If you're going to make a movie about homicidal bankers, you don't get extra dividends for exaggerated body counts.
The International (2009)
Tomatometer
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Reviews Counted:191
Fresh:111
Rotten:80
Average Rating:5.8/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Australian Theatrical Release:
Feb 19, 2009 Wide
US Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
Reviews for The International
The film offers a classic example of a screenwriter boxing himself in a narrative corner from which there is no escape.
Tom Tykwer's thriller shrewdly introduces Lou (Clive Owen) as he observes rather than acts.
The International is strewn with wild improbability, but that hardly deters from its appeal.
The International is being presented as a “thriller for our times”, but it’s too far-fetched to be relevant. Still, it’s an enjoyable yarn.
The pacing could be a bit faster and the script could be a little less obvious but this is overall well worth a look.
The International is far from being a Bourne or a Bond but it does pass muster for a Saturday night at the movies. Just.
The plot is heavy going at times and the interrogation scenes are a tad dull, while the dialogue is often just ludicrous.
I only wish that the final story was as strong as that initial concept.
There are dashes of style here and there that almost threaten to make the movie halfway worthwhile.
For all its serious intent, Tykwer’s ‘relevant’ thriller proves to be perilously naff.
Eventually, you just let the tangled double-crossing take care of itself and enjoy the way the film defiantly bucks the contemporary thriller trend for shaky-cam coverage and lightning cuts.
After a promising start, The International is an increasingly disappointing experience. Hampered by a weak script which peaks far too early, all that's left in the finale is a steely performance from Clive Owen. Mildly entertaining at best.
This satisfyingly cynical dig at the world of high finance should please anyone with a taste for paranoid political thrillers.
Clive Owen may have lost the chance of playing 007, but he can still carry off an action movie, and proves it in this smart and handsomely made corporate conspiracy thriller from German director Tom Tykwer and first-time screenwriter Eric Singer.
What sticks in the memory isn't so much Owen's seething, one-note vendetta as Tykwer's modernist flair – the way he frames his sequences using buildings, confining the intrigue inside cold prisms of glass and steel.
Like a well-oiled thriller machine where bankers are bad guys, this is a guilty, guilty pleasure indeed.
Uninspired and inconsequential, The International provides less thrills than a meeting with your local bank manager to discuss interest rates.
The film-makers are predictably making much of the allegedly prophetic nature of their bankers-as-villains storyline. Nice try. At its heart, The International is just another tale of a flawed idealist tangling with faceless corporate evil.
Latest News for The International
March 22, 2009:
Click for trailer and preview ![]()
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February 16, 2009:
Perhaps a perverse variation of The Peter Principle comes into play, here, since Tom Twyker appears to be over his head helming a Hollywood blockbuster as opposed to a modest, art house indie. ![]()
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
Critics Consensus: Friday the 13th Feels Too Familiar
This week at the movies, we've got creepy campers (Friday the 13th, starring Jared Padalecki and Danielle Panabaker), conspicuous consumption (Confessions of a Shopaholic,... More...
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