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The Invisible Circus (2001)
Tomatometer
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Reviews Counted:60
Fresh:13
Rotten:47
Average Rating:4.1/10
Consensus: Despite Jordana Brewster's strong performance, The Invisible Circus lacks the necessary dramatic tension to be interesting. Also, the cultural and political contexts of the period are barely explored.
Synopsis: In THE INVISIBLE CIRCUS, sixties idealism meets headlong with family conflict and, mysteriously, death. This compelling drama, based on Jennifer Egan's novel, begins in the infamous Summer of '69,... In THE INVISIBLE CIRCUS, sixties idealism meets headlong with family conflict and, mysteriously, death. This compelling drama, based on Jennifer Egan's novel, begins in the infamous Summer of '69, when radical hippie Faith O'Connor (Cameron Diaz), and her English boyfriend Wolf (Christopher Eccleston) take off for Europe, feeling that they will change the world for the positive. Faith diligently writes postcards to her younger sister Phoebe (Jordana Brewster). When they suddenly stop, the next Faith's family hears of her is that her body has been found at the bottom of a cliff outside a tiny Portuguese fishing village, the victim of an apparent suicide. Seven years later, Phoebe, a haunted, introverted teenager, still doesn't believe her adventurous, life-loving sister would have taken her own life so, against the wishes of her protective mother (Blythe Danner), Phoebe decides to retrace Faith's journey across Europe, using the postcards she had received from Faith as her only clues to a growing mystery. From a houseboat in Amsterdam to a flat in Paris, Phoebe follows Faith's footsteps right to the end. Along the way, she finds Wolf married and settled into a life of bourgeois complacency, one of the many twists in this chilling, engaging story. [More]
Starring: Jordana Brewster, Christopher Eccleston, Cameron Diaz, Patrick Bergin
Starring: Jordana Brewster, Christopher Eccleston, Cameron Diaz, Patrick Bergin, Camilla Belle, Blythe Danner
Director: Adam Brooks
Director: Adam Brooks
Screenwriter: Adam Brooks
Composer: Nick Laird-Clowes
Studio: New Line Cinema
Reviews for The Invisible Circus
Movies that attempt to resurrect the spirit of the 1960s and explain 'what went wrong,' almost always implode from the weight of their own pretensions.
One more failed attempt to make a definitive statement about that indefinable revolution-in-consciousness that was the 1960s.
For whatever reason, Brooks has decided to distance his characters from the audience, and the result is a cold, uninvolving experience.
An absorbing story about hope, youthful ardency and shattered illusions that creates a bonding empathy between the audience and its pensive young heroine.
A soul-satisfying film about one young woman's rite of initiation into adulthood.
Everything must pass through the filter of Phoebe, who is basically inexpressive and unlikable.
The Invisible Circus has its heart in the right place, but its hippie-dippie, flower-power motif never really goes anywhere or say anything new.
Watching it is like having a book read to you by someone who can't enliven his voice above a monotone.
Brooks tries to cram too much into his scenes, combining both the film's external world and characters' inner thoughts in a way that is cluttered and lacking in imagination.
When flashbacks tease us with bits of information, it has to be done well, or we feel toyed with. Here the mystery is solved by stomping in thick-soled narrative boots through the squishy marsh of contrivance.
The film is overnarrated and in spots overwritten, but Brooks ... does well with actors, and he has coaxed an extraordinary performance out of the young Jordana Brewster.
Mostly through Brewster's central, focusing performance, it brings back the time of youth gone mad with possibility.
In adapting Jennifer Egan's first novel, writer-turned-director Adam Brooks has mined just about every sixties cliché imaginable.
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