If he has trouble making his characters very interesting, Tykwer comes into his own in staging the action.
The International (2009)
Tomatometer
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Reviews Counted:194
Fresh:113
Rotten:81
Average Rating:5.8/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Australian Theatrical Release:
Feb 19, 2009 Wide
US Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
Reviews for The International
As frustrating as the story's shallowness is, this shortcoming is very nearly negated by the sheer physical pleasure of the production.
There is considerable satisfaction in seeing these tyrants of high finance live up to their image as the new villains of modern cinema, but even more satisfying are Tykwer's superbly staged action set pieces.
At a time when the global financial crisis is being blamed, to a large extent, on the banking industry I suppose it's only to be expected that a bank will become the villain of a movie thriller.
Direction is superb, balancing action, story, character and something valuable to say in a compelling movie that you wish wouldn't end. And when the end does come, we wish all thrillers could be so genuine and real
An international bank with dubious morals and unethical practices is at the centre of this large-scale thriller which steamrolls its way through politics, big business, organised crime and weapons acquisition
A timely yet cold drama that's exquisitely produced but mechanical and off-base in intent and execution. As for the plot? 'Terrorism, brought to you by Citibank'
A thankfully, skillfully mature effort by Tykwer to produce a proper thriller for adults, one even lent a little extra resonance by our currently cash-strapped times.
Think of it as the cinematic equivalent of a chunky paperback thriller that gets you through a week-long holiday.
It's not a bad thriller, but it's dispiriting to see the gifted Tykwer doing the Ridley Scott fandango
The International packs handsome leads and exotic scenery - so why doesn't the film click with audiences like it should?
Tykwer demonstra conhecer as convenções básicas do gênero espionagem ao trazer uma atmosfera de intriga internacional à narrativa.
[Plays] itself as a mystery/thriller with something profound to say at the end, when we've pretty much heard a lot of this already.
Naomi and Clive burrow into the swanky sewage of global conspiracies by capitalist assassins and devious suits, in league with diversifying mobsters worldwide. Sobering details effectively spiced up, and with leading man libidos firmly in check.
See it for Owen's trademarked thinking cap and glower, the Guggenheim, the score, and the smugness of knowing first-hand that banks are actually much, much stupider than any movie could ever predict. Check it out, it's a fun time.
It's helpful to keep in mind that any movie about the evils of corporate culture that's backed by a Hollywood studio has an inescapable identity crisis.
Emfanos aposteiromenos gia to proto toy taksidi sto Hollywood, o Tom Tykwer afinei ton Frank Griebe, ton fotografo toy ap' tin epohi toy Trekse, Lola, Trekse (1998), na bgalei oli ti doyleia
A world-weary Clive Owen takes on a powerful and corrupt bank in a tough but ultimately tedious - game of cat and mouse that ranges across Europe and North America
Latest News for The International
March 22, 2009:
Click for trailer and preview ![]()
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February 16, 2009:
Perhaps a perverse variation of The Peter Principle comes into play, here, since Tom Twyker appears to be over his head helming a Hollywood blockbuster as opposed to a modest, art house indie. ![]()
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
Critics Consensus: Friday the 13th Feels Too Familiar
This week at the movies, we've got creepy campers (Friday the 13th, starring Jared Padalecki and Danielle Panabaker), conspicuous consumption (Confessions of a Shopaholic,... More...
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