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The History Boys

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The History Boys (2006)

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Reviews Counted:101

Fresh:63

Rotten:38

Average Rating:6.3/10

Consensus: While not quite having the impact of its original stage version, The History Boys nevertheless is a witty and involving school drama.

Runtime: 2 hrs 2 mins

Genre: Dramas

US Box Office: $2,568,197

Synopsis: THE HISTORY BOYS tells the story of an unruly class of bright, funny history students in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master... THE HISTORY BOYS tells the story of an unruly class of bright, funny history students in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master (Richard Griffiths), a young and shrewd teacher hired to up their test scores (Stephen Campbell Moore), a grossly out-numbered history teacher (Frances de la Tour), and a headmaster obsessed with results (Clive Merrison), the boys attempt to sift through it all to pass the daunting university admissions process. Their journey becomes as much about how education works, as it is about where education leads. The big screen adaptation of the five time Tony award-winning play of the same name, THE HISTORY BOYS utilizes the same talent that originally brought the production to the stage. It is directed by Nicholas Hytner from a script adapted for the screen by the playwright Alan Bennett. The stage version premiered to the world in London’s prestigious National Theatre in 2004, winning audience and critical acclaim alike including Laurence Olivier Awards for Best New Play, Best Director (Nicholas Hytner) and Best Actor (Richard Griffiths), as well as Evening Standard and Critics Circle Awards for Best Play. The production will premiere on Broadway in the spring of 2006. The key cast of the film remains the same as the original stage version led by Richard Griffiths, Clive Merrison, Frances de la Tour, Stephen Campbell Moore, Sacha Dhawan, Samuel Anderson, Dominic Cooper, Andrew Knott, Samuel Barnett, Russell Tovey, Jamie Parker and James Corden. THE HISTORY BOYS is produced by Kevin Loader (ENDURING LOVE, CAPTAIN CORELLI’S MANDOLIN), Damian Jones (MILLIONS, WELCOME TO SARAJEVO) and Nicholas Hytner. A distinguished British screenwriter, playwright and actor, Alan Bennett recently won his fourth Olivier Award for Best New Play for “The History Boys.” Previously he won two Oliviers for “Talking Heads” in 1992 and one for “Single Spies” in 1989. In addition to being nominated for an Oscar, a BAFTA Award and a Writers Guild of America Award for the feature film THE MADNESS OF KING GEORGE, Bennett won a Writers Guild of Great Britain Award. He has been nominated for eight BAFTA TV Awards and won one for “A Question of Attribution,” and received three BAFTA Film nominations. Bennett began his career as an actor and writer for the "Beyond the Fringe" comedy troupe, which also included Dudley Moore, Peter Cook, and Jonathan Miller. Nicholas Hytner won a BAFTA Award for Best British Film for THE MADNESS OF KING GEORGE. He earned both a Tony and an Olivier Award for his direction of “Carousel” and an Olivier Award for “The History Boys.” He was awarded the 1989 London Evening Standard Theatre Award and London Critics Circle Theatre Award for Best Director for “Miss Saigon” and “Ghetto.” Hytner’s feature film directorial credits also include THE OBJECT OF MY AFFECTION and THE CRUCIBLE. Hytner is Artistic Director of London’s National Theatre. -- © Fox Searchlight Pictures [More]

Starring: Frances De La Tour, Stephen Campbell Moore, James Corden, Richard Griffiths

Starring: Frances De La Tour, Stephen Campbell Moore, James Corden, Richard Griffiths, Clive Merrison, Adrian Scarborough, Russell Tovey, Penelope Wilton

Director: Nicholas Hytner

Director: Nicholas Hytner
Screenwriter: Alan Bennett
Producer: Damian Jones, Kevin Loader
Composer: George Fenton
Studio: Fox Searchlight Pictures

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Reviews for The History Boys

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61 - 80 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 >> >|
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There's no one today writing English dialogue as sharp as Bennett's, and hearing it delivered expertly is a pleasure worth sitting through some dodgy montages for.

Full Review Source: Premiere Magazine | comment Comment
11/28/06
Glenn Kenny
Glenn Kenny
Premiere Magazine

It gave me the creeps.

