theatre. -- © Fox Searchlight Pictures [More]
Starring: Frances De La Tour, Stephen Campbell Moore, James Corden, Richard Griffiths
Starring: Frances De La Tour, Stephen Campbell Moore, James Corden, Richard Griffiths, Clive Merrison, Adrian Scarborough, Russell Tovey, Penelope Wilton
Director: Nicholas Hytner
Director: Nicholas Hytner
Screenwriter: Alan Bennett
Producer: Damian Jones, Kevin Loader
Composer: George Fenton
Studio: Fox Searchlight Pictures
Reviews for The History Boys
A hugely enjoyable outing of subtle humour, witty words and a keen insight into human nature and the art of learning.
While the goal of our heroes may be to make it to university, the film's focus is clearly the journey, not the destination.
Although grounded in the fact-based world of academia, The History Boys offers little of substance.
.. gentle and sweet, ..all the more charming for its faith in its presumptive audience. It's heartening to come across a popular entertainment ...not pitched at the dull normal demographic.
The History Boys feels too much like a filmed play, and filmed not all that gracefully.
The History Boys boasts a dazzling verbal cleverness%u2014the gleeful rat-a-tat of snappy banter expertly executed%u2014that doesn't keep it from also being deeply, exquisitely sad.
With the writing way above board and insights fueling the story forward with heart and bawdy comedy, "The History Boys" is amiably off-center, sure, but it finds its core and leaves its mark.
Think Grange Hill rewritten by WH Auden: slightly fusty but wickedly witty.
This is achingly perceptive writing that director Nicholas Hytner, working with the same superb cast that performed in London and on Broadway, brings to life.
It’s rare that a movie succeeds almost purely on the basis of non-cinematic elements, but The History Boys is such a film.
Lust, love, death and homosexuality (an inevitable topic in British school pictures) each hold the verbal field awhile, but most of the discussion centers around the nature and value of learning.
The unique duplication of stage cast to screen cast might be the most exciting thing about this conventional classroom exercise.
[An] exuberantly free-spirited but faithful movie version of Alan Bennett's masterful hit play about education, class, sex, love, death, memory and that often equally fantastical thing we call history.
If you take The History Boys as a filmed record of a somewhat unexpected stage phenom foremost, chances are you'll relax into and let some performers take it from there.
Bennett captures the racy, joshing, embattled atmosphere inside a British boarding school better than anybody has done since Terence Rattigan's The Browning Version.
A cleverly entertaining if somewhat acerbic, hyper-paced romp into British academic territory.
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