The International possesses the look and feel of a thriller, but not the heart or soul of one.
The International (2009)
Tomatometer
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Reviews Counted:191
Fresh:111
Rotten:80
Average Rating:5.8/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Australian Theatrical Release:
Feb 19, 2009 Wide
US Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
Reviews for The International
There's a nifty shootout at the Guggenheim Museum and a lot of scenic travel, but little in it compels.
Perhaps it's best not to think so much and simply be swept along -- by Clive Owen, Naomi Watts and Armin Mueller-Stahl.
One of those movies sponsored by an international conglomerate that lectures us about how all international conglomerates are corrupt.
Beautifully shot, often in or against some of the world's most impressive architecture, The International is far from a total loss. It's just a film whose good assets don't pay off in gripping drama.
Despite the torn-from-the-headlines subject matter, The International feels generic.
Mercifully free of car chases but packed with other adrenaline injections -- including a couple of life-and-death foot races for Clive Owen -- The International is a classy, old-school thriller.
The movie has crisp style and kinetic flair, but some of its flaws are too central for technical invention to dispel.
This seemingly surefire recipe for box-office success is squandered on a thriller that, quite simply, forgets to be thrilling.
The International isn’t top-form Tykwer, but it’s handsome and adamant, and now’s as good a time as any for some out-of-control greedy-banker-bashing.
Taut and amazingly timely, The International is a conspiracy thriller that harkens back to the perilously paranoid '70s.
The International is a sleek, engaging example of a peculiar form of escapist entertainment, a favorite, in fact: It's a thriller that eases us away from our present worries without fully erasing a resonance with life beyond the multiplex.
The script tries to explain how this improbable alliance happened, but it never does make much sense, which is a recurrent theme in this overly complicated conspiracy tale.
Apart from the episode in the Guggenheim, the action in The International is distant and overcalculated.
Some thrillers settle into a rut of adequacy, rarely spiking above or below the baseline. Not The International. Director Tom Tykwer's new picture is all over the place, geographically and in terms of audience satisfaction.
Frank Lloyd Wright's Guggenheim Museum in New York gets its props.... Not since Matthew Barney's Cremaster Cycle has the Upper East Side landmark hosted such violence.
There are a number of reasons why this thriller fails to thrill, beginning with Eric Warren Singer's script.
It has some superb action set-pieces and some surprising character depths, and it's possible to lose oneself in the moment and come away entertained.
More intriguing than the action is Tykwer's use of architecture; his characters are dwarfed by looming towers of cold steel and glass, which says more about the apparent hopelessness of their quest for justice than any of the machinations of the plot.
The International is one of the better films of 2009 so far and contains an action scene that is worth the price of admission.
Latest News for The International
March 22, 2009:
Click for trailer and preview ![]()
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February 16, 2009:
Perhaps a perverse variation of The Peter Principle comes into play, here, since Tom Twyker appears to be over his head helming a Hollywood blockbuster as opposed to a modest, art house indie. ![]()
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
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This week at the movies, we've got creepy campers (Friday the 13th, starring Jared Padalecki and Danielle Panabaker), conspicuous consumption (Confessions of a Shopaholic,... More...
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