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The Idiots (1998)
Tomatometer
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Reviews Counted:30
Fresh:21
Rotten:9
Average Rating:6.5/10
Runtime: 1 hr 55 mins
Genre: Foreign Films
US Box Office: $0
Synopsis: Lars von Trier's first contribution to Denmark's Dogme 95 collective (subtitled "Dogme 2," following Thomas Vinterberg's THE CELEBRATION) concerns a group of adults who decide to get in touch with... Lars von Trier's first contribution to Denmark's Dogme 95 collective (subtitled "Dogme 2," following Thomas Vinterberg's THE CELEBRATION) concerns a group of adults who decide to get in touch with their "inner idiot." When Karen (Bodil Jorgensen), a shy, sensitive young woman, follows a group of mentally disabled individuals home after an encounter at a restaurant, she discovers that they are, in fact, healthy and intelligent. Led by Stoffer (Jens Albinus), the group lives communally in his wealthy uncle's house. Stoffer believes that by "spassing" in public they are rejecting the conformity and normality of modern society, and he spends his unemployed days thinking of different ways to toy with the world at large. Shot with handheld digital cameras and using natural lighting and natural locations, THE IDIOTS possesses an urgency that makes it feel like a documentary. Von Trier sparked a heated controversy with his decision to film the sex scenes with actual intercourse, adhering to the Dogme tenets. (He hired porn actors for the close-ups.) This controversy aside, the film nonetheless raises questions about cultism, modern ethics, and the idea of individuality within the absurdity of the characters' world. [More]
Starring: Bodil Jorgensen, Jens Albinus, Anne Louise Hassing, Troels Lyby
Starring: Bodil Jorgensen, Jens Albinus, Anne Louise Hassing, Troels Lyby, Nicolaj Lie Kaas, Henrik Prip, Luis Mesonero, Louise Mieritz, Knud Romer Jorgensen, Trine Michelsen, Paprika Steen
Screenwriter: Lars von Trier
Producer: Vibeke Windelov
Reviews for The Idiots
The first Dogme film of Denmark's enfant terrible Lars von Trier challenges viewers to reexamine their social mores as well as cinema habits of desire, voyeurism and pleasure; it's likley to divide critics and audiences due to hard-core sex.
For all the Dogme-ordained restrictions to make the film feel "real," it ends up feeling more artificial.
Caustic, brutally funny, and more passionate than perhaps anything [Von Trier's] ever done.
Von Trier has proven his self-proclamations of cinematic genius to be true.
Latest News for The Idiots
July 22, 2009:
RT Interview: Lars von Trier on Antichrist
If you go down to the woods today... Well, just don't. Danish provocateur Lars von Trier's arthouse psychohorror Antichrist is the most controversial film of the year -- and the... More...
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