A methodical, but workable suspense film with one big action scene.
The International (2009)
Tomatometer
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Reviews Counted:191
Fresh:111
Rotten:80
Average Rating:5.8/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Australian Theatrical Release:
Feb 19, 2009 Wide
US Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
Reviews for The International
The enormous behind-the-camera crew makes it a rich looking film that is easy to watch. Too bad the routine story brings it down a notch.
Clive Owen and Naomi Watts wasted in overly-ambitious, over-plotted potboiler.
It's betwixt and between, neither smart and understated enough to be le Carre-like nor stylish and energetic enough to be Bond-Bournian.
Boasts great location shots and an incredible gunfight at the Guggenheim Museum, but it's Clive Owen who earmed my most rapt attention here.
The story is bland. The performances are bland. There was nowhere for the plot to go and nowhere for this review to go. The end. Roll credits.
Having made a bank their villain %u2014 a bank, mind you, not a banker %u2014 director Tom Tykwer and his screenwriters have pretty firmly captured the zeitgeist.
The International is so confusing I would rather stand in a long bank line than have to watch it again.
Even without that extended thrashing of the Guggenheim, The International is more fun than its 'really, you're going after a bank?' trailer suggests.
Realized by Tykwer as a convoluted roman a clef that, without much heart, seems to have been pumped up with action scenes.
Considering the nation's top banking CEOs were just paraded across the small screen in a C-SPAN perp walk, they hardly look like invincible super villains. Evil? Maybe. Powerful. Not really.
Tykwer's film is a bit chilly, but working with long time cinematographer Frank Griebe, it is stunning to look at, and Lou's determined need for justice will find plenty of audience empathy.
A bad picture filled with cryptic someones going through the motions of a spy thriller.
A film that squanders a golden opportunity to make money on the current economic meltdown.
It's the basic recipe for a 1970s paranoid thriller throwback: spies, a vast conspiracy and a smart hero thwarted at every turn by a plot that's bigger than he could possibly imagine.
The International won't go down as an action thriller for the record books, but it's a pretty good one for right now. First of all, the villain is a bank. How's that for timing?
A stylish but standard thriller centered on an international bank's malfeasance, The International fails to resonate even on a bank-hating level.
Latest News for The International
March 22, 2009:
Click for trailer and preview ![]()
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February 16, 2009:
Perhaps a perverse variation of The Peter Principle comes into play, here, since Tom Twyker appears to be over his head helming a Hollywood blockbuster as opposed to a modest, art house indie. ![]()
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
Critics Consensus: Friday the 13th Feels Too Familiar
This week at the movies, we've got creepy campers (Friday the 13th, starring Jared Padalecki and Danielle Panabaker), conspicuous consumption (Confessions of a Shopaholic,... More...
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