At a time when the global financial crisis is being blamed, to a large extent, on the banking industry I suppose it's only to be expected that a bank will become the villain of a movie thriller.
The International (2009)
Tomatometer
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Reviews Counted:191
Fresh:111
Rotten:80
Average Rating:5.8/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Australian Theatrical Release:
Feb 19, 2009 Wide
US Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
Reviews for The International
A timely yet cold drama that's exquisitely produced but mechanical and off-base in intent and execution. As for the plot? 'Terrorism, brought to you by Citibank'
As frustrating as the story's shallowness is, this shortcoming is very nearly negated by the sheer physical pleasure of the production.
There is considerable satisfaction in seeing these tyrants of high finance live up to their image as the new villains of modern cinema, but even more satisfying are Tykwer's superbly staged action set pieces.
If he has trouble making his characters very interesting, Tykwer comes into his own in staging the action.
An international bank with dubious morals and unethical practices is at the centre of this large-scale thriller which steamrolls its way through politics, big business, organised crime and weapons acquisition
Direction is superb, balancing action, story, character and something valuable to say in a compelling movie that you wish wouldn't end. And when the end does come, we wish all thrillers could be so genuine and real
Swift investigations alter with elaborate set pieces in Milan and a staggering climax at the New York Guggenheim, a furious explosion of violence and excitement that ranks among the most exhilarating sequences I've seen in a long time.
Unlike many recent thrillers, it's not disposable. Days after seeing it, the film is still on my mind.
The International plays less like a modern action thriller and more like a conspiracy-minded '70s flick -- think Three Days of the Condor or The Parallax View.
There are dashes of style here and there that almost threaten to make the movie halfway worthwhile.
The pace is fast and the action, particularly a mind-boggling shoot-'em-up in the Guggenheim Museum, furious enough. But the less-conventional elements are in many ways even more effective.
Frank Lloyd Wright's Guggenheim Museum in New York gets its props.... Not since Matthew Barney's Cremaster Cycle has the Upper East Side landmark hosted such violence.
The International is equal parts globe-trotting thriller and architecture porn, as perfectly crystallized by its mind-blowing central set piece: a seemingly endless shootout at the Guggenheim Museum.
The International is just passable; it’s a clock-puncher that’s almost entirely free of suspense or surprise.
Its premise aches with timely resonance. It’s directed with meticulous artistry. So why does it ultimately feel so empty and forgettable?
Apart from the episode in the Guggenheim, the action in The International is distant and overcalculated.
Latest News for The International
March 22, 2009:
Click for trailer and preview ![]()
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February 16, 2009:
Perhaps a perverse variation of The Peter Principle comes into play, here, since Tom Twyker appears to be over his head helming a Hollywood blockbuster as opposed to a modest, art house indie. ![]()
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
Critics Consensus: Friday the 13th Feels Too Familiar
This week at the movies, we've got creepy campers (Friday the 13th, starring Jared Padalecki and Danielle Panabaker), conspicuous consumption (Confessions of a Shopaholic,... More...
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