It's too soon to pick the definitive film of the Iraq war, but when the time comes, The Hurt Locker will get serious consideration.
The Hurt Locker (2009)
Tomatometer
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Reviews Counted:171
Fresh:167
Rotten:4
Average Rating:8.4/10
Consensus: A well-acted, intensely shot, action filled war epic, Kathryn Bigelow's The Hurt Locker is thus far the best of the recent dramatizations of the Iraq War.
Runtime: 2 hrs 11 mins
Genre: Action/Adventure
US Box Office: $12,402,612
Synopsis:
The Hurt Locker is a riveting, suspenseful portrait of the courage under fire of the military’s most unrecognized heroes: the technicians of the bomb squad, who volunteer to challenge the odds and...
The Hurt Locker is a riveting, suspenseful portrait of the courage under fire of the military’s most unrecognized heroes: the technicians of the bomb squad, who volunteer to challenge the odds and save lives in one of the world’s most dangerous places. Three members of the Army’s elite Explosive Ordnance Disposal (EOD) squad battle insurgents and each other as they seek out and disarm a wave of roadside bombs on the streets of Baghdad -- in order to try and make the city a safer place for Iraqis and Americans alike. Their mission is clear - protect and save - but it’s anything but easy, for the margin of error on a war-zone bomb is zero. A thrilling and heart-thumping look at the effects of combat and danger on the human psyche, The Hurt Lockeris based on the first-hand observations of journalist and screenwriter Mark Boal, who was embedded with a special bomb unit in Iraq.
Visionary director Kathryn Bigelow brings together groundbreaking realistic action and intimate human drama in a gripping film starring Jeremy Renner (Dahmer, The Assassination of Jesse James), Anthony Mackie (Half Nelson, We Are Marshall) and Brian Geraghty (We Are Marshall, Jarhead), with cameo appearances by Ralph Fiennes (The Reader), David Morse (“John Adams”), Evangeline Lilly (“Lost”) and Guy Pearce (Memento). The Hurt Locker is produced by Kathryn Bigelow, Mark Boal, Greg Shapiro and Nicolas Chartier. The screenplay is written by Mark Boal (In the Valley of Elah, story). Barry Ackroyd, BSC (United 93, The Wind That Shakes the Barley) is director of photography. Production designer is Karl Juliusson (K19: The Widowmaker, Breaking the Waves). Editors are Bob Murawski (Spider-Man 2, Spider-Man 3) and Chris Innis. Costume designer is George Little (Jarhead, Crimson Tide). Music is by Academy Award Nominee Marco Beltrami and Buck Sanders (3:10 to Yuma), and sound design by Academy Award Nominee Paul N.J. Ottosson (Spider-Man 2, Spider-Man 3).
In the summer of 2004, Sergeant J.T. Sanborn (Anthony Mackie) and Specialist Owen Eldridge (Brian Geraghty) of Bravo Company are at the volatile center of the war, part of a small counterforce specifically trained to handle the homemade bombs, or Improvised Explosive Devices (IEDs), that account for more than half of American hostile deaths and have killed thousands of Iraqis. A high-pressure, high-stakes assignment, the job leaves no room for mistakes, as they learn when they lose their team leader on a mission.
When Staff Sergeant William James (Jeremy Renner) takes over the team, Sanborn and Eldridge are shocked by what seems like his reckless disregard for military protocol and basic safety measures. And yet, in the fog of war, appearances are never reliable for long. Is James really a swaggering cowboy who lives for peak experiences and the moments when the margin of error is zero or is he a consummate professional who has honed his esoteric craft to high-wire precision? As the fiery chaos of Baghdad swirls around them, the men struggle to understand and contain their new leader long enough for them to make it home. They have only 38 days left in their tour of Iraq, but with each new mission comes another deadly encounter, and as James blurs the line between bravery and bravado, it seems only a matter of time before disaster will strike.
With a visual and emotional intensity that makes audiences feel like they have been transported to Iraq¹s dizzying, 24-hour turmoil, The Hurt Locker is both a tense portrayal of real-life sacrifice and heroism, and a probing look at the soul-numbing rigors and potent allure of the modern battlefield. --© Summit Entertainment
Starring: Jeremy Renner, Anthony Mackie, Bryan Geraghty, Evangeline Lilly
Starring: Jeremy Renner, Anthony Mackie, Bryan Geraghty, Evangeline Lilly, David Morse, Ralph Fiennes, Guy Pearce
Director: Kathryn Bigelow
Director: Kathryn Bigelow
Screenwriter: Mark Boal
Producer: Kathryn Bigelow, Mark Boal, Nicolas Chartier, Greg Shapiro
Composer: Marco Beltrami, Buck Sanders
Studio: Summit Entertainment
Reviews for The Hurt Locker
[Bigelow] may have finally given the Iraq War its definitive identifying film.
There are no clichés here. The silence of waiting out a sniper and the silence of consumer excess back home take on disturbing subtexts that defy expectations while laying bare the damage to James' soul
One of the better Iraq war films ever made and quite honestly one of the best war films ever made...
A kind of 'Dr. Strangelove: How I Learned To Stop Worrying And Love The Bomb' - but for real, this movie ain't kidding. Hurt Locker: War means never having to say you're sorry.
The tension of life-and-death situations and of egos that need to cooperate to survive, is manifest in 'The Hurt Locker.'
A visceral, gripping and totally absorbing film that follows one man's life on the front line of bomb disposal.
Bears the mark of a painter, full of deceptively beautiful imagery masking multiple layers of meaning.
This is not just a character study. This film has battle scenes of such immediacy, intensity and suspense it puts the battle scenes in most other war movies to shame.
Bigelow uses hand-held camera and eye-level character p.o.v. shots to create a gritty sense of being there.
It’s only a movie about men at work in war. Yet it seems like a definitive war movie.
A hardcore depiction of modern war and the brave soldiers who fight, while quietly but assuredly begging the question: War, what is it good for?
I can't think of a recent film, not even Oliver Stone's Platoon, that has conveyed so vividly what it is to be a soldier today on a front line.
Set in war-torn Iraq of 2004, the pic's certainly excellent in many ways. But it never asks the question: "What are these American soldiers doing here?"
The Hurt Locker is an action-packed thriller of the first order, the most entertaining movie to be made to date about the Iraq war.
The most literally exciting film you will see this year. Forget the off-putting banner of another Iraq movie — go, watch, marvel, endure and book in the palliative of a stiff drink afterwards.
Bigelow’s film combines an expert management of tension with a sensitive and journalistic attention to detail: she has one eye on the truth and the other on the multiplex.
For, in short, in its gutsy, bare-bones beauty, The Hurt Locker is not simply a war movie. It is war poetry.
A blazingly powerful action movie... whose unpretentious clarity makes for a refreshing change.
Latest News for The Hurt Locker
December 14, 2009:
Awards Tour 2009: The Hurt Locker Wins New York Film Critics Circle!
Kathryn Bigelow's surprise comeback picture takes another Best Picture win, this time defeating the competition at the New York Film Critics Circle. More...
December 13, 2009:
Awards Tour 2009: LAFCA: The Hurt Locker Tops List
More...
December 13, 2009:
Awards Tour 2009: The Hurt Locker Dominates Boston Society of Film Critics
More...
December 01, 2009:
The Hurt Locker Wins Big at Gotham Awards ![]()
"The Hurt Locker" was the big winner at the Gotham Independent Film Awards on Monday, taking home awards for best feature and ensemble cast. "Food, Inc." won the documentary... More...
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