The film goes off to a sort of sluggish start, and its ending just goes on and on. But in the middle is one of the most astonishingly awesome action sequences in recent cinematic history.
The International (2009)
Tomatometer
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Reviews Counted:191
Fresh:111
Rotten:80
Average Rating:5.8/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Australian Theatrical Release:
Feb 19, 2009 Wide
US Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
Reviews for The International
Killer banks may be new to the movies, but there's nothing else original in this if-it's-Tuesday-this-must-be-Istanbul thriller, with its portentous globe-hopping and racing through colorful street bazaars.
a relatively engaging, if not terribly convincing, variant on the evil corporation thriller
Despite a preposterous shootout at the Guggenheim and the puzzling presence of an unneeded Naomi Watts, Clive Owen carries this ultimately action-filled thriller.
After a gripping opening scene, The International often shudders to a halt trying to explain its convoluted plot.
This international conspiracy thriller is like a Robert Ludlum movie without Paul Greengrass
The film is poorly plotted, which means characters have to stand around explaining things to each other a lot.
It's not that The International needed more action scenes per se, but a bigger dose of personality.
Unlike many recent thrillers, it's not disposable. Days after seeing it, the film is still on my mind.
Though stylish, it lacks the aesthetic-moral force of such political thrillers as Francesco Rosi’s Exquisite Corpses, Peckinpah’s The Killer Elite, Spielberg’s Munich or DePalma’s Blow Out.
an exact replica of The Interpreter in every way that counts and is, therefore, completely, immanently, blessedly forgettable.
The whole point of a nefarious institution is that it doesn't have to get its hands dirty. Who needs assassins when you have lobbyists?
Frenetic and far-fetched, it's an intense, often incoherent indictment of insidious capitalism.
Bankers have replaced lawyers in the hate chain, at least that is the premise of this movie
Bankers are the new bad guys for Hollywood because they're part of a stimulus package taking us down the road to Socialism as folks drink the Obamarama Kool-Aid.
A slow road to nowhere, less clunky than The Interpreter but bogged down by its own cynicism.
Latest News for The International
March 22, 2009:
Click for trailer and preview ![]()
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February 16, 2009:
Perhaps a perverse variation of The Peter Principle comes into play, here, since Tom Twyker appears to be over his head helming a Hollywood blockbuster as opposed to a modest, art house indie. ![]()
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
Critics Consensus: Friday the 13th Feels Too Familiar
This week at the movies, we've got creepy campers (Friday the 13th, starring Jared Padalecki and Danielle Panabaker), conspicuous consumption (Confessions of a Shopaholic,... More...
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