What really makes Inglourious Basterds stick out like a Royale with cheese...is its sheer playfulness. Tarantino does digress, as is his wont, but these are not the irritating indulgences they were in Kill Bill.
Inglourious Basterds (2009)
Tomatometer
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Reviews Counted:39
Fresh:29
Rotten:10
Average Rating:6.9/10
Consensus: A classic Tarantino genre-blending thrill ride, Inglourious Basterds is violent, unrestrained, and thoroughly entertaining,
Australian Theatrical Release:
Aug 20, 2009 Wide
US Box Office: $120,523,073
Synopsis:
Inglourious Basterds begins in German-occupied France, where Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz)....
Inglourious Basterds begins in German-occupied France, where Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema.
Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as "The Basterds," Raine's squad joins German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own... --© Weinstein Co. and Universal Pictures
Starring: Brad Pitt, Christoph Waltz, Michael Fassbender, Eli Roth
Starring: Brad Pitt, Christoph Waltz, Michael Fassbender, Eli Roth, Diane Kruger, Daniel Bruhl, Til Schweiger, Melanie Laurent, August Diehl, Julie Dreyfus, Sylvester Groth, Jacky Ido, Denis Menochet, Mike Myers, Rod Taylor, Martin Wuttke, Samm Levine, B.J. Novak
Director: Quentin Tarantino
Director: Quentin Tarantino
Screenwriter: Quentin Tarantino
Producer: Lawrence Bender
Composer: Ennio Morricone
Studio: Miramax Films
Reviews for Inglourious Basterds
The film is long, certainly, but it’s never dull; it’s violent, of course, but hey, World War II was a violent business and war movies were never like this before.
This rollicking epic harks back to typical wordy Tarantino fare, with the added explicit violence that’s to be expected from this cult director.
A two and half hour film made up of only a handful of beautifully crafted scenes. Superbly exagerated characters in high intensity moments. This is classic Tarantino.
Be prepared for unsettling shifts in pace and tone, be prepared to be shocked and amused, to laugh and guffaw and to be always surprised in this comic fantasy which is cheeky enough to reinvent history and has audiences clapping as it does so
A bold, gory and glorious cinematic fest liberally doused with humour, satire and entertainment value
It's a lurid, wide-screen fantasy of how things might have gone if Sergio Leone or Sam Fuller had called the shots.
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.
All the trademark Tarantino flourishes are here -- the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence -- but they don't add up to much.
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.
For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.
The final impression of the movie — that it’s crass, juvenile and profoundly distasteful — overrides its more enjoyable moments.
I think it's Tarantino's best film since Jackie Brown. It's up there, in fact, with his best ever.
Quentin Tarantino’s Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he’s the real thing, a director of quixotic delights.
Inglourious Basterds is not boring, but it’s ridiculous and appallingly insensitive—a Louisville Slugger applied to the head of anyone who has ever taken the Nazis, the war, or the Resistance seriously.
By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.
With a confidence typical of its director, the last line of Inglourious Basterds is, “This might just be my masterpiece.” While that may not be true, this is an often dazzling movie that sees QT back on exhilarating form.
It fails as conventional war movie, as genre spoof, as trash and as pulp.
Latest News for Inglourious Basterds
December 14, 2009:
RT on DVD & Blu-Ray: Inglourious Basterds and a Hangover
This week on home video, we've got a bizarre combination of interests represented by new releases. With the holiday season in full swing, what better gift to give than... a... More...
December 14, 2009:
Awards Tour 2009: Inglourious Basterds Lead Critics Choice Noms
High-profile awards ceremony picks QT's epic film homage as among the year's best. Will this lead to big things on Oscar night? More...
December 10, 2009:
Win Inglourious Basterds on DVD
With thanks to Universal, Rotten Tomatoes is giving away five copies of Quentin Tarantino's 'Inglourious Basterds'. More...
August 23, 2009:
Box Office Guru Wrapup: Tarantino's Basterds Take the Top Spot
This weekend Quentin, Brad, and Harvey lit up their stogies following the exceptional opening of their new World War II film Inglourious Basterds which topped the charts and... More...
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