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Hollywoodland (2006)
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Reviews Counted:174
Fresh:119
Rotten:55
Average Rating:6.5/10
Consensus: More than a movie star murder mystery, Hollywoodland takes it slow in order to reveal the intriguing details of the rise and fall of superstar fame.
Runtime: 2 hrs 7 mins
Genre: Dramas
US Box Office: $14,271,459
Synopsis: Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in... Playing Superman on TV brought aspiring film actor George Reeves stardom, but it also held him back as far as more serious acting roles went. When a 45-year-old Reeves was found dead in his home in 1959, his death was ruled a suicide, and attributed to this B-level frustration. The result of a single bullet wound, Reeves's death caused controversy in and around Hollywood, where popular theories related his death to either his starlet fiancé, Leonore Lemmon (Robin Tunney), or his famously ongoing and unique relationship with Toni Mannix (a fabulous Diane Lane), the wife of mob-connected MGM head Eddie Mannix (Bob Hoskins). HOLLYWOODLAND explores Reeves's life and tragic end from the perspective of Louis Simo (Adrien Brody), a private investigator hired by Reeves's mother shortly after his death. Cutting back and forth between scenes of Reeves's life and Simo's detective work, the film draws parallels between two men kept from appreciating the present by dreams of future grandeur. Ben Affleck returns to form as Reeves, a man whose hindering celebrity status may have reminded the actor of his own: despite breaking onto the scene with an Academy Award for writing GOOD WILL HUNTING in 1997, Affleck's career was at one point overshadowed by a romance as familiar to the public as Superman's cape. With close attention to detail, first-time director Allen Coulter creates two distinct worlds specific to their time, Simo's noir-ish and seedy L.A. forming a bleak contrast to the glamorous, formal Tinseltown Reeves so longed to be embraced by. An accomplished act for a first time director, HOLLYWOODLAND offers viewers a believable look into Hollywood's most glamorous bygone era. Strong performances and stylish filmmaking help fuel a mystery without a solution. [More]
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins
Starring: Adrien Brody, Ben Affleck, Diane Lane, Bob Hoskins, Robin Tunney, Molly Parker, Kathleen Robertson
Director: Allen Coulter
Director: Allen Coulter
Producer: Glenn Williamson
Screenwriter: Paul Bernbaum
Studio: Focus Features
Reviews for Hollywoodland
From a character point of view, Adrien Brodey's emotional journey as a broken down investigator and a broken down father from a broken marriage, is the film's incomplete centrepiece, Ben Affleck's superb portrayal of George Reeves notwithstanding.
Despite a stellar cast, Coulter and screenwriter Paul Bernbaum can’t decide whether to plumb the depths of 'noir' or tug at the heartstrings of failed ambition.
Like Ben from Bennifer, George Reeves aspired to be a Great Actor, but was weighed down by audience expectations. Affleck does a terrific job with this role.
Strong ensemble performances, tight direction, and a stand out from Affleck make this an excellent revisiting of an old Hollywood case...
every bit as ambitious, if never as flawed, as the characters it portrays.
May not have all the answers about the death of one of the icons behind the big red 'S,' but by gathering one of the better ensembles of the year, it makes the legend interesting again.
Tentando evocar a mesma atmosfera sufocante de Los Angeles %u2013 Cidade Proibida, surge como pálida (literalmente) imitaçăo do excepcional trabalho de Curtis Hanson.
Un atractivo y bien logrado ejemplo de cine negro donde se mezclan glamour y misterio, con estupendo elenco y excelente recreación de época y atmósfera.
Middle-aged angst - and not the mystery of Reeves' unsolved death - lies at the heart of Hollywoodland.
Worthwhile for the amusement of the escape to a bygone era alone. But when you factor in an absorbing pulp fiction plotline, you've got all you can ask of a cinematic experience.
But dreams of fame evolve. And where once it would have just been enough to be recognized, it becomes apparent only later that this is not quite enough.
Frustratingly ambiguous as a thriller, Coulter’s strong debut should be approached as a disturbing parable on the nature of fame.
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