Full Review Source: Ebert & Roeper | comment Comment
11/27/06
Richard Roeper
Richard Roeper
Ebert & Roeper
Top Critic Icon Top Critic

Though witty and entertaining, Hytner's film is too theatrical and schematic, accentuating the play's anachronism, a result of imposing a contempo viewpoint on 1980s tale--in this school being Jewish and gay, or being groped by teachers is no problem

Full Review Source: EmanuelLevy.Com | comment Comment
11/26/06
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

Some have compared this film to

Full Review Source: Entertainment Insiders | comment Comment
11/25/06
Eric Lurio
Eric Lurio
Entertainment Insiders

Flunks its most crucial test: the need to properly adapt a stage play to the screen medium.

Full Review Source: Toronto Star | comment Comment
11/24/06
Peter Howell
Peter Howell
Toronto Star

A delightful thought-provoker that will have you questioning what constitutes a good education and a good teacher.

Full Review Source: Jam! Movies | comment Comment
11/24/06
John Coulbourn
John Coulbourn
Jam! Movies

It's chatty, it's wordy, but a passion for the well-written word lies at the thematic heart of the thing, and cinematic flourishes would only clog the arteries.

Full Review Source: Globe and Mail | comment Comment
11/24/06
Rick Groen
Rick Groen
Globe and Mail

Though a filmed play, where as would thousands of people without access to The National Theatre or Broadway get a chance to immerse themselves in such witty banter?

Full Review Source: Compuserve | comment Comment
11/24/06
Harvey S. Karten
Harvey S. Karten
Compuserve

A thrillingly smart and immensely enjoyable screen version of Alan Bennett's celebrated play.

Full Review Source: Wall Street Journal | comment Comment
11/23/06
Joe Morgenstern
Joe Morgenstern
Wall Street Journal
Top Critic Icon Top Critic

It has a flow and an intimacy that the often awkward theatrical version lacked.

Full Review Source: TIME Magazine | comment Comment
11/23/06
Richard Schickel
Richard Schickel
TIME Magazine

The movie adaptation has been lifted from the theater with original cast and director Nicholas Hytner intact; the actors interact as cozily as chums on a playing field.

Full Review Source: Entertainment Weekly | comment Comment
11/23/06
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly

Bennett captures the racy, joshing, embattled atmosphere inside a British boarding school better than anybody has done since Terence Rattigan's The Browning Version.

Full Review Source: Christian Science Monitor | comment Comment
11/23/06
Peter Rainer
Peter Rainer
Christian Science Monitor

The closest mirror image of Republican Mark Foley is Mr. Hector, an unconventional educator with a fondness for groping his students’ while giving them motorcycle rides.

Full Review Source: FilmStew.com | comment Comment
11/22/06
Brett Buckalew
Brett Buckalew
FilmStew.com

While the goal of our heroes may be to make it to university, the film's focus is clearly the journey, not the destination.

Full Review Source: AfterElton.com | comment Comment
11/22/06
Brian Juergens
Brian Juergens
AfterElton.com

The History Boys is hit-and-miss with each scene. There's no through line, in the sense that the audience never really is made to care about the things the characters care about.

Full Review Source: San Francisco Chronicle | comment Comment
11/22/06
Mick LaSalle
Mick LaSalle
San Francisco Chronicle

It is still an excellent adaptation, Bennett's wit and the fine cast surviving and ultimately triumphing in the transition from the theater to the multiplex.

Full Review Source: Reel.com | comment Comment
11/22/06
Pam Grady
Pam Grady
Reel.com

Surprisingly thin gruel considering all the fuss over the theatrical presentation.

Full Review Source: Spirituality and Practice | comment Comment
11/22/06
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

It is hard to imagine what possible point there was in turning it into a movie. Nothing MOVES.

Full Review Source: Maxim | comment Comment
11/22/06
Pete Hammond
Pete Hammond
Maxim

Captures the magic with an almost seamless transition to the screen and only a few lulls that reveal the film's stage roots.

Full Review Source: ComingSoon.net | comment Comment
11/21/06
Edward Douglas
Edward Douglas
ComingSoon.net

an ably immortalized version of a simple coming-of-age en masse drama that works nearly as well on screen as it would on stage

Full Review Source: Filmcritic.com | comment Comment
11/21/06
Anne Gilbert
Anne Gilbert
Filmcritic.com
 
 
61 - 80 (sorted by date; Australian critics are listed first)
Text View | |< << 1 2 3 4 5 6 >> >|
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