For every burst of energy or eye-catching visual, the film doubly shoots itself in the foot with listless pacing and dreary thematics. Ultimately, it isn't worth the effort to get to the good stuff.
The International (2009)
Tomatometer
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Reviews Counted:191
Fresh:111
Rotten:80
Average Rating:5.8/10
Consensus: The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot.
Australian Theatrical Release:
Feb 19, 2009 Wide
US Box Office: $25,450,527
Synopsis: Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine... Released in a post-globalization economy teetering on the brink of a depression, THE INTERNATIONAL admirably stays in step with its time. Screenwriter Eric Singer hangs this man-against-the-machine action-thriller not on the Russians, North Koreans, or turncoats in the C.I.A., but on the I.B.B.C., an international bank that wields power through crippling debt. With villains like these, viewers fretting over their own mortgage rates will find themselves rooting zealously for these crooked financiers to fall hard. Interpol agent Louis Salinger (Clive Owen) and his partner, New York Assistant D.A. Eleanor Whitman (the somewhat underused Naomi Watts), are consistently stonewalled by local law enforcement in their attempt to close in on the bank’s insiders. The conflict deepens two-fold as Salinger discovers not only how wide the bank’s nefarious influence spreads, but how loosely he will act within legal boundaries to get his man. Owen elevates the at-times standard espionage plot devices with his now trademark (but always riveting) me-against-the-worldisms: his hard-edged focus and steely moral clarity. Armin Mueller-Stahl also stands out in the cast as a weathered ex-communist revolutionary now finding himself in the epicenter of capitalist corruption. With spirited but tight direction, Tom Tykwer (of RUN, LOLA, RUN and THE PRINCESS AND THE WARRIOR fame) emphasizes longer action sequences and a more developed narrative arc than many contemporary post-BOURNE IDENTITY thrillers. The film’s centerpiece--an incredible shoot-out in the Guggenheim Museum with flying plaster, shattering installations, and shifting loyalties--reads like a disaster movie for the highbrow set as art lovers everywhere will experience a perverse thrill watching the museum’s famed spiral shot up by I.B.B.C. thugs. [More]
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Starring: Clive Owen, Naomi Watts, Armin Mueller-Stahl, Brian F. O'Byrne
Director: Tom Tykwer
Director: Tom Tykwer
Screenwriter: Eric Warren Singer
Producer: Charles Roven, Richard Suckle, Lloyd Phillips
Composer: Tom Tykwer, Johnny Klimek, Reinhold Heil
Studio: Sony Pictures Entertainment
Reviews for The International
By the time the film unearths its ultimate revelation that, essentially, the entire world is in on the corruption, it's easier to just enjoy the film's scenery and shoot-'em-ups.
An action thriller with some decent action and a few thrills, but all embedded in a yarn so hopelessly tangled that even the loose threads have knots.
The International is just passable; it’s a clock-puncher that’s almost entirely free of suspense or surprise.
A fairly good thriller with mixed-bag elements: preposterous plot, smartly elegant direction, one of the worst recent performances by a major actress, and a dynamite stick of an action scene that can stand close to the greats.
The movie's theory of insidious capitalism is mildly interesting, but there are no interesting relationships to make it meaningful.
A handsome thriller, just not a riveting one, turning the potential for an unsettling thrill ride with real-world ramifications into a passable nail-biter more interested in the art of protracted conversation than portioning out punches.
A distant cousin to Daniel Craig's second Bond outing ("Quantum of Solace"), "The International" is still worth seeing for fans of the genre.
This unwieldy product, with its swathes of expository dialogue, might have been titled Expain Clive Explain.
The International impressively uses architecture as tone sculpture, primarily setting its action in the clean affluence of polished steel, clear glass and poured concrete modernism. Rarely does a thriller convey such an effortless stench of untouchability
What, might you ask, is the cause of all this cloak-and-dagger skullduggery? Well, I could tell you, but then I’d have to bore you.
I enjoyed The International. Clive Owen makes a semi-believable hero, not performing too many feats that are physically unlikely.
The pace is fast and the action, particularly a mind-boggling shoot-'em-up in the Guggenheim Museum, furious enough. But the less-conventional elements are in many ways even more effective.
Tom Tykwer's globe-spanning thriller about corporate malfeasance offers ideas, pace, beauty, and an aces turn from thinking-man's action hero Clive Owen.
Taut conspiracy thriller is elevated above the ordinary thanks to Tom Tykwer's sharp direction and a typically rock solid performance by Clive Owen.
[I]nternational bankers...trafficking in munitions and weapons systems in all the powder-keg regions of a troubled world. Is that a group you can love to hate or what?
In terms of tension - pure, cinematic suspense - the picture is a knockout.
Even classed up with Clive Owen and Naomi Watts, the story -- inspired by an actual late-’80s/early-’90s scandal -- seems slightly confused and dated.
Latest News for The International
March 22, 2009:
Click for trailer and preview ![]()
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February 16, 2009:
Perhaps a perverse variation of The Peter Principle comes into play, here, since Tom Twyker appears to be over his head helming a Hollywood blockbuster as opposed to a modest, art house indie. ![]()
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February 14, 2009:
The Naomi Watts International Interview: On sleepless nights, lactose lobotomies and almost kissing scenes ![]()
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February 12, 2009:
Critics Consensus: Friday the 13th Feels Too Familiar
This week at the movies, we've got creepy campers (Friday the 13th, starring Jared Padalecki and Danielle Panabaker), conspicuous consumption (Confessions of a Shopaholic,... More...
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