If he has trouble making his characters very interesting, Tykwer comes into his own in staging the action.
The International (2009)
Tomatometer
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Reviews Counted:37
Fresh:20
Rotten:17
Average Rating:5.5/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Australian Theatrical Release:
Feb 19, 2009 Wide
US Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
Reviews for The International
As frustrating as the story's shallowness is, this shortcoming is very nearly negated by the sheer physical pleasure of the production.
There is considerable satisfaction in seeing these tyrants of high finance live up to their image as the new villains of modern cinema, but even more satisfying are Tykwer's superbly staged action set pieces.
At a time when the global financial crisis is being blamed, to a large extent, on the banking industry I suppose it's only to be expected that a bank will become the villain of a movie thriller.
Direction is superb, balancing action, story, character and something valuable to say in a compelling movie that you wish wouldn't end. And when the end does come, we wish all thrillers could be so genuine and real
An international bank with dubious morals and unethical practices is at the centre of this large-scale thriller which steamrolls its way through politics, big business, organised crime and weapons acquisition
A timely yet cold drama that's exquisitely produced but mechanical and off-base in intent and execution. As for the plot? 'Terrorism, brought to you by Citibank'
For all its serious intent, Tykwer’s ‘relevant’ thriller proves to be perilously naff.
This satisfyingly cynical dig at the world of high finance should please anyone with a taste for paranoid political thrillers.
Clive Owen may have lost the chance of playing 007, but he can still carry off an action movie, and proves it in this smart and handsomely made corporate conspiracy thriller from German director Tom Tykwer and first-time screenwriter Eric Singer.
For all its serious intent, Tykwer’s ‘relevant’ thriller proves to be perilously naff.
This satisfyingly cynical dig at the world of high finance should please anyone with a taste for paranoid political thrillers.
Killer banks may be new to the movies, but there's nothing else original in this if-it's-Tuesday-this-must-be-Istanbul thriller, with its portentous globe-hopping and racing through colorful street bazaars.
The film is poorly plotted, which means characters have to stand around explaining things to each other a lot.
A bad picture filled with cryptic someones going through the motions of a spy thriller.
The International, a sleek travelogue thriller, at least flirts with timeliness, winking at an angry and anxious public mood.
It's got some effective moments and aspects, but the film goes in and out of plausibility, and its elements never manage to unify into a coherent whole.
It's a well-made and handsome drama centering on a powerful and corrupt European bank with ties to arms dealers.
Garbled at times, the movie still hums along with attractive, smooth efficiency.
Latest News for The International
March 22, 2009:
Click for trailer and preview ![]()
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February 16, 2009:
Perhaps a perverse variation of The Peter Principle comes into play, here, since Tom Twyker appears to be over his head helming a Hollywood blockbuster as opposed to a modest, art house indie. ![]()
More...
February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
Critics Consensus: Friday the 13th Feels Too Familiar
This week at the movies, we've got creepy campers (Friday the 13th, starring Jared Padalecki and Danielle Panabaker), conspicuous consumption (Confessions of a Shopaholic,... More...
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