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The Hitcher (2007)
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Reviews Counted:89
Fresh:17
Rotten:72
Average Rating:3.7/10
Consensus: Sean Bean tries giving motive and emotion to the hitcher, but director Dave Meyers is more interested in cheap shocks, and gratuitious gore and torture.
Runtime: 84 mins
Genre: Horror/Suspense
US Box Office: $16,237,220
Synopsis: Music video director Dave Meyers's debut film is an updated version of the 1986 shocker of the same name, featuring Sean Bean (THE LORD OF THE RINGS trilogy) in the title role of a chillingly... Music video director Dave Meyers's debut film is an updated version of the 1986 shocker of the same name, featuring Sean Bean (THE LORD OF THE RINGS trilogy) in the title role of a chillingly sadistic hitchhiker. Twenty-something couple Grace (a mini-skirted Sophia Bush from ONE TREE HILL) and Jim (Zachary Knighton) embark on a road trip across the American Southwest to meet up with Grace's friends on vacation. Things get off to a bad start when they almost run over a hitchhiker in the middle of a rainstorm, and then leave him to fend for himself. When they later run into the man who calls himself John Ryder (Bean), at a gas station, their consciences get the best of them, and they agree to give him a ride to the next town. The couple's passenger quickly turns on his hosts, and although they manage to escape, he follows them and makes their lives a living hell. Soon, Grace and Jim find themselves framed for John Ryder's vicious crimes, and they are on the run from both the authorities and the Hitcher, of whose existence no one but they are aware. As their flight gets increasingly desperate and the Hitcher's methods of torture more brutal, Grace and Jim struggle desperately to discern what the man wants, and why he has chosen them. The film benefits from its beautiful, desolate desert setting, as it highlights the solitude and desperation of the couple's situation. Despite a few problems of plausibility and the frequent foolishness of the protagonists--of which horror fans are well-accustomed--THE HITCHER delivers fright in all the right places, as well as beautiful women and plenty of gore. [More]
Starring: Sean Bean, Sophia Bush, Zachary Knighton, Neal McDonough
Starring: Sean Bean, Sophia Bush, Zachary Knighton, Neal McDonough, Kyle Davis, Danny Bolero, Yara Martinez, Lauren Cohn, Jeff Hutchinson, Skip O'Brien, Travis Schuldt
Director: Dave Meyers
Director: Dave Meyers
Screenwriter: Jake Wade Ball, Eric Red
Producer: Michael Bay, Andrew Form, Brad Fuller, Alma Kuttruff, Alfred Haber
Studio: Rogue Pictures
Reviews for The Hitcher
The script is bloodsoaked, predictable as well as meaningless, and there is little else to recommend the film unless you're after mindless shocks and like to be in the company of a couple of youngsters who are made out to be a bit stupid
The new version is an adequate technical exercise ... but the attempts at 'originality' undermine whatever meager integrity the original possessed.
For my taste, it was better off left dead, roadkill on the cinematic highway.
While this new Hitcher has its moments, it just doesn't make for as scary or interesting a ride as its predecessor.
Enjoyably trashy remake with a suitably creepy performance from Sean Bean, even if it's not quite on the level of Rutger Hauer's original.
Tense, brooding, scary -- there are plenty of words to describe 1986's superior B-movie The Hitcher. None, however, apply to this remake.
As is usually the case with remakes of this sort, instead of soul, point of view, or guts, the movie features a story as flat as its open surroundings, transparent like soda water, with as many holes as bubbles, and a few slices of improbability for flavo
The first few minutes of Dave Meyers’s remake of The Hitcher are desperately tense.
A depressingly formulaic reworking of a unique cult favourite that should have been left well alone. Stick with Rutger.
A guilty pleasure -- but only if you like your action outlandish, your continuity challenged and your guts and gore splattered all over the screen.
If you can't improve upon your original in some small but interesting way, then you're simply churning out assembly-line product for a gradually more disinterested fan-base.
If only they had a good story and enough solid thrills to sustain it for longer than a half-hour.
Meyers' young characters are denied personality. The psychological turmoil is all at the surface.
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