With its investigation (and a few expertly conceived action set pieces), The International builds a compelling case.
The International (2009)
Tomatometer
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Reviews Counted:191
Fresh:111
Rotten:80
Average Rating:5.8/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Australian Theatrical Release:
Feb 19, 2009 Wide
US Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
Reviews for The International
Although the plot's connective tissue is thin, the film's architectural settings are dazzling and the tense atmosphere keeps you glued.
Right... 'cause what we really need right now is a movie about the unstoppable inevitability of bank corruption.
Impossible to follow the plot but easy to appreciate the thrilling shootout at the Guggenheim.
Smart, tense and effective ... an intelligent conspiracy thriller that takes its time setting things up, but delivers one of the most impressive set pieces of the year.
This movie is a shining example of generic and bland studio film making.
The International, a sleek travelogue thriller, at least flirts with timeliness, winking at an angry and anxious public mood.
The International plays less like a modern action thriller and more like a conspiracy-minded '70s flick -- think Three Days of the Condor or The Parallax View.
It's a good-lookin' movie, with much to recommend it, even if it doesn't quite raise hairs or stop hearts the way you want it to.
Calculating and distant, as if instead of a movie we're watching a monetary transaction between a filmmaker and his audience.
The film opens with style, promise & top notch cinematography/direction. Sadly, after an hour of intrigue, thrill, & chase, the script sharply strays from earlier smarts.
Filmmakers talented enough to deliver the best shoot-out since Ronin shouldn't have to settle for the otherwise mediocre results on display here.
The International could have turned out to be a prescient statement about our times instead of one that increasingly droops our eyelids just when it should be opening them.
One of the most surprisingly inert films so far this year, an awfully written conspiracy flick that never gets out of neutral.
No matter how slick the film looks -- every cool-toned frame could transform into a Lexus commercial -- the undercurrent is very, very real, by which I mean hopeless
Director Twyker seems much more interested in the architecture of the world capitols the characters chase through than in having anything of much interest happen there.
Latest News for The International
March 22, 2009:
Click for trailer and preview ![]()
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February 16, 2009:
Perhaps a perverse variation of The Peter Principle comes into play, here, since Tom Twyker appears to be over his head helming a Hollywood blockbuster as opposed to a modest, art house indie. ![]()
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
Critics Consensus: Friday the 13th Feels Too Familiar
This week at the movies, we've got creepy campers (Friday the 13th, starring Jared Padalecki and Danielle Panabaker), conspicuous consumption (Confessions of a Shopaholic,... More...
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