In the end, Bigelow's point of view is what's most interesting about The Hurt Locker. The picture's strength lies in the details she focuses on.
The Hurt Locker (2009)
Tomatometer
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Reviews Counted:165
Fresh:162
Rotten:3
Average Rating:8.5/10
Consensus: A well-acted, intensely shot, action filled war epic, Kathryn Bigelow's The Hurt Locker is thus far the best of the recent dramatizations of the Iraq War.
Runtime: 2 hrs 11 mins
Genre: Action/Adventure
US Box Office: $12,402,612
Synopsis:
The Hurt Locker is a riveting, suspenseful portrait of the courage under fire of the military’s most unrecognized heroes: the technicians of the bomb squad, who volunteer to challenge the odds and...
The Hurt Locker is a riveting, suspenseful portrait of the courage under fire of the military’s most unrecognized heroes: the technicians of the bomb squad, who volunteer to challenge the odds and save lives in one of the world’s most dangerous places. Three members of the Army’s elite Explosive Ordnance Disposal (EOD) squad battle insurgents and each other as they seek out and disarm a wave of roadside bombs on the streets of Baghdad -- in order to try and make the city a safer place for Iraqis and Americans alike. Their mission is clear - protect and save - but it’s anything but easy, for the margin of error on a war-zone bomb is zero. A thrilling and heart-thumping look at the effects of combat and danger on the human psyche, The Hurt Lockeris based on the first-hand observations of journalist and screenwriter Mark Boal, who was embedded with a special bomb unit in Iraq.
Visionary director Kathryn Bigelow brings together groundbreaking realistic action and intimate human drama in a gripping film starring Jeremy Renner (Dahmer, The Assassination of Jesse James), Anthony Mackie (Half Nelson, We Are Marshall) and Brian Geraghty (We Are Marshall, Jarhead), with cameo appearances by Ralph Fiennes (The Reader), David Morse (“John Adams”), Evangeline Lilly (“Lost”) and Guy Pearce (Memento). The Hurt Locker is produced by Kathryn Bigelow, Mark Boal, Greg Shapiro and Nicolas Chartier. The screenplay is written by Mark Boal (In the Valley of Elah, story). Barry Ackroyd, BSC (United 93, The Wind That Shakes the Barley) is director of photography. Production designer is Karl Juliusson (K19: The Widowmaker, Breaking the Waves). Editors are Bob Murawski (Spider-Man 2, Spider-Man 3) and Chris Innis. Costume designer is George Little (Jarhead, Crimson Tide). Music is by Academy Award Nominee Marco Beltrami and Buck Sanders (3:10 to Yuma), and sound design by Academy Award Nominee Paul N.J. Ottosson (Spider-Man 2, Spider-Man 3).
In the summer of 2004, Sergeant J.T. Sanborn (Anthony Mackie) and Specialist Owen Eldridge (Brian Geraghty) of Bravo Company are at the volatile center of the war, part of a small counterforce specifically trained to handle the homemade bombs, or Improvised Explosive Devices (IEDs), that account for more than half of American hostile deaths and have killed thousands of Iraqis. A high-pressure, high-stakes assignment, the job leaves no room for mistakes, as they learn when they lose their team leader on a mission.
When Staff Sergeant William James (Jeremy Renner) takes over the team, Sanborn and Eldridge are shocked by what seems like his reckless disregard for military protocol and basic safety measures. And yet, in the fog of war, appearances are never reliable for long. Is James really a swaggering cowboy who lives for peak experiences and the moments when the margin of error is zero or is he a consummate professional who has honed his esoteric craft to high-wire precision? As the fiery chaos of Baghdad swirls around them, the men struggle to understand and contain their new leader long enough for them to make it home. They have only 38 days left in their tour of Iraq, but with each new mission comes another deadly encounter, and as James blurs the line between bravery and bravado, it seems only a matter of time before disaster will strike.
With a visual and emotional intensity that makes audiences feel like they have been transported to Iraq¹s dizzying, 24-hour turmoil, The Hurt Locker is both a tense portrayal of real-life sacrifice and heroism, and a probing look at the soul-numbing rigors and potent allure of the modern battlefield. --© Summit Entertainment
Starring: Jeremy Renner, Anthony Mackie, Bryan Geraghty, Evangeline Lilly
Starring: Jeremy Renner, Anthony Mackie, Bryan Geraghty, Evangeline Lilly, David Morse, Ralph Fiennes, Guy Pearce
Director: Kathryn Bigelow
Director: Kathryn Bigelow
Screenwriter: Mark Boal
Producer: Kathryn Bigelow, Mark Boal, Nicolas Chartier, Greg Shapiro
Composer: Marco Beltrami, Buck Sanders
Studio: Summit Entertainment
Reviews for The Hurt Locker
By keeping its scale miniature instead of epic (there are no combat scenes in the traditional sense), The Hurt Locker keeps its audience in a constant state of tension without risking battle fatigue.
A riveting Iraqi war film about three members of an Army bomb dismantling squad in Baghdad.
A first-rate action thriller, a vivid evocation of urban warfare in Iraq, a penetrating study of heroism and a showcase for austere technique, terse writing and a trio of brilliant performances.
These men live, barely, on a cocktail of adrenaline and testosterone, and yet The Hurt Locker hones in on the fatalistic psychology of the Iraqi war zone more convincingly than any other recent film about soldiers on the battlefield.
Sharply written, superbly directed and extremely tense thriller with a terrific central performance from rising star Jeremy Renner.
The Hurt Locker is so taut, and skillfully focused on character, that it could be retro-engineered into a stageplay and still retain most of its dramatic punch.
When it comes to getting an audience's attention, there's nothing quite like blowing up a major star within the first five minutes of a movie.
If The Hurt Locker is not the best action movie of the summer, I’ll blow up my car.
It's not too soon to declare The Hurt Locker a masterpiece from this gifted and underrated director. But it's the kind of popcorn masterpiece that people might actually like to see.
Bigelow has successfully built a vision of war rarely seen on screen, a visceral nearly first person perspective of war where the rush of combat is a welcomed relief.
...this is without a doubt director Kathryn Bigelow's best film to date, one which should be Oscar nominated in every category it's eligible for.
For the first hour or more, The Hurt Locker boldly forsakes any conventional narrative hook beyond the ongoing tensions between these men and the terrifying grind of defusing bombs day after day.
The kind of uncompromising movie that any politician who claims to support the troops while extending the war and cutting funds for veterans' benefits (or any chickenhawk pundit who pooh-poohs the ongoing effects of PTSD) should be forced to see.
Don't be afraid to dive right in for a harrowing, credible and astonishingly made portrait of bravery and brutality.
Departing from archetypes set by WWII and Vietnam movies, Bigelow's tough-as-nails film develops its own signature. It's not a message movie, but a tactile experience. It feels gritty, real and current.
Latest News for The Hurt Locker
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July 22, 2009:
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July 08, 2009:
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With her latest film, the critically acclaimed war film The Hurt Locker, director Kathryn Bigelow has earned the best reviews of her career to date. (At 95 percent, The Hurt... More...
June 25, 2009:
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