After the critical and commercial success of the Bourne series, thriller-makers really have to raise their game…and this doesn’t do the business, save for a couple of brilliant shoot-out setpieces.
The International (2009)
Tomatometer
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Reviews Counted:191
Fresh:111
Rotten:80
Average Rating:5.8/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Australian Theatrical Release:
Feb 19, 2009 Wide
US Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
Reviews for The International
Leaving behind the aromatic fantasy of Perfume, Tom Tykwer weighs in with a tense and exhilarating entry into the spy genre. This is an espionage thriller well worth investing in.
For all its serious intent, Tykwer’s ‘relevant’ thriller proves to be perilously naff.
This satisfyingly cynical dig at the world of high finance should please anyone with a taste for paranoid political thrillers.
If the rest of the picture had been as thrilling and action packed and the characters a touch more original, the opaque but charismatic Owen and the achingly transparent Watts could be embarking on a series of movies to rival the Bourne franchise.
As an action thriller The International might well lack the full-on fight scenes of a Bourne movie, but it is a smart and sophisticated globetrotting thriller with just the right villain for these troubled times.
Paranoia abounds in this slick but stodgy drama recalling the conspiracy thrillers so beloved of 1970s cinemagoers.
Message to Clive Owen: Daniel Craig filled the James Bond vacancy a while back and is doing a great job, so you really should stop auditioning for the role.
The action is often crass, the location-hopping mere crisis tourism. But the acting and dialogue deliver.
It's reasonably efficient, passably entertaining, and strenuously playing catch-up with the Bourne movies: flat-footed Owen doesn't look as good as Matt Damon sprinting through city streets, and the editing doesn't match Paul Greengrass's whiplash pace.
Overlong and underwritten, this corporate-noir thriller is propelled by its gleaming good looks.
The title of the sleekly professional The International sounds off-puttingly more like a corporate hotel than a thriller and the first half proves just as blandly businesslike.
Though The International starts decently enough, its flailing action set-pieces and dialogue such as “sometimes a man can meet his destiny on the road he took to avoid it” drag it down to a very pedestrian level.
The International would love to be the new Michael Clayton but it’s nowhere near smart enough. It also fancies its chances as the new Taken but it just doesn’t have the guts.
The film seems to unfurl at a pace that by modern standards could be described as leisurely, and yet that works in its favour, even though it also allows us more time to contemplate some of the script's more implausible elements.
The whole indeed proves to be greater than the parts thanks to Tykwer's direction.
An action flick with smarts, but that's not to say the brain and the brawn always coexist easily.
Now that "banker" is a term of abuse, more offensive than any word it rhymes with, Tom Tykwer's film is extremely timely. It has the hard-edged efficiency of The Odessa File - and a sequel would be most welcome.
The International has its fair share of dodgy moments, but these are more than compensated for by an amusingly topical plot, some stunning photography and a thrilling shoot-out sequence.
Latest News for The International
March 22, 2009:
Click for trailer and preview ![]()
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February 16, 2009:
Perhaps a perverse variation of The Peter Principle comes into play, here, since Tom Twyker appears to be over his head helming a Hollywood blockbuster as opposed to a modest, art house indie. ![]()
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
Critics Consensus: Friday the 13th Feels Too Familiar
This week at the movies, we've got creepy campers (Friday the 13th, starring Jared Padalecki and Danielle Panabaker), conspicuous consumption (Confessions of a Shopaholic,... More...
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